Categories
Business

Catherine Livingstone ends her tenure as CBA chair by declaring victory

Slapping CBA with a $1 billion capital penalty, APRA lambasted a “widespread sense of complacency”, overconfidence, excessive complexity and insularity. It said CBA had not learned from experiences and mistakes, and “turned a tin ear to external voices and community expectations about fair treatment”.

Devastatingly, it chastised CBA for a “slow, legalistic and reactive, at times dismissive, culture”, and declared “an overly collegial and collaborative working environment [had] lessened the opportunity for constructive criticism, timely decision-making and a focus on outcomes”.

If that was not a call to action for Livingstone, then nothing would be.

‘Much better organisation’

She took one of the biggest risks of her career by appointing Matt Comyn as CEO in late January 2018, given Comyn had led the retail bank where the money laundering problems had emerged.

But just two years later, after plenty of blood, sweat and tears had been spilled, CBA had fundamentally changed for the better as a result of Livingstone’s determination to fix the place.

As Promontory, which reviewed the response to APRA, reported in 2020: “Accountabilities have been sharpened. The ‘voices’ of risk and compliance have been elevated, and are being heard. There has been considerable improvement in the ownership and understanding of non-financial risk.”

Looking over to the Opera House and Sydney Harbor Bridge on Wednesday night, Comyn described Livingstone’s chairmanship as “coinciding with a very challenging time for our organization and the broader industry”.

Matt Comyn, Ian Narev and Catherine Livingstone on the day Comyn replaced Narev as CBA CEO in April 2018. Peter Braig

But “under her leadership, we became a simpler, better bank with an unwavering focus on our customers, our shareholders and our people, and, as a result, we are a much better organisation”, he said.

Incoming CBA chairman Paul O’Malley also spoke at the soirée, describing Livingstone as not only a leader of the banking sector but corporate Australia more broadly, acknowledging her time as chair of Telstra, which she navigated through challenges including the construction of the national broadband network.

Livingstone, who took home $900,000 this year for her efforts, wrote in the annual report released on Wednesday that she had served as chairman at “a time when the bank has addressed a number of complex challenges and subsequently rebuilt its reputation”.

Earlier in her last day on the job, she had done the rounds with senior executives and staff at the bank’s Darling Harbor office, including participating in an interview with Comyn in front of staff.

Strategic moves

As well as the response to APRA and AUSTRAC, she told them another crowning achievement was overseeing CBA’s firm financial footing to allow it to support customers through the pandemic.

“I don’t think we would have been able to serve our customers at the rate that we did had it not been for the work done on the underlying systems and processes,” she said.

She also presided over strategic moves, including reducing complexity through a series of asset sales, including selling insurance and wealth management operations. These deals culminated this week when CBA announced it had sold a 10 per cent shareholding in the Bank of Hangzhou in China. Meanwhile, she insisted CBA keep investing to ensure it can fight the forces of digitization.

Those who have watched Livingstone grow as a director suggest other leaders of corporate Australia study her qualities.

Angus ArmorCEO of the Australian Institute of Company Directors, says he first encountered Livingstone in a boardroom in the 1990s, where his leadership qualities were immediately evident.

“She’s incredibly smart and experienced, but always curious and learning,” Armor said on Thursday. “She’s persistent in chasing outcomes and passionate about getting there. Catherine is resilient with a very strong set of values, and she cares deeply about the future of Australia. In the boardroom, she intently listens to different views so when she starts to ask questions, it focuses your mind.”

Catherine Livingstone and Matt Comyn at the CBA AGM in 2018 in Brisbane. Attila Csaszar

But she shunned the public spotlight. She has declined multiple requests for an exit interview. Her performance by Ella at the Hayne royal commission came under scrutiny when she failed to recall dates or context during her first day of giving evidence, only to return the next day with greater clarity. At rare public appearances at CBA annual general meetings, she was typically steely and defensive, fending off attacks from environmental activists.

‘Strong strategic franchise’

But her scientific background helped her understand the environmental, social and governance forces before other banks. She struck a deal with Market Forces in 2019 to cut lending to the coal sector and, last year, CBA was the first major bank to issue “glide paths” to show planned reductions in lending to emissions-intensive industries. On Wednesday, it was the first bank to issue a dedicated “climate report”.

“Today, CBA is a better bank with a more accountable culture, anchored in strong values ​​and a renewed purpose,” she wrote in this week’s annual report. “The bank has a clear strategy for the future that places the organization in good stead to face the challenges and opportunities ahead.”

This has won the respect of other major bank chairmen.

