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UK grandmother, 91, looks 20 years younger when in a bikini

A great grandmother aged 91 gets chatted up by men 20 years younger when in a bikini.

And Joan Richmond-Woodhouse says her envied beach body look comes despite her love of meat pies and pub grub, The Sun reports.

The mum of eight and grandma of 18 says she is regularly mistaken for a woman in her 70s when sunbathing.

“I don’t know how to behave as a 91-year-old — I just act the same as I did when I was 21,” she said.

“I’ve always looked young and people are always shocked when I tell them my age as I don’t look, talk or act like I am 91.

“I love wearing a bikini and going to the beach with my granddaughter.”

Granddaughter Lydia, 27, a beauty ambassador, said, “It’s mad people 20 years younger try and chat her up.

“They don’t believe us when we tell them her real age — she doesn’t age.

“I hope when I’m older I’m like my grandma and inherit her genes and look as good as she does at her age.

“I really hope to have her luck. Lots of members of our family get complimented on our youthful looks and it’s almost like we get to a certain age then we age backwards.”

Retired dressmaker Joan, of Blackburn, now spends most of her time with boyfriend David Winder, 84, on Spain’s Costa Calida.

“I don’t do anything special to stay young,” she said.

“I love pies and English grub so I’ve stuck to eating that. I love a meat pie.

“I always go for a carvery every Sunday. I don’t follow any silly diets.

“I just eat what I want and what makes me happy. I just love English food — especially pub grub.”

Joan — who lost her retired solicitor hubby Trevor Woodhouse — swears by a Nivea cream, which she has used since she was 16 and she moisturizes her whole body once a week.

She also loves clothes and likes to dress glamorously.

“I’ve never put any weight on,” she added.

“I think that must be my secret to my young looks.

“That and I just love life and have never had the mindset of being old.

“Age is just a number. I keep young by staying positive and eating what I want. It works for me.”

This article originally appeared on The Sun and was reproduced with permission

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Nope review: Jordan Peele’s movie is all about the spectacle

After the blistering social commentary of Jordan Peele’s first two movies, Get Out and Us, there’s an expectation that his latest, Nope, would have the same level of thematic richness.

nope toys with those expectations. The visceral and entertaining movie definitely has a lot to say about a lot of things, but there’s also a suspicion that Peele is having his own cheeky meta moment, a playful ribbing to audiences.

Because nope is nothing if not a spectacle. Peele wants you to look and he wants you to think about the exercise of him looking and consuming – and he has all the tricks to hypnotise and bewitch his audiences so they never look away.

OJ (Daniel Kaluuya) is outside on his family’s horse ranch when small objects mysteriously start falling at great velocity from the sky. His father of him is struck and killed by a coin and the ranch passes to OJ and his sister of him Em (an electric Keke Palmer).

Six months on, the ranch is struggling and OJ has had to sell horses to the neighboring theme park run by a former child actor, Jupe (Steven Yeun).

There’s a mysterious force in the skies above them, a UFO that hides inside a stationary cloud and OJ and Em and Jupe all want to exploit its presence for their own profit agendas.

But they’re going to find out they can’t bend a primal force to the will of men and a lot of blood will be spilled before the credits roll.

Utterly captivating, you can approach nope in multiple ways. If you want to have a leanback popcorn experience, Peele delivers. The film is a sensory smorgasbord – the set-pieces are variously tense, booming, draw-your-breath and exhilarating. And it’s also just really funny with Peele deploying his extensive experience in comedy.

You can go along for the ride on a pure spectacle level and inhale what it offers in visual and auditory thrills. Cinematographer Hoyte van Hoytema (dunkirk, Ad Astra, Her) does a tremendous job in shooting these expansive frames that make the story feel big.

There are visual questions to the likes of poltergeist and even The Godfatherwhile the tone, especially in that final act, evokes the Amblin movies of the 1980s.

Or you could engage with nope on a more cerebral level because Peele is working with several intersecting ideas.

There’s the man versus beast motif, which, without spoiling things, shows up in more ways than one, connecting a traumatic event in Jupe’s past to his present ambitions involving the visitor in the sky.

The main thrust of it though is these ideas around spectacle, this voracious appetite we have to be entertained, to be enticed into an experience away from the everyday, and the need to record it because if it doesn’t exist for posterity, did it even really happen?

nope can be heavy handed in how it deals with spectacle – the repetition of mirrors and reflections, including that which is captured by cameras, different aspects of performativity and a reference to chimp attack victim Charla Nash.

Of course, spectacle is almost always heavy handed, it’s about the fireworks and not grace. nope explores the cost of our obsession with spectacle and it reflects back to the audience our own complicity.

