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Sun & Sea: Operatic artwork is ‘strange thing I’ve ever seen’

It’s meant to astonish those who are lucky enough to witness it, yet what’s going on in this picture is creeping some people out.

Bikini-clad women lie sprawled on beach towels as they sun themselves, while men dressed in shorts relax and children build sandcastles.

But there’s a twist; these people are not at the beach. Instead, they’re inside a building, and there are fully dressed spectators watching from above and scrutinizing their every move.

The picture has some social media users puzzled, with comments that it looks like a scene from a bizarre prison movie.

“You’ve got people packed in, and some people watching them like they’re at the beach but they’re not at the beach, they’re in a building with sand in it,” one social media commenter said.

“Without a doubt this has to be the strangest footage I’ve seen in my whole life … It’s pretty crazy, pretty wild, pretty out there.”

Another commented it could be like a “prison for the super rich”, while a third said it looks like a “prison floor”.

It turns out that it’s actually the artwork/opera Sun&Seawhich has traveled to different art galleries around the world, each time looking a little different.

The “beachgoers” are opera singers, and they sing as nature around them crumbles.

Many who have seen the display have raved about it, calling it “extraordinary”.

“There is less a feeling of doom than an elegy of beautiful sadness,” one audience member wrote.

In 2019, the opera won the coveted Golden Lion at the 2019 Venice Biennale, while representing Lithuania.

At the time, Guardian reported that visitors looked down at the display from a minstrel’s gallery inside an old naval warehouse in the Venice Arsenale.

More recently, the piece was featured at Iceland’s Reykjavik Art Museum in June this year for the city’s arts festival, featuring black sand from the volcanic country’s coastline.

Sun&Sea project curator Lucia Pietroiusti has an intriguing description of the display. “Imagine a beach. The burning sun, sunscreen and bright bathing suits and sweaty palms and legs,” she said.

“Tired limbs sprawled lazily across a mosaic of towels. Imagine the occasional squeal of children, laughter, the sound of an ice cream van in the distance.

“The musical rhythm of waves on the surf, a soothing sound. The crinkling of plastic bags whirling in the air, their silent floating, jellyfish-like, below the waterline. The rumble of a volcano, or of an airplane, or a speedboat.

“Then a chorus of songs – everyday songs, songs of worry and of boredom, songs of almost nothing. And below them, the slow creaking of an exhausted Earth, a gasp.”

The performance loops continuously, for four hours each day and the audience can come and go as they please.

Upcoming tour locations include Helsinki, Barcelona and Lisbon.

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Anne Heche, Ellen DeGeneres’ ex-girlfriend, severely burned after LA crash

Anne Heche was involved in a fiery car crash on Friday that has left her “severely burned” and “intubated” in the hospital, TMZ reports.

the vanished actress, 53, was reportedly driving her blue Mini Cooper down a suburban street in Los Angeles around noon when she crashed into the garage of an apartment complex, the new york post reports.

According to the outlet, bystanders tried to help Heche exit the vehicle, but she allegedly backed up and drove off before crashing into another home where her car became “engulfed” in flames.

It appears that Heche may have been under the influence of alcohol, as a bottle with a red cap was seen in the car’s cup holder shortly before the accident. However, the Los Angeles Police Department could not immediately be reached.

Aerial shots of video from the accident obtained by Fox11 show smoke billowing out of the home in which she crashed into.

Sources told TMZ that Heche is currently intubated in the hospital, but “expected to live.”

“Her condition prevents doctors from performing any tests to determine if she was driving under the influence of alcohol,” the outlet also reported.

Heche, known for her high-profile romance with Ellen DeGeneres in the ’90s, has spoken openly about her previous battle with substance abuse.

“I drink. I smoked. I did drugs. I had sex with people. I did anything I could to get the shame out of my life, ”she told ABC News in 2020, adding that her choices were a result of her painful childhood that stemmed from being sexually abused by her father, Donald Heche.