John McFarlane, chairman of Westpac, says leadership is primarily about results and, during her tenure, CBA “has become one of the largest banks in the world by value, is trading at a significant premium to equivalent competitors and producing higher returns”.

“It has a strong strategic franchise, has exited non-core businesses, has retained its leading position with customers and has largely put the issues from the royal commission behind it. That says it all,” McFarlane said in late April.

They are big shoes to fill for Paul O’Malley, the former Bluescope Steel CEO who has been a director of CBA since early 2019 and assumed the chair on Thursday. He will hold his first board meeting next month.

As Promontory has said, CBA’s governance journey is far from over and its “greatest overall challenge” will be ensuring the changes that respond to APRA, AUSTRAC and Hayne are sustained.

Categories
Technology

Hacking company AimJunkies subpoenaed Google, PayPal, and Valve to prepare for legal battle with Bungie over Destiny 2

AimJunkies, a company that designs and sells ‘cheat software’, software that allows players to cheat in video games, is fighting back against destiny 2 developer Bungie. AimJunkies are fired off subpoenas towards Valve, Google and PayPal to gather information for their fight.

Last year, Bungie filed a lawsuit against AimJunkies, accusing the company of copyright and trademark infringement. AimJunkies countered, saying that “cheating isn’t against the law” and that the claims of copyright infringement lacked substance and proof.

In May, the courts agreed with AimJunkies on one count — Bungie failed to provide “sufficient evidence” for the copyright claim against the ‘destiny 2 Hacks’ sold by AimJunkies. Although the original case was dismissed, the courts did allow Bungie to file a new complaint to address the problems, which Bungie did almost immediately.

First spotted by TorrentFreak, the hackers are preparing for this new round of legal battles by subpoenaing Google, PayPal and Valve for information that will help them through the discovery process. From Valve, the hacker company aims to collect information about destiny 2 player counts dating back to 2017, as well as monthly sales numbers. The company plans to use this information to disprove the claim that AimJunkies is harming Bungie as a company.

“Bungie claims that we caused grievous harm to their game when in fact some of their most popular months of player counts and sales were during the time AimJunkies offered their software products. We believe and intend to gather actionable proof of that and disprove another one of their wild assertions,” Phoenix Digital, the original creators of the cheating software, stated.

Phoenix Digital went on to suggest that their programs are no different from officially-sanctioned programs, such as Valve’s Steam Overlay. Steam Overlay adds a toggleable window over the game to allow you to view your friends list and chat with other players.

Bungie is not taking legal threats lying down. A judge recently ordered a privacy app to release the names of racist Destiny 2 players, after the players allegedly sent in threats of harm and arson to private residences and phone numbers. After the rounds of harassment started pouring in — over a video game item, mind you — the destiny 2developer opened up about the harassment it faces even to this day.

Written by Junior Miyai on behalf of GLHF.

Read related topics:Google

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Categories
Entertainment

Millie Bobby Brown’s Allure interview, unpacked.

In the interview, Brown says she has been “inappropriately sexualized” and “trolled” for years.

Before she deleted Twitter and TikTok, she was bombarded with hateful messages, threats, and NSFW remarks from adult men, and had to go to therapy to handle the harassment.

Now, the only way the actor communicates with her fans is via blog posts on her beauty brand, Florence by Mills’ website, because “nobody can comment.”

2. Her “unhealthy” relationship with Hunter Ecimovic.

In 2020, Brown was in a relationship with TikTok star Hunter Ecimovic, before cutting ties with him in January 2021.

Months later, in July, Ecimovic went live on social media claiming the two were allegedly in a sexual relationship when Brown was a minor.

“No one on the set [of Stranger Things] knew I was going through this,” she told Allure.

“So it was kind of nice to be able to just deal with that myself and no one else knew. Then it was harder when the whole world knew.”

He also claimed to have “groomed” and manipulated Brown, which his team denied.

In the interview, Brown called the relationship a “blip” in her life.

“It was a year of healing. When you get publicly humiliated this way, I felt so out of control and powerless,” she said.

“Walking away and knowing that I’m worth everything and this person didn’t take anything from me, it felt very empowering. It felt like my life had finally turned a page and that I actually had ended a chapter that felt so f* **ing long.”

Brown has since been in a relationship with Jake Bongiovi, the son of Jon Bon Jovi.

Categories
Business

Cadbury launches Birthday Cake flavor in Australian supermarkets

Cadbury has just released a new Marvelous Celebrations Birthday Cake Block for $5.

The chocolate block contains a classic Cadbury dairy milk base with milk chocolate crammed with marshmallows, 100s and 1000s, and biscuit pieces.