The ideas are sometimes a little undercooked and lose cohesion but Peele carefully works the balance between commentary and entertainment, which mostly succeeds.

above all, nope commands attention because it’s so conscious about itself being a spectacle and it’s asking us to decide whether it works as more than just a fun time.

Rating: 3.5/5

Nope is in cinemas now

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‘Crack a smile’: Ken Done and Rosie Deacon bring popping color to Ben Quilty’s new regional gallery | Art

A splash of color and a dollop of joy has brought winter sunshine into the country’s youngest regional art gallery, with a joint exhibition of new works from two unlikely collaborators.

Last November, acclaimed artist Ben Quilty realized his ambition of establishing a public gallery in his neighbourhood, in the southern highlands of New South Wales: Ngununggula opened its doors with an exhibition called High Jinks in the Hydrangeas, a collection of photographs and installations by Sydney artist Tamara Dean.

Last weekend the gallery – a repurposed heritage-listed dairy in Retford Park on the outskirts of Bowral – unveiled its latest show, Spring Collection: an exhibition of new works by veteran painter/designer/entrepreneur Ken Done, and craft-based installation artist Rosie Deacon.

Rosie Deacon at Spring Collection.
Rosie Deacon at Spring Collection. Photographer: Ashley Mackevicius

The two artists share a compulsive fascination with intense colour, and an affectionate attachment to one of Australia’s most iconic motifs, the koala.

Young Japanese tourists flocked to Done’s Sydney harborside gallery in the 1980s to buy his koalas, the artist says.

“I could draw koalas that were so cute, nine-year-old Japanese girls fainted from their very cuteness, which is what I set out to do,” Done tells the Guardian.

“Now Rosie has taken the koala into a whole different level, very exciting, very graphic.”

The lighthearted focus of the exhibition fills the brief of accessibility, Ngununggula’s director, Megan Monte, says.

“People can’t help but crack a smile.

“It’s important for a regional gallery to offer diversity, and it’s incredible for kids to see the work as well as adults … [so] that they can stop and think about what art can be. And that art is something we should all be enjoying.”

Colorful coral reef art installation by Rosie Deacon
Rosie Deacon’s riotous coral reef installation was originally created for the 2022 Australian fashion week show by Romance Was Born. Photographer: Ashley Mackevicius

While there are a number of commercial art galleries dotted throughout the southern highlands, locals and Wingecarribee council had spent some previous 30 years discussing the lack of a regional public gallery in the shire – but it had amounted to little more than talk.

The instant Sydney art adviser Justin Miller showed Quilty the former Fairfax family-owned 19th century dairy property in Retford Park, the artist was sold.

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The gallery’s name, Ngununggula (pronounced “Nuhn-uhn-goola”), means “belonging” in the local Gundungurra language. Quilty admits there was initially some opposition, on the grounds some people would not be able to pronounce it; and the venue itself took more than five years to come into being.

“It was a shed filled with rolled up barbed wire and corrugated iron,” Quilty tells the Guardian.

“But it was once in a lifetime opportunity to get a proper regional gallery. To build something similar from scratch, built out of the ground, would have been around $30m. And we’ve got this for $8m, with a beautiful, nuanced heritage that binds it.”

Black and white image of the former Fairfax family-owned 19th century dairy property in Retford Park
Ben Quilty says Ngununggula was never intended as ‘a vanity project’.

Sydney architects Tonkin Zulaikha Greer were tasked to redesign the National Trust-listed property, and builder/developer Richard Crookes became so involved in the project he decided to deliver it at cost. Crookes now sits on the Ngununggula board.

Quilty has no plans to exhibit his own work in the gallery anytime soon. The multi-award winning artist, who in little more than a decade has won the Prudential Eye award (2014), the Archibald prize (2011), and the Doug Moran national portrait prize (2009), said Ngununggula was never intended as “a vanity project”.

“The sooner my name is disassociated with the gallery the more everyone else’s names become involved,” he says.

Exterior of Ngununggula, Ben Quilty's gallery in the southern highlands of NSW
Ngununggula, Ben Quilty’s gallery in the southern highlands of NSW. Photographer: Tamara Dean

“I don’t think it’s right that I should show in there for quite some time.”

In Spring Season, a dozen new works by Done flood the gallery’s first space, most on a large scale taking coral reefs as his inspiration. Several additional Done works adorn the walls of the gallery’s second space, in which Deacon’s riotous coral reef installation – originally created for the 2022 Australian fashion week show by Romance Was Born – sprouts forth from the floor.

The third space in Ngununggula has been colonized by Deacon’s mammoth multi-coloured mutation of a necklace, the fruits of a 1.5-tonne donation of polystyrene foam, gifted to Deacon by a Sydney toy manufacturer.

