movie stars – Michmutters
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Paul Hogan steps out for rare outing in Los Angeles | photo

Paul Hogan has been spotted out and about in LA, more than a year after complaining he barely leaves his beachfront mansion.

The 82-year-old Australian movie star was seen running errands in his neighbourhood, where he was photographed filling up his car at a local petrol station.

the Crocodile Dundee actor, who has lived in California since 2003, cut a casual figure during the rate outing, wearing double denim and sunglasses.

It comes after he courted controversy for a Sunrise interview in May last year, in which he revealed he was “homesick” and had barely left his $4.5 million home in Venice Beach amid the pandemic and a rise in homelessness and crime in the area.

The usually upbeat Aussie star appeared out of sorts during his interview with co-host David Koch, who noted that Hogan, a regular guest on the show, was the “most down” he’d ever seen him.

Hogan went on to claim he was unhappy in LA but refused to return to Australia while strict hotel quarantine was in place.

“The crime’s up. I don’t go anywhere. The minute I can come home without being locked in a hotel for two weeks, I’m back,” he said.

That same month, Hogan was seen penning a letter to the homeless that he reportedly put outside his property.

According to the Daily MailHogan’s note read: “THIS IS MY HOUSE NOT YOURS.”

Hogan later denied writing the message, despite being pictured writing it with a red marker.

Months later in November, Hogan told Today he was finally returning to his home country in time for Christmas.

“I’m surviving. I’m homeick, but I’ll be back for Christmas … Looking forward to the end of this stupid disease,” he said at the time.

Hogan, who is now back in LA, has previously said he enjoys the anonymity he gets in the US, which he said kept him in tinseltown despite feeling “like a kangaroo in a Russian zoo”.

“I’m unknown,” he said in 2019, after so many years of scrutiny in his home country.

“I can just put me sunglasses on or a cap or something and no-one recognizes me … And that’s a luxury.”

Hogan – affectionately dubbed ‘Hoges’ – shot to fame as the loveable larrikin on The Paul Hogan Show in the early 70s, before becoming a global superstar – and a one-man arm of Australia’s tourism industry – with the smash hit film Crocodile Dundee in 1986.

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Jane Fonda: Oscar-winner doesn’t feel part of Hollywood | Stellar interview, Luck Apple TV+

At almost 85, actress and activist Jane Fonda says it took her 70-something years to “become young”, and that feeling as good as she does now is something of a miracle.

Ahead of her new role in an animated movie, Fonda speaks exclusively with Stellar about what her late, lauded father taught her about life and regret on his deathbed, why she has never truly felt like a classic Hollywood icon, and her rubber-band trick for treating heartbreak.

You recently said, “I am younger now [at age 84] than I was in my 20s”. How do you stay young?

I don’t think that it’s true of everyone, frankly. How we are in our 20s – at least in the first part of our lives, before we understand that we can actually put an oar in the water and steer our life in a different direction, if we so choose… until I got to that point in my life, I was lost, I didn’t know what to do or who I wanted to be. I was very unhappy and I felt old and didn’t feel like I would live for very long. So to be almost 85 years old and to feel like I do now is a miracle to me. I have been very intentional in trying to … make myself a better person, make my life have more meaning. [The artist] Picasso once said, “It takes a long time to become young” and that’s sure true for me. It took 70-something years for me to become young.

When you say “become young”, what do you mean?

Young, [as in] light, not feeling a great burden on my shoulders. Learning how to be present, learning how to accept what comes, learning that we don’t have any control… something bad will happen, been there, done that and I survived. It’s much easier being older than it is being younger. It’s so hard to be young! There’s nothing but questions: “What am I supposed to do? Who am I supposed to know? Don’t give up, keep going and try to learn from all this, so when you get a little older, you can get more agency over your life.

You’ve spoken previously about not living a life of regrets. How have you influenced your decisions in Hollywood – and your life?

when my father [the late actor, Henry Fonda] was ill, it took him a long time to die. I would sit by his bedside of him. He didn’t speak much when he was young and healthy, and you don’t change when you’re on your deathbed. What I realized [was] he was going to die with regrets, when it was too late to do anything about it. It’s not the dying that I am scared of, it’s the coming to the end of life with a lot of regrets when it’s too late to do anything.

And that came to me at about the age of 60, so I thought, “All right, that means you have to live now until the end of your life in a way that will minimize the regrets and to go out feeling pretty OK about what you’ve done.” Regrets are usually about what you didn’t do … rather than the things you did. I am trying to do what I feel needs to be done before the end, right now, in my life.

You’ve been married three times and previously stated: “Part of the reason I get into a relationship with a man is that I feel he can take me down a new path”. How do you reflect on the defining relationships of your life?

Well, all of my three husbands definitely took me down paths that I probably would not have gone down had I not married them. And then, in between the marriages, I have had boyfriends that didn’t take me down any new paths, that really had nothing to teach me, and I got bored pretty fast. I feel like I needed to always be learning and growing and expanding, and my husbands have all helped me do that.

What is your advice for dealing with heartbreak?

Put a rubber band around your wrist and when you get really angry or sad, snap it. That sudden pain, it changes the neural pathways in your brain, and will help you kind of come out of it for a minute. Then, write him a letter, pour your thoughts out – but don’t send it.