Cadbury’s decadent new birthday cake chocolate is available in-stores and online at Woolworths.

Cadbury has just released a new Marvelous Celebrations Birthday Cake Block ($5) - which is available in-stores and online at Woolworths Supermarkets

Cadbury has just released a new Marvelous Celebrations Birthday Cake Block ($5) – which is available in-stores and online at Woolworths Supermarkets

Hundreds of foodies expressed their excitement on an announcement post, with many making immediate plans to purchase the chocolate.

‘This is perfect… it’s right in time for my birthday!’ said one excited man.

‘Looks delicious,’ added another. ‘But this is absolutely the wrong time to go on a diet.’

One of Australia’s favorite popcorn brands is releasing two new limited-edition flavors at Woolworths.

Cobs Natural Popcorn has just introduced ‘Tiramisu’ and ‘Parmesan & Cracked Pepper’ to their wide range of unique flavours.

The sweet and salty treats will be available in-stores and online in the coming weeks for $2.10.

Cobs Natural Popcorn has just introduced 'Tiramisu' and 'Parmesan & Cracked Pepper' to their wide range of unique flavors

Cobs Natural Popcorn has just introduced ‘Tiramisu’ and ‘Parmesan & Cracked Pepper’ to their wide range of unique flavors

The Tiramisu flavor is described to be extremely decadent with a combination of cream, coffee, and cocoa.

While the new Parmesan and Cracked Pepper is set to join several fan-favorites like the Cheddar Cheese Popcorn and the Cheesy Cheddar oven-baked puffs.

But Cobs is not the only Aussie favorite to release a new and exciting flavour.

The renowned flavor of Oak chocolate has put a twist on the classic Golden Gaytime and giving it a rich chocolate flavour.

The new treat has an indulgent Oak-inspired center dipped in a layer of chocolate and coated in the Golden Gaytime’s famous biscuit pieces.

Oak milk have teamed up with Golden Gaytime to release a new chocolate flavor of the classic Aussie ice cream which is available now in selected stores

Oak milk have teamed up with Golden Gaytime to release a new chocolate flavor of the classic Aussie ice cream which is available now in selected stores

Customers can pick up a box of four for $9.90 from IGA, Ritchie’s and Drakes & Romeos from today.

Coles, convenience stores and petrol stations will be stocking the new Oak Gaytime from September.

This isn’t the first time Golden Gaytime has been given a flavor twist with a Coco Pops, Birthday cake and Crunchy Nut variety also available now.

The renowned flavor of Oak chocolate has put a twist on the classic Golden Gaytime and giving it a rich chocolate flavor

The decadent new treat has an indulgent Oak-inspired center sipped in a layer of chocolate and coated in the Golden Gaytime's famous biscuit pieces

The decadent new treat has an indulgent Oak-inspired center sipped in a layer of chocolate and coated in the Golden Gaytime’s famous biscuit pieces

Golden Gaytime spokesperson Annie Lucchitti said the new ice cream is sure to be a ‘crowd pleaser’.

‘Golden Gaytime Oak brings the iconic elements of Golden Gaytime together with the unmistakable Oak Choc Milk flavor hit. It’s creamy, crumbly, choccy – delicious,’ she said.

The ice cream isn’t the first classic Australian treat to be given a unique twist.

A new Violet Crumble Espresso Martini has launched across Australia, leaving sweet-toothed cocktail fans delighted.

Feminaè Beverage Co. have teamed up with the classic Aussie chocolate to create a decadent boozy treat that is available to purchase now but only until stocks last.

Each box is $79.95 and contains two-liters of ready-to-drink martini as well as a 30g bar of Violet Crumble to be crushed and used as a garnish.

An Aussie cocktail company has teamed up with a classic chocolate to create a Violet Crumble Espresso Martini but foodies better be quick if they want to get a bottle for themselves

An Aussie cocktail company has teamed up with a classic chocolate to create a Violet Crumble Espresso Martini but foodies better be quick if they want to get a bottle for themselves

The Feminaè X Violet Crumble Espresso Martini is an indulgent blend of cold drip coffee, premium vodka and Australian cream.

The blend is infused with the chocolate, caramel and honeycomb flavors of the famous Violet Crumble.

Perfect as a party-starter or after dinner treat the luxuriously creamy cocktail can be enjoyed straight from the fridge into a martini glass or shaken in a cocktail shaker with ice with a sprinkle or Violet Crumble crumbs.

Feminaè Beverage Co. have teamed up with Violet Crumble to create a decadent boozy treat that is available to purchase for $79.95 now but only until stocks last

Feminaè Beverage Co. have teamed up with Violet Crumble to create a decadent boozy treat that is available to purchase for $79.95 now but only until stocks last

The two-litre box makes 24 standards drinks and is available to purchase online from the Feminaè website for a limited time with shipping starting from Monday August 1.