Both artists discussed their work at a briefing on site earlier this month.

“I tried to contain the colors … but it didn’t work,” said Deacon, who expanded a little on the joys and challenges of working collaboratively. To make the coral reef installation, she corralled her mother’s knitting circle in Deacon’s small home town of Nyngan, in central NSW; and for the necklace installation, she worked with what sounded like the entire gallery staff, including cafe employees.

The 37-year-old artist, who established her reputation in the art world comparatively early in her career, admits she was intimidated by art galleries and art school as a young person. Since graduating from the UNSW College of Fine Arts in 2009, she has shown in more than 50 exhibitions in Australia.

Deacon is self-effacing, almost dismissive, of her achievements to date. Done, less so.

“I was 40 when I had my first exhibition at Holdsworth Gallery, and three months later I opened my own,” said the 82-year-old artist, who has collected a wide assortment of accolades over the years, including the NSW Tourism award (1986), Father of the Year (1989) and an Order of Australia (1992).

Ken Done's work for Spring Collection
Ken Done’s work for Spring Collection. Photographer: Ashley Mackevicius

As Done moved from painting to painting in Spring Collection, he self-interrogated out loud as small details within each work caught his eye.

“What are these things? I have no idea, you couldn’t look it up in a David Attenborough book,” he said, pointing to one.

Sweetpea Reef (2021) by Ken Done
‘Pretty is a very nice word’: Sweetpea Reef (2021) by Ken Done.

“What is this? I have no idea,” he continued, about another. “It’s a lot about composition, balance, a big piece here, a little piece there. It’s like a piece of music, you have to get the notes right, you have to get the rhythm right – oh, here’s a little trill thing.”

Done’s inspiration for this collection stretches far back to his boyhood, when a Saturday job at his local Coles supermarket earned him his first diving mask. He has been captivated by the underwater world ever since.

Many of the works appear to merge garden and underwater themes; and most are on show for the first time. There is a wisteria reef painting, and one called Sweetpea Reef – “because it is pretty”.

“I like that word, it’s not a very fashionable word in contemporary art society, well bugger that,” he said.

“Pretty is a very nice word, beautiful is a very nice word, decorative is a very nice word.

“All these words seem to be a bit out of fashion in certain areas – but I don’t make the rules.”

  • Spring Collection, new works by Ken Done and Rosie Deacon, is showing at Ngununggula in the southern highlands until 9 October

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Ellen DeGeneres leads tributes to her former girlfriend Anne Heche who died following a car crash at the age of 53

US comedian and talk show host Ellen DeGeneres has led a chorus of tributes following the death of her former girlfriend Anne Heche.

The 53-year-old actress was declared brain dead on Friday (local time) after she slipped into a coma following a severe car crash on August 5.

The pair dated for three years from 1997 to 2000 – shortly after DeGeneres came out as lesbian.

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“This is a sad day,” DeGeneres wrote on Twitter.

“I’m sending Anne’s children, family and friends all of my love.”

Shortly after the incident on Friday, DeGeneres was approached on the street and asked if she had spoken to Heche.

“No, have not. We’re not in touch with each other, so I wouldn’t know,” she said, as reported by Fox News.

Asked if she wanted to send her former girlfriend any well-wishes, DeGeneres simply responded: “Sure. I don’t want anyone to be hurt.”

The former Six Days, Seven Nights actress was in critical condition and hospitalized after crashing her car into a home in West Los Angeles.

A representative for her family told PEOPLE on Friday she is being kept on life support until she is determined as a match for organ donation.

“Today we lost a bright light, a kind and most joyful soul, a loving mother and a loyal friend,” a representative for her family said in a statement.

“Anne will be deeply missed but she lives on through her beautiful sons, her iconic body of work, and her passionate advocacy. Her bravery for always standing in her truth, spreading her message of love and acceptance, will continue to have a lasting impact .”

Heche’s eldest son Homer, 20, said he has been left with a “deep, wordless sadness.”

“My brother Atlas and I lost our mum,” he told PEOPLE in an exclusive statement.

“After six days of almost unbelievable emotional swings, I am left with a deep, wordless sadness.

“Hopefully my mum is free from pain and beginning to explore what I like to imagine as her eternal freedom.”

The 20-year-old went on to acknowledge the outpouring of love from friends, families and fans of Heche.

“Over those six days, thousands of friends, family and fans made their hearts known to me,” he said.

“I am grateful for their love, as I am for the support of my dad, Coley, and my step mum Alexi who continue to be my rock during this time. Rest in Peace Mom, I love you.”