“I’m not crazy,” the Six Days Seven Nights star also said at the time. “But it’s a crazy life. I was raised in a crazy family and it took 31 years to get the crazy out of me.”

Reps for Heche could not immediately be reached.

This article originally appeared in the New York Post and has been reproduced here with permission

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Entertainment

Sun & Sea: Operatic artwork is ‘strange thing I’ve ever seen’

It’s meant to astonish those who are lucky enough to witness it, yet what’s going on in this picture is creeping some people out.

Bikini-clad women lie sprawled on beach towels as they sun themselves, while men dressed in shorts relax and children build sandcastles.

But there’s a twist; these people are not at the beach. Instead, they’re inside a building, and there are fully dressed spectators watching from above and scrutinizing their every move.

The picture has some social media users puzzled, with comments that it looks like a scene from a bizarre prison movie.

“You’ve got people packed in, and some people watching them like they’re at the beach but they’re not at the beach, they’re in a building with sand in it,” one social media commenter said.

“Without a doubt this has to be the strangest footage I’ve seen in my whole life … It’s pretty crazy, pretty wild, pretty out there.”

Another commented it could be like a “prison for the super rich”, while a third said it looks like a “prison floor”.

It turns out that it’s actually the artwork/opera Sun&Seawhich has traveled to different art galleries around the world, each time looking a little different.

The “beachgoers” are opera singers, and they sing as nature around them crumbles.

Many who have seen the display have raved about it, calling it “extraordinary”.

“There is less a feeling of doom than an elegy of beautiful sadness,” one audience member wrote.

In 2019, the opera won the coveted Golden Lion at the 2019 Venice Biennale, while representing Lithuania.

At the time, Guardian reported that visitors looked down at the display from a minstrel’s gallery inside an old naval warehouse in the Venice Arsenale.

More recently, the piece was featured at Iceland’s Reykjavik Art Museum in June this year for the city’s arts festival, featuring black sand from the volcanic country’s coastline.

Sun&Sea project curator Lucia Pietroiusti has an intriguing description of the display. “Imagine a beach. The burning sun, sunscreen and bright bathing suits and sweaty palms and legs,” she said.

“Tired limbs sprawled lazily across a mosaic of towels. Imagine the occasional squeal of children, laughter, the sound of an ice cream van in the distance.

“The musical rhythm of waves on the surf, a soothing sound. The crinkling of plastic bags whirling in the air, their silent floating, jellyfish-like, below the waterline. The rumble of a volcano, or of an airplane, or a speedboat.

“Then a chorus of songs – everyday songs, songs of worry and of boredom, songs of almost nothing. And below them, the slow creaking of an exhausted Earth, a gasp.”

The performance loops continuously, for four hours each day and the audience can come and go as they please.

Upcoming tour locations include Helsinki, Barcelona and Lisbon.

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Entertainment

Gary Lang’s Waŋa dance collaboration explores ancient and modern beliefs about death

The performance of Waŋa — which means spirit — starts behind a thin veil, with a glimpse of the “in-between world” and an ancient Yolŋu funeral ceremony.

Telling the story of a spirit’s journey after death, Larrakia choreographer Gary Lang has worked with Rirratjŋu lore man and ceremonial advisor Banula Marika to create the performance.

“This performance is called Spirit and it’s the spirit of the Dhuwa clans,” Mr Marika said in Yolŋu Matha, with assistance from an interpreter.

“When I pass, my spirit will travel back to my homeland, the homeland that we’re telling this story about.”

A group of dancers surrounded by smoke on stage.
The spirit world is said to be joyful about a spirit’s return after death.(Supplied: Paz Tassone)
Two dancers perform the spirit's journey.
Waŋa is set to music by Darwin Symphony Orchestra.(Supplied: Paz Tassone)

“This is also my other home and place where my spirit comes from and my clan.”

The collaboration between the NT Dance Company, MIKU Performing Arts and Darwin Symphony Orchestra attempts to capture the pain and the relief of a spirit’s passing.

Mr Lang said his late grandmother also taught him about the spirit world.