Foodies online have been tagging their friends and expressing their excitement at the unique new collaborative cocktail with one saying it could be their ‘new favourite’.

Feminaè is an Australian owned beverage company that makes unique cocktails from Melbourne including the popular cosmopolitan passionfruit and pavlova and pink grapefruit gin.

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Categories
Technology

iPhone fans are already redesigning Apple’s awful new battery icon

Of all the new features announced for iOS 16, we didn’t expect a new battery icon to be the one that made the most waves among the tech community. Apple’s new icon was quietly released with the most recent iOS beta – and while it’s great to see the remaining percentage on the home screen again, users aren’t thrilled with the execution.

The issue is that the battery icon no longer shows the juice depleting horizontally – instead, all users have to go on is the number plastered over the icon. For many, it’s proving confusing to see a combination of a full battery icon and a low number sitting on top of it. (Check out the best iPhone 13 deals if you’re in the market for new gear.)

iPhone battery percentage icon

Apple’s new battery icon (top right) (Image credit: Apple)

And design-savvy Apple fans have already taken it upon themselves to improve upon Apple’s offering. One particularly sound redesign comes from Brian Michel, engineering manager at The Browser Company (below). This envisions the color of the numbers changing from black to white with the movement of the battery status, making the whole thing much easier to read (and understand).

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Categories
Entertainment

How writer Mark Dapin said goodbye to his dying friend, Graham

Yo rang my old friend Graham Caveney in England. When I answered the phone, I asked how he was.

Automatically. Unthinkingly.

“I’m all right, mate,” he replied.

reflexively. Courteously.

“You’re not though, are you?” I said.

“No,” I have admitted. “I’m not.”

I had just received his message that doctors had given him six months to live. At most. With no warning. He was 57 years old, one year younger than me.
He offered to share the “funny” version of the story of his impending death, which he was developing as a kind of low-key spoken-word performance, with ironic twists, comedic turns and feint-and-jab punchlines.

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I don’t know when he hoped to present it, or where he felt it would fit into his repertoire.

But that’s what writers do with our lives. We turn everything into a story.

Graham’s most recent book, On Agoraphobia, had been released a fortnight previously, in April. He had a three-page extract published in the UK Guardian and the newspaper’s book reviewer – or, at least, the sub-editor who wrote the headline – had called it “a brilliant memoir”.

Sober now for nearly 13 years, Graham had been working on his fitness, jogging around a lake in a park, clutching a kettlebell in each hand. His new workout was an instant success: weight loss was sudden and spectacular. It was as if Graham had finally cracked the exercise riddle.

But it turned out that he had terminal cancer: it had started, undetected, in his oesophagus and spread, incurably, to his liver.

The article's author Mark Dapin, left, and Graham Caveney met almost 40 years ago.

The article’s author Mark Dapin, left, and Graham Caveney met almost 40 years ago.Credit:Courtesy of Mark Dapin

He opened a letter from his doctors officially confirming that he had a 43-centimetre tumor growing inside his body, murdering him. He knew it was a mistake: the tumor was only 4.3 centimetres. Surely, he thought, if the medical staff could mix up their numbers, they might also confuse their words from him. Perhaps when they describe the tumor as “malign”, they had meant to type “benign”.

Graham laughed – with the same gravelly, scraping cackle that has made him sound as though he were about to topple into a grave cut ever since I first met him at university in 1983.

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And he had been close to death in the past. Abused as a child by Father Kevin O’Neill, the head teacher at his school in Blackburn, Lancashire, Graham was living in a crack house, his teeth bashed out by gangsters, when he finally fought his way out of his suicidal stupor and into a life without drugs and alcohol.

I wrote a feature about Graham’s re-emergence as a writer for this magazine in 2017. On the phone, Graham “joked” that I was probably already planning to write a follow-up piece about his death: “Remember that abused kid, well …”

It had crossed my mind, yeah.

“Do it,” he said.

Graham said doctors had told him that he might live 14 months if he opted for chemotherapy, but he had decided against it, as he would have to waste what little time he had left in the world with his head in a bucket, vomiting.

I pointed out that he had already spent half his life that way.

I have laughed dutifully. He had given me the opening and I had taken it. Mechanically. Unimaginatively. We were the straight man and his comic foil of him, performing for an audience of none.