The 53-year-old’s ex James Tupper also posted an emotional tribute to the actress on Instagram.

The Canadian actor and father of Heche’s youngest son Atlas posted a sweet photo of Heche with the caption: “Love you forever” alongside a broken heart emoji.

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Game of Thrones’ final season actually made perfect sense

After a decade of extreme emotional investment, Game of Thrones’ eighth and final season in 2019 really failed to impress its legion of fans.

While there were a whole host of criticisms, from it feeling “rushed” to having no consistency on previous seasons, arguably the most deafening outcry was aimed at Daenerys Targaryen’s King’s Landing death ride – in which she burned thousands of innocents despite her victory having already been sealed with the rings of the surrender bells.

She got what she wanted, she defeated Cersei Lannister, why did she proceed to murder a whole city?

It didn’t make sense, many argued, with a petition to rewrite the final season notching half a million signatures at the time. Even GoT author George RR Martin admitted writers Dan Weiss and David Benioff went in a different direction than what he would have wanted.

Danny was the heroin of this story. The ethereally beautiful, silver-haired dark horse who rose from the ashes – dragons in tow – to follow her destiny and rule a better Westeros.

She showed empathy throughout her campaign. Moral judgment. She promised to “break the wheel” to her army of oppressed followers of her.

While those things are true, if you were stunned by Dany’s fall from grace in season 8 you simply weren’t paying close enough attention.

UK actress Emilia Clarke told Entertainment Weekly in 2020 she was “flabbergasted” by her beloved character’s fate, but there were a long list of moments that foreshadowed Dany’s destruction.

In the first season, Daenerys watches her brother Viserys die in brutal fashion – appearing stone cold emotionless as he begged for mercy at the hands of the Dothraki.

While, granted, Viserys was an awful person, Dany’s lack of empathy in this moment hinted at her darker side.

And then in season 2, the very early days of Dany’s campaign to the kingdom, she made it clear she was a force to be reckoned with, capable of doing the very thing she did in season 8.

Speaking to The Spice King in Qarth, in a desperate bid to convince him to let her take his fleet, Dany proclaimed: “I am Daenerys Stormborn of the blood of old Valyria and I will take what is mine. With fire and blood, I will take it.”

In the same episode, she declares: “When my dragons are grown, we will take back what was stolen from me and destroy those who have wronged me. We will lay waste to armies and burn cities to the ground!”

And then, in season 4, Dany crucifies 163 Great Masters in Meereen for their treatment of slave children – never mind that some were innocent. She says: “I will crucify the masters. I will set their fleets to fire. I will kill every last one of their soldiers and return their cities to the dirt. That’s my plan.”

Catch up on Game of Thrones on BINGE before the global premiere of House of the Dragon on Binge and Foxtel from August 22. Sign up at binge.com.au

Season 6 ended in a blaze of glory when Dany burned all the Dothraki lords within the dosh khaleen in one fell swoop after they had taken her prisoner.

Again, these dudes were bad men. But it showed just how much Dany enjoyed burning her oppressors alive.

One of her most brutal moments was in season 7, when Dany was given the choice of either killing or imprisoning the commendable Lord Tarly and his son Dickon after the Unsullied won a battle against Lannister forces. So, what does she do? She burns the duo in broad daylight. She relished in it.

Lord Varys’ death of the same nature in the eighth season was equally hard to swallow.

Having killed countless people at this point, it’s fair to assume the lines will eventually become blurred.

Which brings us to the rest of that fateful season. Dany repeatedly persists on going with her her first instinct – attacking King’s Landing without mercy. She’s talked out of it by Tyrion and co, but she never really seems on-board with taking the high road.

She then witnesses Cersei direct the Mountain to behead her loyal adviser, Missandei, only days after she watched Jorah Mormont die in the bloody battle against the white walkers. At this point, after repeatedly being told to be a good girl in the face of personal loss, she is well and truly on the brink of a psychotic break.

Her finale rampage was clearly a brain snap, which may have felt “rushed” at the moment, but the evidence that she was capable of having one without using her moral judgment was there all along.

The people of King’s Landing weren’t going to support her rule. She knew this. She was hungry for loyal followers. And in that split second, as she had done countless times before, she burned them all.

And a quick look at her lineage shows why the moment wasn’t supposed to make sense.

Dany’s father, King Aerys II Targaryen, who is referenced multiple times in GoT, was known as the ‘Mad King’. His transformation of him from benevolent leader (hello, Dany?) To murderous psycho (looking at you, Dany) was supposedly brought on by an incestuous bloodline – one of which Dany inherited.

Aerys began displaying traits of insanity, sadistic intentions, schizophrenia, and paranoia regarding his own claim to the Throne, and just straight-up burnt people who he thought was against him.