“She said ‘what happens Gary, in the spirit world, when that spirit has to come to the physical world, there’s tears of sadness there because it’s a loss and there’s tears of joy in the physical world’,” Mr Lang said.

A portrait of two men in front of a stage.
The performance is a collaboration between Gary Lang and Banula Marika.(ABC News: Felicity James)

“and [after death] it works in reverse, there’s tears of sadness because there’s a loss and there’s tears of joy because it’s going back home.”

He said the performance tried to represent the process of passing through a veil from the physical world into an “in-between world”.

“We don’t know that in-between world,” he said.

“Between that veil and before you actually step into the heavens, I think that’s where all the ceremony happens in culture.

Waa 3
Gary Lang describes his works as ‘Indigenous ballet’.(Supplied: Paz Tassone)

“That it helps you to leave all the physical attachments behind and then you step into the world of wonder.”

Funeral ceremonies can last for days, weeks or months in Yolŋu culture, including in Mr Marika’s community of Yirrkala.

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‘Legal theft’: Balenciaga slammed for selling $2557 trash bags

Luxury fashion house Balenciaga has been blasted for its latest bag – a calfskin leather “Trash Pouch” that looks identical to a bin liner and retails for $A2577.

Dozens of people have taken to social media to accuse creative director Demna Gvasalia of “legal theft”, describing “high fashion [as] a joke at this point” after the aptly-named accessory was made available on the label’s website.

The shiny drawstring bag, made out of calfskin leather, is emblazoned with a subtle logo (to differentiate from … the ones us commoners buy off the shelves of Coles) and comes in black, white, blue, red and yellow.

Asked about the bags backstage in March, where they debuted, Demna joked to WWD that he “couldn’t miss an opportunity to make the most expensive trash bag in the world, because who doesn’t love a fashion scandal?”

Given the furore on Twitter, he certainly got his wish.

“A trash bag purse – @BALENCIAGA deliberately sells ultra expensive signals of low status,” one user wrote.

“The rich buy them to differentiate themselves from the middle class, who are afraid to wear them for fear of being mistaken for low class.”

“I’m convinced Balenciaga is a social experiment because there is no way they are charging 1.8K (US) for a trash bag???” said another.

“Idk how to feel about @BALENCIAGA and their new ‘Trash Pouch’,” tweeted a third.

“I’ve been wearing this exact look for YEARS taking out the trash Sunday nights. Winter ’22 my right eye!”

“What is Balenciaga gonna do next? Bottle up some air and sell it for $999. They’re doing too much with those trash bags,” said another.

“Whoever buys this needs to be thrown out of it.”

At Balenciaga’s March show, models trudged through a fake winter storm lugging the bags, with Demna writing in his show notes that the despair over Russia’s invasion of Ukraine informed the mood of it.

He wrote that he “became a forever refugee” when his family fled the war in his native Georgia, noting the war in Ukraine had “triggered the pain” from his past and highlighted the “absurdity” of fashion week.

“I realized that canceling this show would mean giving in, surrendering to the evil that has already hurt me so much for almost 30 years,” he said.

“I decided that I can no longer sacrifice parts of me to that senseless, heartless war of ego.”

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Kylie Minogue’s lack of dialogue in Neighbors finale was ‘due busy schedules’

Kylie Minogue’s lack of dialogue in Neighbors finale was ‘due to her and Jason Donovan’s super busy schedules only aligning for half a day for filming’

Kylie Minogue’s return to Ramsay Street for the last ever episode of Neighbors — sporting a throwback denim boiler suit and retro curls — is one of the great TV moments of the year.

But there has been much speculation on social media as to why she kept so tight-lipped, only uttering: ‘Home sweet home’!

However, I’m told the problem was a lack of time.

Brief: There has been much speculation on social media as to why Kylie Minogue kept so tight-lipped during the Neighbors finale, only uttering: 'Home sweet home'!

Brief: There has been much speculation on social media as to why Kylie Minogue kept so tight-lipped during the Neighbors finale, only uttering: ‘Home sweet home’!