I promised that I would come back to England as soon as I could. I needed to speak with him in person (for the story, if nothing else). Graham assured me that he did not want his friends to feel that he was not interested in their lives, or that it was somehow trivial for them to talk about themselves. I told him not to worry about that with me, mate. Boom boom.

He planned to marry his partner, Emma, ​​before his funeral, which sounded like the right order in which to do these things. There was a COVID-19-driven backlog of couples waiting to be wed but, apparently, you jump to the front of the queue if the celebrant knows that you might be dead by Christmas. It’s also comparatively easy to attract and retain the attention of your GP, even with Britain’s National Health Service in permanent crisis.

There are all sorts of little-known advantages to dying.

I flew from Sydney to London, looped west to see my mum in Bristol, then caught a train through the body of England and met Graham somewhere close to its belly, in the town of Beeston, near Nottingham.

It seemed a down-to-earth sort of place. I passed a lounge bar and restaurant called Lounge Bar and Restaurant. When I took a picture of the sign, the
owner stepped out, as if to fight me.

Later in the day, he found a boarded-up corner shop called The Corner Shop.

I had been worried that I might not recognize Graham but he arrived dressed up as me – or, at least, me 40 years ago – in jeans and boots, a Fred Perry cardigan and a pork-pie hat.

I felt uneasy with jetlag, but quietly overjoyed to see him. He was slimmer than ever, but he seemed taller, too. Graham was unbowed.

We had arranged to have lunch in a town-centre bar – which, disappointingly, was not called Town Center Bar – but it was closed, so Graham took me home to his house in a terrace magically tucked away from the unbustle of nearby streets. The downstairs walls seemed made of books.

Dapin, left, and Caveney in 2017.

Dapin, left, and Caveney in 2017.Credit:Courtesy of Mark Dapin

Graham told me that he had decided to go for chemotherapy after all. He had misunderstood his choices of him, believing he could trade a shorter lifespan for greater dignity, but it turned out that he was going to spend his last days in the bucket either way. I refused to allow myself to imagine how that might feel.

He was going to begin the treatment two days after his wedding. The oncologist had asked to see him on his wedding day.

When we were younger, I had not known that Graham had been preyed upon by the priest, or that he suffered from agoraphobia. In his new book, he writes: “To be sexually abused is to be invaded, colonized. It calls into question one of the key tenets of our selfhood: Who does my body belong to? The answer is far from clear. Strategies of survival include: collaboration, insurgency, separatism, insurrection. We may combine these strategies, or alternate them. We may go on dirty protest or hunger strike, or carve graffiti on our arms and the backs of our legs.

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“Or we may retreat, find the unexpectedness of society simply too much to risk.”

But Graham is reluctant to ascribe his agoraphobia directly to the churchman’s betrayal.

What does “agoraphobia” even mean? A psychiatrist once asked Graham how he might teach a course on becoming agoraphobic. Graham wrote:

Avoid spaces that make you feel empty.

Avoid empty spaces.

Start to suspect there are two things only: indoors or outdoors.

Find it surprising there are people in the world who are not agoraphobic.

Think of the window pane as a movie screen.

Wonder if blind people can be agoraphobic.

Picture these words written on a flip chart.

Flip them.

And watch them disappear.

It is brittle, beautiful poetry. But so what?

I ignored Graham’s psychic pain. Because I get toey sitting in a house, and I like to be outside, with people. So, in the course of the next 24 hours, I cajoled Graham into taking me on a walk through the town and a stroll around the lake (the lake!). We had dinner in The Victoria pub and breakfast at Caffè Nero.

We talked and laughed continually. We alternated as comedians, by tacit agreement.

Fleetingly, I felt as though I were in a writers’ room, working up material for a sitcom about a dying artist and his idiot mate. But only for one self-aware, self-hating moment.

We spoke a little about people we used to know and things we used to do, but Graham did not want to linger in the past. He was proud and happy to be sober and in love with Emma, ​​and to have written his most recent books by him.

Because the topic we talked about the most was writing. We bitched about publishers, agents, royalties, contracts, book tours and reviewers. It was fluid and cathartic and important, because we have both grown up and it’s with wonder that I have come to understand that we are both authors – proper writers – and that was all we ever wanted to be.

Once, when I mistakenly thought I was dying (in fact, I had been rushed to hospital with, um, indigestion), it wasn’t my life that passed before my eyes, but my children and my novels.

Graham writes like an angel – okay, that might be an insensitive choice of word – and the success of On Agoraphobia you have suggested that other people understand and appreciate that.

All we writers have to offer the world is our words and our love.

The world has accepted Graham’s, and I think that makes it easier for him to die.

To read more from good weekend magazine, visit our page at The Sydney Morning Herald, The Age and BrisbaneTimes.