Years from now, you’ll read it and be amazed at how different you are when you read it, than the time you wrote it.

Between projects, such as the 1968 movie Barbarella and Netflix series Grace and Frankie, and now your voice role in new animated film Luck, on Apple TV+, you’ve had incredible longevity and diversity in your acting career, and you’ve won two Oscars for Best Actress. What has your experience been as a woman working in Hollywood?

I’ve never felt part of Hollywood, really. I mean, I know it sounds strange to say that because my father was a movie star, Henry Fonda, but he was not really part of Hollywood. I didn’t go to Hollywood parties much. I mean he did, sometimes. It was not a life that was totally focused on glamor and Hollywood. My life has never been, either. Most of my friends are activists and not involved in Hollywood. I have plowed ahead, even when it looked like my career would be over. I just try to stay relevant, I guess.

You’re the voice of Babe, The Dragon, in Luck. What drew you to the role?

She is the president of the Kingdom of Luck, where they create luck. Human beings are not allowed there because it’s thought they’ll bring bad luck with them. It’s a story about a young girl named Sam, who is in the foster care system and who has nothing but bad luck. With the help of some of the creatures in the kingdom, she manages to get in and teaches the dragon that bad luck is really the other side of the coin of good luck, that the two go together. That good luck doesn’t mean anything without bad luck, and vice versa. It’s like, life doesn’t have meaning without death.

The climate crisis is the main subject of your activism, as founder of the Jane Fonda Climate PAC (Political Action Committee). What is your message to lawmakers – in the US and globally – about the state of the environment?

I have to say, the people of Australia understand the climate crisis better than most. I mean, boy, you just can’t catch a break with the fires and flooding. We have to look at what the scientists say. We have to cut our fossil fuel emissions – the pollution that happens when we

burn coal and gas – in half by 2030. In the US, that’s four election cycles. That’s a very short period of time. It’s a massive challenge that requires not just laws and policies to be passed, but a new way of thinking. Think about nature differently, think about our responsibility – this is particularly true in the United States, stop thinking about me, me, me. It’s pretty scary and we don’t have a lot of time. We have to do everything we can, all of us.

Luck is now streaming exclusively on Apple TV+

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Bullet Train review: A largely entertaining but messy action comedy

If 2022 is the year of the movie star thanks to Tom Cruise’s resurgent form, then Brad Pitt makes for a convincing rival.

Because the largely entertaining action flick Bullet Train rolls along on the power of Pitt’s megawatt charisma – and sometimes on that alone.

The David Leitch-directed action comedy has a lot going for it, an unapologetically rambunctious tone, slick stunts and combat sequences and a colourful, pizzazzy visual aesthetic that pops.

But it’s also messy, swerving from euphoric highs to sloppy lows with its uneven pacing sometimes speeding at the breakneck pace of a, well, bullet train, while other times it feels as if it’s moving about as fast as a sloth on land.

Pitt stars as Ladybug, a relatively mild-mannered assassin who’s only just getting back into the game. Armed with his bucket hat, his winning smile and a heavy dose of skepticism, Ladybug boards a bullet train from Tokyo to Kyoto for his assignments from him, a supposedly simple snatch and grab job.

His target is a briefcase containing lots and lots of money.

But nothing is simple in the guns-for-hire business, especially when Ladybug is convinced he’s the unluckiest person on Earth.

As bad luck – or a vast, overly complicated scheme – would have it, Ladybug isn’t the only assassin on the train. Far from it. This particular train is a convergence point for several killers, all with equally adorable codenames.

There’s The Prince (Joey King), a ruthless killer who uses her appearance of British schoolgirl-in-distress to great effect, Tangerine (Aaron Taylor-Johnson) and Lemon (Brian Tyree Henry), two assassin brothers with matching checked coats, The Wolf (Benito A. Martinez Ocasio), an assassin with vengeance on his mind and The Hornet (Zazie Beetz), a poison specialist.

And they all want either the case or someone connected to it, which makes Ladybug’s simple task rather complicated.

That’s Bullet Train‘s main failing – just how convoluted the plot is. It labors to contrive all these complications involving myriad killers, hidden agendas and a boss-level target (Michael Shannon), and it struggles to keep its flow.

Just as you’re pulled into the visceral joys of a stylish, high-octane action sequence, you’re being asked to simultaneously keep track of the increasingly knotty plot. Wait, what’s that guy’s beef with this dude again?

There are some genuinely great “phwaor” moments, including a scene-stealing turn from legendary Japanese actor and martial artist Hiroyuki Sanada, who plays The Elder, another – you guessed it – assassin.

Or the legitimately endearing, continued references to Thomas the Tank Enginewith which Lemon is obsessed, and becomes something of a fun touchpoint in various scenes.

And the fight sequences are creative, imaginative and well-staged – and they punch. But that’s what you would expect from Leitch, who spent many years as Pitt’s stunt double before moving into directing with John Wick, Atomic Blonde and Dead Pool 2.

Given the caliber of Leitch’s history, plus an exciting cast and a riotous vibe, Bullet Train should’ve been a fantastic movie if it had been tighter, or even more brazen with its bloodshed.

It’s certainly not John Wick on a train. If it had been, it would’ve been a less shambolic experience.

Rating: 3/5

Bullet Train is in cinemas now

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