It’s surely not farfetched that the apple ultimately didn’t fall far from the tree.

While Dany was inarguably the pin-up character of GoTand the frontrunner among fans to make it to the top, I would question whether or not we would’ve been satisfied if the credits rolled with her sitting perched on the Iron Throne.

Or perhaps you were on the side who wanted Jon Snow to rule – what do you propose they were they going to do with Dany? She may have loved him, but she was no First Lady, as Tyrion pointed out to Jon in the finale.

So what was the other option? What was going to be a plot twist but also make sense?

The very outcome we were given.

Dany was never going to “break the wheel”. She was simply too desperate for power to lead peacefully. A bit like that rogue lady who led the Hunger Games rebellion.

And as for Jon, well, he never wanted to rule. The humble hero’s final act was thwarting evil, even at a serious personal cost, and he was sent back to the Night’s Watch where he’d spent a lot of time as one of the leading advocates amid the mostly-blind threat of the white walkers . It was a bitter pill, but it was on-brand.

There is a notion that those who are hungry for power aren’t cut out for fair and balanced leadership. Which is why Bran Stark – albeit a tad underwhelming – was the obvious choice at the end.

As for Cersei’s underwhelming death. I hear the argument that one of TV’s most evil villains should have had a more epic demise.

But I found it quite fitting that someone who caused so much anguish died in a rather pathetic fashion – crumbled by falling rocks in the basement of her empire.

Arya Stark already killed the Night King in The Long Night. Having her de ella carry out another big kill just would n’t have carried the same delirium.

And because Cersei’s brother/lover Jamie Lannister – who had a brilliant character arc with moments of redemption – was with her, it did have to have an element of poignancy.

Perhaps Dany’s downfall will make more sense with the upcoming prequel, House of the Dragonwhich focuses solely on just how mad the Targaryen family was around 200 years before the events of GoT.

House of the Dragon premieres express from the US on Foxtel and Binge August 22

Read related topics:BingeFoxtel

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Honoring two Australian women taken far too soon

In the hours after news broke on Saturday about the death of singer Judith Durham, our Europe correspondent Rob Harris – who has a rich understanding of Australian culture – sent me a prescient WhatsApp message as we digested the significance of her loss.

Rob’s theory was that in terms of female singers who changed the world, there are only five true Australian success stories: Dame Nellie Melba, Dame Joan Sutherland, Durham, Olivia Newton-John and Kylie Minogue.

As Neil McMahon wrote in the Herald the next day, it took tragedy for Durham to realize just how much Australia and the world loved her.

As she lay in hospital in 1990 after a car accident that had claimed the life of another driver, the nation was keeping vigil, willing her back to good health. “That was a very big turning point for me,” she recalled years later. “People’s goodwill towards you can enlighten you, your sense of being appreciated.”

As we mourned Durham, we were not to know that the brilliant light that was Newton-John’s life was days away from being extinguished. Her battle with cancer had been very public, but her death in California at the age of just 73 felt like a real punch in the gut. My friends and colleagues describe feeling physically sick at the news and even shedding a tear.

I was one of them. Newton-John’s warmth, generosity and positive energy was inspiring, and her work de ella in raising awareness of breast cancer has undoubtedly saved lives. She even once described her cancer as “a gift” because her diagnosis gave her purpose and intention and taught her a lot about compassion.

Olivia Newton-John, pictured in 1976, took the world by storm.

Olivia Newton-John, pictured in 1976, took the world by storm.Credit:Getty

Under the direction of culture news editor Osman Faruqi, the herald newsroom treated the loss of Newton-John with great skill. One of the best contributions came from culture editor-at-large Michael Idato, who has a unique ability to capture the significance of big moments in Australian life.

In a career spanning six decades, Olivia Newton-John was a woman for all seasons: singer and songwriter, actor, activist, mother and health advocate. Searching her life de ella for a single snapshot to frame, we turn easily to Sandy Olsson, the Australian schoolgirl who romantically upended the all-American Rydell High School in the film grease.

To generations of fans, it was the capstone of her career, where everyone who saw her hope became helplessly devoted. It reflects the many ways people related to her de ella, and now grieve for her. Olivia was a sister, a best friend, a secret crush and, for one glittering moment in Hollywood history, the new girl at school. As Rydell’s cheer queen Patty Simcox would have said, wasn’t she the most?

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Olivia Newton-John’s first husband, Matt Lattanzi, married their former babysitter

Late entertainment icon Olivia Newton-John once spoke of her desire to keep her marriage to John Easterling private, but before the couple’s fairytale romance came to be, the actress’ tumultuous love life was often plastered across the headlines.