Categories
Business

lessons in the financial institution’s 30-year evolution

These days, AMP is a small cap trying to sell a turnaround story with a business model abandoned by every other local financial institution except Macquarie Group. Only AMP and Macquarie have financial advice and banking under the one roof.

Chanticleer has picked five key topics for the purposes of this discussion about the profound changes in Australian business and in AMP over the past three decades.

outflows

The all male, 12-member board of AMP in 1992, which was led by chairman Ian Burgess and managing director Ian Salmon, had every reason to believe AMP would dominate the financial landscape for decades to come.

AMP had $12 billion in total income, $60 billion in policyholders’ funds, provided $176 billion in life insurance protection, and paid out $7 billion to policyholders and beneficiaries.

But scratches below the surface and cracks were appearing in its business model.

George’s employer, BT, which in 1992 had added $12 billion in funds under management since the 1987 stockmarket crash, was stealing AMP’s big superannuation clients.

In the two years to December 1993, AMP’s premium revenue slumped by about $800 million to $7.3 billion, and management said it was seeking to “restore investor confidence and arrest the trend”.

Today, George is dealing with far more severe outflows than in the 1990s.

A catastrophic loss of confidence in AMP caused by the Hayne royal commission has led to $23.7 billion of cumulative cash outflows from AMP’s wealth management arm since 2018.

In the six months to June this year, AMP’s wealth management outflows were a relatively modest $1.9 billion, an improvement on the $3.6 billion in outflows in the first half of last year. George tells Chanticleer she is hoping to have positive flows by “the back end of 2023”.

Like most large businesses in the 1990s, AMP was a male-dominated workplace with no women in senior executive positions and none on the board.

Diversity and culture

AMP’s workplace culture was out of step with progressive workplaces such as BT, where George was at the vanguard of a deliberate policy to employ women, according to Gideon Haigh’s book on BT – One of a Kind, The Story of Bankers Trust Australia, 1969-1999.

Haigh pointed out that senior male executives at BT recognized it had a “locker room atmosphere” and it had to change.

BT’s leading female executive, Jillian Broadbent, was quoted in the book as saying BT was initially slow to confront the testosterone-fueled behavior in the dealing room.

It is staggering that 30 years after others recognized the importance of inclusion and diversity, AMP fell into the trap of turning a blind eye to unacceptable male behaviour. This weakness came through in the controversy over the appointment of Boe Pahari to head AMP Capital in 2020.

George is leading AMP’s cultural transformation, which she defines as “improving inclusion, diversity and strengthening accountability and performance”.

With the assistance of chairwoman Debra Hazelton, they have pushed through the 40:40:20 target for gender diversity for the board, executive management, middle management and the workforce generally. This move would have made the directors of the AMP board in 1992 blank.

advice

George is confident that AMP’s financial advice model is suited to providing affordable advice to Australians and will work well for shareholders of AMP.

She says wealth management and banking are suited to being under one roof, although AMP operates the businesses separately. She says superannuation and the family home are the two biggest assets of Australian households, and AMP can bring its advice expertise to that equation.

The AMP of the 1990s was basically built on the sale of life insurance policies through a network of 8000 life insurance agents, many of whom were paid more than the CEO.

AMP’s accounts showed the extent to which its business model was unsustainable. It was paying out almost $600 million a year in commissions to life insurance agents.

But these commissions had not earned the loyalty of customers, judging from the fact that policy surrender rates were rising at an alarming rate in the early 1990s because of poor investment performance and the lure of fund managers such as BT.

George says the only commissions paid by AMP today are to mortgage brokers, who distribute about 90 per cent of the home loans sold by AMP Bank.

Regulatory structures

AMP’s business is heavily regulated to the point where it may not be able to offer advice to people who need it.

But George says its success does not rely on regulatory change by the Albanese government.

She welcomes the comments made by Assistant Treasurer and Minister for Financial Services Stephen Jones about law reform to make advice more accessible.

“I think regulatory change would be good for advice, particularly, but our strategy certainly doesn’t depend on it, and I’m not going to make it depend on it,” she says.

“I do, however, think that the new government has leaned into this problem of affordable and accessible advice. I think it was probably coming to a head anyway because clearly the traditional advice businesses that have existed in Australia have moved up into the high net wealth space.

“The statistics would show that there’s a real need in middle Australia for advice. I think this government has continued to lead into that.”

George said she was pleased that Jones reaffirmed the first phase of the quality of advice review would continue.

“But you also saw the minister’s comments over the last weeks, about areas where he wants to improve things.”

The AMP of the 1990s had relatively benign regulatory oversight of its business. But its business was threatened by the government’s encouragement of compulsory superannuation.

The default payment of superannuation into industry funds changed the flow of money away from commission-driven salespeople, and preferential treatment was given to direct debiting of money into funds.

That has fundamentally changed the power across the financial system. It has shifted from shareholder-owned organizations to mutually owned organisations.

Ironically, the mistake made by the board of the AMP Society in the late 1990s was to trade its position as the world’s fifth-largest mutual life office with more than 5 million policyholders to become a shareholder-owned entity beholden to fickle capital markets.

Categories
Entertainment

The Block 2022: How to listen to The Official Block Podcast

If you can believe the biggest ever series of The Block you have gotten even bigger. The Official Block Podcast is now the ultimate companion show to Australia’s favorite renewing program.

Hosted by Shelley Craft and produced by 9Podcasts, The Official Block Podcast is releasing episodes every Monday.

Stream The Block Podcast on 9Now.

Each Monday after The Block‘s Room Reveals, Shelley will be joined by judges, including Shaynna Blaze, Neale Whitaker and Darren Palmer, The Block contestants, and even Scotty Cam to answer viewer questions, and lift the veil on decisions made and verdicts rendered.

It’s the perfect opportunity for Blockheads to interact directly with stars of the show, to learn why creative choices were made whilst hearing detailed explanations and advice on why some designs were huge hits and others were major flops.

The Official Block Podcast is available for listening across all leading podcast platforms and on 9Now, in addition to the leading podcast platforms, making it easier for Blockheads to discover more exclusives from the show.

The Block 2022
Co-Host of The Block and host of The Block Podcast Shelley Craft. (Nine)

“The new block podcast provides much more behind-the-scenes [of the show],” Shelley told 9Entertainment.

The Block does so well across all its platforms, but this will just be the next level. And now that I’m some kind of podcasting guru, I’m looking forward to using it in my real job too,” she explained.

In addition to hosting The Official Block PodcastShelley also hosts a new podcast called The Aging Project.

The Aging Project is a podcast featuring candid, no-holds-barred interviews with twelve of the world’s leading and most inspiring minds in the field of aging well.

The first episode of The Block Podcast features an in-depth discussion on this week’s block walkout, which saw Joel and Elle leave the show.

long-time block host Scott Cam joins Shelley to discuss the walkout and how the show’s producers and crew had to quickly adjust to such a dramatic change in their plans.

The Block 2022
Scott & Shelley as seen on The Block Tree Change. (Nine)

Listen to The Block podcast on your favorite Podcast app or stream (for free) on 9Now.

In Pictures

Tom and Sarah-Jane The Block 2022

Tom and Sarah-Jane’s House Decider Challenge Bedroom

Judges wowed by couple’s color palette and style.

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The Block airs Sunday at 7.00pm and Monday to Wednesday at 7.30pm on Nine. Catch up on all the latest episodes on 9Now.

Categories
Business

Australian tech billionaire planning electric supercar

An Australian billionaire who just unveiled a $3 million track car with Formula One speed says he is already planning an electric ‘hypercar’ that promises to put Australia and New Zealand at the top of the high-performance car world.


An Australian tech billionaire who this week unveiled a 360km/h track car – with twin-turbo V10 hybrid power – says his next project is to create one of the world’s fastest electric vehicles.

Australian-born David Dicker – who built his fortune in IT distribution with his company Dicker Data and splits his time between Australia, New Zealand and Dubai – has announced production of his new Rodin FZero ‘hypercar’ is now underway at his factory in the South Island of New Zealand.

The first examples of his new track-ready sports car – each with a $3 million price tag and with styling like the latest Batmobile – are due to be delivered to well-heeled customers with a need for speed in the first half of 2023.



His plan is to build up to 37 examples of the Rodin FZero for wealthy owners who will use them on private track days (as they are not homologated for racing and cannot be registered for the road), before switching focus to an upcoming electric car.

While Rodin cars have to date been designed only for track use, the future electric ‘hypercar’ will be the first road-going model for the specialist firm.

“We’ve got an electric road car very close to a finalized design. So we’re going to build that, for sure,” Dicker told Drive from his Rodin Cars headquarters in New Zealand.



Dicker said he was also considering a petrol-powered road car but is waiting to see if his small company can meet future emissions requirements.

“Our only real issue on the petrol road car is the emissions side of it. If we can get through that, we’ll do it,” he said.

“There are such strong headwinds at the moment.”



Development of the FZero has been underway for more than two years at Rodin Cars and Dicker is more confident about sales after the failure of the original FZed — despite establishing a sales base and ‘experience centre’ in the UK — most likely because its Grand Prix -style open-wheeled layout was too extreme.