Newton-John, who died on Tuesday at 73 after a long battle with cancer, her husband of 14 years and daughter Chloe Lattanzi by her side, had once gushed about how lucky she was to find the “the love of her life” at 59 .

It came after the mysterious disappearance of her ex-partner of nine years, and divorce from her first husband, Matt Lattanzi, Chloe’s father, which ended with him dating and then marrying the couple’s former babysitter Cindy Jessup — a detail many believed to have shattered Newton-John.

But the actress insisted it never bothered her – and today Jessup paid loving tribute to Newton-John in an interview with the Daily Mail.

‘The world has lost a true angel. Olivia cared so deeply about people and the planet. She was such a force for goodness, always helping others,” Jessup told the outlet.

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Inside Olivia Newton-John’s first marriage

The chemistry was instant when Newton-John and Lattanzi first met on the set of 1980 musical film Xanaduwhere Lattanzi, then 20, was hired as a dancer and Newton-John, then 31, was starring as Greek muse Kira.

Four years later they wed, welcoming their daughter, Chloe Rose, in January 1986.

Tragedy struck in 1992 when the couple faced Newton-John’s first cancer battle together, with the star’s neece Tottie Goldsmith revealing he was “so supportive” of her.

However, just three years later, in 1995, the couple announced their divorce.

They managed to stay friends, despite Lattanzi, who was 40 at the time, moving on with the family’s babysitter Cindy Jessup, then 23, two years after they split.

The couple had hired Jessup in 1993 to help look after Chloe while Lattanzi was working on Aussie soap Paradise Beachand she quickly became part of the family.

A friend told reporters at the time of Jessup and Lattanzi’s 1997 wedding that Newton-John was “delighted” they had struck up a romance.

“It looks bad, because Cindy would often babysit his daughter and she was a friend of his and Olivia’s – but in those days there was no romance.”

Olivia blamed her cancer diagnosis for split

Newton-John later attributed the marriage breakdown partly to her cancer diagnosis.

While she admitted going through a divorce was “painful”, true to form, she held no ill will against Lattanzi for his marriage to Jessup.

“I think our marriage would have eventually come to an end, but it happened sooner because of the cancer, which was a good thing” she told the Daily Mail.

“It was very painful, but we were never at odds with each other.

“What happened between us was between us, and we wouldn’t allow it to affect (Chloe).”

She added: “Divorce is never all right. Everybody wants the happy ending and the white picket fence, particularly me.”

It seems that wish finally came true when Newton-John met natural-health businessman John Easterling, who she described as “the love of her life.”

“I have a wonderful, beautiful husband who is just so loving and fantastic,” she said after their low-key wedding in 2008.

“I always tell my friends you’re never too old to find love. I found the love of my life at 59 going on 60! I’m grateful.”

Matt Lattanzi went on to marry again

As for Lattanzi, it was not to last with Jessup, with the couple splitting after 10 years of marriage in 2007.

He married once more, and now runs a medicinal cannabis farm with third wife Michelle Lattanzi, who is currently in remission from colon cancer first diagnosed in 2014.

It seems the exes’ values ​​aligned later in life, given Newton-John was passionate about ensuring medicinal marijuana was more widely available for cancer patients to manage pain.

Paying tribute to her husband’s ex-wife on Facebook on Tuesday, Michelle Lattanzi said the world had lost an icon.

“Today we lost one of the world’s greats Olivia Newton-John,” she posted on behalf of the couple.

“Matt and I are so overwhelmed with the love and gratitude shared with us by friends, family and a deeply loving community of fans who will all miss Olivia’s presence in this world.

“I have heard truly lovely stories and memories from people near and far, and honor in each of you where those feelings and memories come from.

“Nothing will replace the icon we lost, yet her legacy is alive and well in our hearts and memories, as well as her contributions to our global culture, her beloved daughter Chloe Lattanzi, and her cancer research and wellness center in Melbourne.

“Please honor your sadness, and then celebrate the joy that Olivia’s heart and lifetime achievements endowed in our world.

“Sending all kinds of love.”

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Margot Robbie celebrates her pal Cara Delevingne’s 30th birthday at a yacht party in Spain

Margot Robbie celebrated her pal Cara Delevingne’s 30th birthday in style on Friday as she enjoyed a lavish yacht party in Formentera.

The actress, 32, was seen enjoying a dip in the water with her pals as they partied on the swanky liner docked on the Spanish coast.

It comes a day after Margot was seen heading out for dinner with Cara and actress Sienna Miller as the model prepared to celebrate reaching the big 3-0.