The FZero is just as extreme on the performance side, with a claimed 853kW and 1026Nm from its bespoke V10 hybrid engine. It also makes four tonnes of aerodynamic downforce despite weighing just 698kg.

Dicker knows that potential buyers will cross-shop the Rodin against ‘hypercars’ from Ferrari, McLaren, Lamborghini and Aston Martin — as well as the upcoming $8.5 million RB15 two-seater track car from Formula One’s Red Bull Racing team — but said he never had a specific target.



“The basic objective for this car was always to build a faster car than a Formula One. It was about building a track car that can lap faster than an F1,” he said.

“To be honest, it’s got nothing to do with Ferrari. I love Ferrari. I own Ferraris.”

He expects the first FZed prototype to be finished by the end of the year, with some carbon-fibre parts already in the mock-up stage, although most of the preview material for the car is computer-generated images.



“We’re really trying hard to get the prototype running before Christmas. I’ll be the first one in it, and obviously I’ll do some of the testing,” Dicker said.

“The basic plan is to get the prototype on the track and pound it around to see what needs to be changed, so we can move to a production car as soon as we can.

“We’ve spent an awful long time working on the design and engineering on this car. I’ll be bitterly disappointed if it’s not 95 per cent right, straight out of the box.”

Paul Gover

Paul Gover has been a motoring journalist for more than 40 years, working on newspapers, magazines, websites, radio and television. A qualified general news journalist and sports reporter, his passion for motoring led him to Wheels, Motor, Car Australia, Which Car and Auto Action magazines. He is a champion racing driver as well as a World Car of the Year judge.

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Categories
Entertainment

Anne Heche is ‘not expected to survive,’ family says in statement

Anne Heche, who remains hospitalized after crashing her vehicle into a The Angels residence last week, is “not expected to survive”, according to a statement from her family and friends.

“Unfortunately, due to her accident, Anne Heche suffered a severe anoxic brain injury and remains in a coma, in critical condition. She is not expected to survive,” the statement read.

“It has long been her choice to donate her organs and she is being kept on life support to determine if any are viable.”

Actress Anne Heche poses atop a car as she arrives at the Drive-In to Erase MS gala, Friday, Sept.  4, 2020, in Pasadena, Calif.  (AP Photo/Chris Pizzello)
Actress Anne Heche poses atop a car as she arrives at the Drive-In to Erase MS gala, Friday, Sept. 4, 2020, in Pasadena, Calif. (AP Photo/Chris Pizzello) (Chris Pizzello/Invision/AP)

Anoxic brain injury occurs when the brain is deprived of oxygen.

Last Friday, Heche was in a car that was traveling at a high speed when it ran off the road and collided with a residence that became engulfed in flames, Los Angeles Police Public Information Officer Jeff Lee told CNN.

A woman inside the home at the time of the crash suffered minor injuries, but did seek medical attention, according to Lee.

He has remained in critical condition.

This week, a spokesperson for Heche told CNN the actress suffered “significant pulmonary injury requiring mechanical ventilation” and “burns that require surgical intervention.”

“We want to thank everyone for their kind wishes and prayers for Anne’s recovery and thank the dedicated staff and wonderful nurses that cared for Anne at the Grossman Burn Center at West Hills hospital,” the statement continued.

Anne Heche
Anne Heche remains hospitalized after a car crash. (instagram)

In their message, her family and friends also paid tribute to Heche’s “huge heart” and “generous spirit.”

“More than her extraordinary talent, she saw spreading kindness and joy as her life’s work – especially moving the needle for acceptance of who you love,” the statement read.

“She will be remembered for her courageous honesty and dearly missed for her light.”

She rose to fame on the soap opera “Another World”, where she played the dual role of twins Vicky Hudson and Marley Love from 1987 to 1991. She earned a Daytime Emmy Award for her performance on the show.

He followed that success with numerous films, including “Donnie Brasco,” “Wag the Dog” and “Six Days Seven Nights” opposite Harrison Ford.

In more recent years, Heche has appeared in television shows like “The Brave,” “Quantico,” and “Chicago PD”

He rose to fame on the soap opera ‘Another World’ and is pictured here in the feature film ‘Six Days Seven Nights’. (Supplied)

Following the crash, there was an outpouring of support for the actress from the Hollywood community.

Her ex and former “Men in Trees” co-star James Tupper, with whom she shares one of her two sons, wrote on Instagram: “Thoughts and prayers for this lovely woman, actress and mother tonight Anne Heche. We love you.”