There she is!  Margot Robbie celebrated her pal de ella Cara Delevingne's 30th birthday in style on Friday as she enjoyed a lavish yacht party in Formentera

There she is! Margot Robbie celebrated her pal de ella Cara Delevingne’s 30th birthday in style on Friday as she enjoyed a lavish yacht party in Formentera

Margot was seen swimming in the crystal clear ocean before leaning on a surfboard while chatting with her pals.

The Oscar nominee later emerged from the water clad in a white and blue mismatched bikini before washing off with a shower.

Margot was among a slew of Cara’s celebrity pals in attendance for the party, including Sienna Miller, who showed off her toned and tanned physique in a tiny chocolate brown bikini while soaking up the sun during the boat party.

The actress opted for a natural makeup look underneath a stylish pair of sunglasses, while accessorizing with dainty gold jewellery.

Enjoying the sun?  The actress was seen enjoying a dip in the water with her pals as they partied on the swanky liner docked on the Spanish coast

Enjoying the sun? The actress was seen enjoying a dip in the water with her pals as they partied on the swanky liner docked on the Spanish coast

Party time!  Margot was seen enjoying a swim in the crystal clear ocean before leaning on a surfboard while chatting with her pals

Party time! Margot was seen enjoying a swim in the crystal clear ocean before leaning on a surfboard while chatting with her pals

Keeping cool: The Oscar nominee later emerged from the water clad in a white and blue mismatched bikini before washing off with a shower

Keeping cool: The Oscar nominee later emerged from the water clad in a white and blue mismatched bikini before washing off with a shower

Stunning: Margot was among a slew of Cara's celebrity pals in attendance for the party, including Sienna Miller, who showed off her toned physique in a tiny chocolate brown bikini

Stunning: Margot was among a slew of Cara’s celebrity pals in attendance for the party, including Sienna Miller, who showed off her toned physique in a tiny chocolate brown bikini

Sienna styled her short blonde locks in loose waves before rocking the wet hair after taking a dip in the sea.

As well as displaying her figure, the actress also showed off her impressive diving skills as she was seen plunging into the water.

Cara let her hair down as she slipped into a plumping navy swimsuit and tucked into what appeared to be a bowl of frosting during the fun-filled celebrations at sea.

Gorgeous: The actress opted for a natural makeup look underneath a stylish pair of sunglasses, while accessorising with dainty gold jewelery

Gorgeous: The actress opted for a natural makeup look underneath a stylish pair of sunglasses, while accessorising with dainty gold jewelery

wow!  She showed off her toned and tanned physique in a tiny chocolate brown bikini while soaking up the sun during the boat party

Fun in the sun: Sienna climbed out of the water and back onto the boat

wow! She showed off her toned and tanned physique in a tiny chocolate brown bikini while soaking up the sun during the boat party

Beauty: Sienna styled her short blonde locks in loose waves before rocking the wet hair after taking a dip in the sea

Beauty: Sienna styled her short blonde locks in loose waves before rocking the wet hair after taking a dip in the sea

Looking good: She then grabbed a towel to dry herself off after cooling off in the ocean

Looking good: She then grabbed a towel to dry herself off after cooling off in the ocean

Look at her go!  As well as displaying her de ella figure, the actress also showed off her impressive diving skills as she was seen plunging into the water

Look at her go! As well as displaying her de ella figure, the actress also showed off her impressive diving skills as she was seen plunging into the water

Mother: Sienna has one daughter, Marlowe, nine, with her actor ex Tom Sturridge, 36, who dated for four years between 2011 and 2015

Mother: Sienna has one daughter, Marlowe, nine, with her actor ex Tom Sturridge, 36, who dated for four years between 2011 and 2015

Cara showed off her model figure in the swimwear, which she teamed with a pair of tiny denim shorts with black patches on the back.

The birthday girl looked to be having the best time as she smeared frosting over her lips and playfully tried to rub it on her pal Adwoa Aboah.

Cara was in good company among her famous friends on the trip as Margot Robbie, 32, was seen cooling off amid a refreshing dip in the Mediterranean.

Celebrations: Cara Delevingne rang in her 30th birthday in style on Friday as she joined a plethora of A-list pals on a lavish yacht trip Formentera, Spain, with the star seen tucking into frosting

Fun times: The model certainly let her hair down as she slipped into a plunging navy swimsuit and tucked into what appeared to be a bowl of frosting during the fun-filled celebrations at sea

Celebrations: Cara Delevingne rang in her 30th birthday in style on Friday as she joined a plethora of A-list pals on a lavish yacht trip Formentera, Spain, with the star seen tucking into frosting

The actress – who is 15 years old Oli’s senior – confirmed the couple’s romance when she stepped out with the fashion model back in February at a New York Knicks game.

Rising star Oli was the face of a Burberry 2018 campaign and has also modeled for high street retailer GAP.

While he is also an actor, and is from one of the British art world’s most prestigious families – as his grandfather Richard Green owns two galleries in Mayfair.

Sienna has one daughter, Marlowe, nine, with her actor ex Tom Sturridge, 36, who dated for four years between 2011 and 2015.

Loved up: The actress - who is 15 years old Oli's senior - confirmed the couple's romance when she stepped out with the fashion model back in February (pictured in May)

Loved up: The actress – who is 15 years old Oli’s senior – confirmed the couple’s romance when she stepped out with the fashion model back in February (pictured in May)

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Entertainment

Paul Hogan steps out for rare outing in Los Angeles | photo

Paul Hogan has been spotted out and about in LA, more than a year after complaining he barely leaves his beachfront mansion.

The 82-year-old Australian movie star was seen running errands in his neighbourhood, where he was photographed filling up his car at a local petrol station.

the Crocodile Dundee actor, who has lived in California since 2003, cut a casual figure during the rate outing, wearing double denim and sunglasses.

It comes after he courted controversy for a Sunrise interview in May last year, in which he revealed he was “homesick” and had barely left his $4.5 million home in Venice Beach amid the pandemic and a rise in homelessness and crime in the area.

The usually upbeat Aussie star appeared out of sorts during his interview with co-host David Koch, who noted that Hogan, a regular guest on the show, was the “most down” he’d ever seen him.

Hogan went on to claim he was unhappy in LA but refused to return to Australia while strict hotel quarantine was in place.

“The crime’s up. I don’t go anywhere. The minute I can come home without being locked in a hotel for two weeks, I’m back,” he said.

That same month, Hogan was seen penning a letter to the homeless that he reportedly put outside his property.

According to the Daily MailHogan’s note read: “THIS IS MY HOUSE NOT YOURS.”

Hogan later denied writing the message, despite being pictured writing it with a red marker.

Months later in November, Hogan told Today he was finally returning to his home country in time for Christmas.

“I’m surviving. I’m homeick, but I’ll be back for Christmas … Looking forward to the end of this stupid disease,” he said at the time.

Hogan, who is now back in LA, has previously said he enjoys the anonymity he gets in the US, which he said kept him in tinseltown despite feeling “like a kangaroo in a Russian zoo”.

“I’m unknown,” he said in 2019, after so many years of scrutiny in his home country.

“I can just put me sunglasses on or a cap or something and no-one recognizes me … And that’s a luxury.”

Hogan – affectionately dubbed ‘Hoges’ – shot to fame as the loveable larrikin on The Paul Hogan Show in the early 70s, before becoming a global superstar – and a one-man arm of Australia’s tourism industry – with the smash hit film Crocodile Dundee in 1986.

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Entertainment

Top Gear star James May involved in horror car crash on-set of Grand Tour

Former Top Gear star James May has been rushed to hospital after a death-defying stunt went horribly wrong.

The 59-year-old UK TV presenter was filming for his popular Amazon Prime Video series The Grand Tour when he crashed his car into a wall at 120km/h, suffering a broken rib, The Sun reports.

May and his co-hosts Jeremy Clarkson, 62, and Richard Hammond, 52, had been filming a dangerous drag-style race when the accident unfolded.

The challenge involved the stars individually steering speed rally cars through a tunnel towards a rock wall at a Norwegian naval base.

The tunnel’s lights only came on as the cars sped past, giving all three men just seconds to react as they ran out of time before hitting the wall.

May, who is ironically nicknamed ‘Captain Slow’ by his co-stars, hit the brakes too late and crashed into the wall.

He was helped out of his Mitsubishi Lancer Evo 8 by paramedics, before being taken to hospital for a brain scan and X-rays. He was reportedly given the all-clear a short time later.

May had to abandon filming while Clarkson and Hammond continued on their Arctic Circle trip without him.

May’s accident happened at the decommissioned Olavsvern naval base near the city of Tromso, as part of a new grand-tour special which will be released later this year.

A television source told The Sun, “It looked extremely worrying at first. Jeremy and Richard were concerned about their mate and the paramedics swooped in quickly.

“As ever on a shoot of this scale, medical staff are waiting in the wings in case — as they did here — things go horribly wrong.

“James smashed his head quite hard in the impact, and was bloodied by it. He was complaining about pain in his back and neck from him. He was only able to join them once given the all-clear a day or so later.”

The shock incident came after Hammond cheated death in a horror accident in 2006, when he was traveling at 460km/h in a jet-powered car while filming for the BBC’s hit show, topgear.

This article originally appeared on The Sun and was reproduced with permission

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