A friend said: ‘There was only one half-day where Kylie and Jason’s schedules aligned.

‘They would have loved to film scenes with Guy Pearce, too, but this wasn’t possible.

‘For Kylie and Jason it was less about a storyline — which would have been hard, given the complexities of the final episode — but just to be on the street, and for viewers to see the love still between them.

‘It was very emotional for Kylie to be back on set. She loved being apart of the finale.’

Difficult: A source has said of the issue pointed out by fans: 'There was only one half-day where Kylie and Jason's schedules aligned'

Difficult: A source has said of the issue pointed out by fans: ‘There was only one half-day where Kylie and Jason’s schedules aligned’

Last week fans expressed disappointment that Kylie and Jason were given such little dialogue.

Neighbors executive producer Jason Herbison told TV Tonight that the pair filmed their special appearance before he had even written the final episode – so what they said had to fit in with the rest of the storyline.

‘Our discussions with Jason and Kylie were always about making a small appearance,’ Herbison told TV Tonight.

Throwback: Kylie and Jason are pictured at the age of 19 on the set of Neighbors where they both began their careers

Throwback: Kylie and Jason are pictured at the age of 19 on the set of Neighbors where they both began their careers

‘They didn’t want to overshadow the current cast or make the finale about them. We also filmed their scenes before I’d written the episode, so whatever we filmed had to fit in with that.’

He went on to defend Kylie after she copped backlash on social media, saying: ‘I hate to see Kylie copping any criticism – she was nothing short of amazing on the day.’

Kylie and Jason’s beloved characters Charlene and Scott Robinson made their much-anticipated entrance to the garden party as they pulled up on Ramsay Street in their recognizable green Mini before surprising their pals.

‘Wow wow wow,’ Scott said as they stepped out of the Mini during the finale.

‘This is crazy. We made it huh?’ I have added. Kylie’s character Charlene then said: ‘Home sweet home.’

The couple returned to Erinsborough for the first time since they bid farewell to the suburb and moved to Brisbane after tying the knot in a romantic wedding ceremony more than 30 years ago.

As well as Kylie and Jason making a final appearance on the show, there were also epic returns made by Holly Valance (Flick Scully), Natalie Imbruglia (Beth Brennan), Guy Pearce (Mike Young) and Ian Smith (Harold Bishop) as they reprized their roles on the soap opera.

Love: Kylie and Jason's beloved characters Charlene and Scott Robinson during their wedding on the soap

Love: Kylie and Jason’s beloved characters Charlene and Scott Robinson during their wedding on the soap

Icons: The couple returned to Erinsborough for the first time since they bid farewell to the suburb and moved to Brisbane after tying the knot in a romantic wedding ceremony more than 30 years ago

Icons: The couple returned to Erinsborough for the first time since they bid farewell to the suburb and moved to Brisbane after tying the knot in a romantic wedding ceremony more than 30 years ago

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James Packer parties with young women in bikinis on superyacht

Australian billionaire James Packer has been photographed on a yacht hanging out with young bikini-clad women.

On Thursday, Mr Packer was seen enjoying his $250 million superyacht out in the Mediterranean Sea off the Italian coast.

The Australian rich lister was there with two unknown women and an unknown man.

American film director Brett Ratner, 53, was also in attendance, who has directed Hollywood movies including X-Men and the Rush Hour franchise.

In one instance, Mr Packer 54, was photographed clasping the hand of a blonde woman while also leaning in to kiss her on the cheek.

At another point, one of the women was spotted drinking and dancing on the boat.

Mr Packer wore sunglasses and a dark blue T-shirt and black shorts while his friend Mr Ratner had a gray T-shirt on.

The Aussie business has been spotted spending a lot of time on his superyacht in the past few months.

In July, it was revealed that Danish model Josefine Hanning Jensen had been on-board the billionaire’s superyacht since at least July 6.

There’s no word yet on whether Packer and Jensen are romantically linked, or whether she will join him when he heads back to Sydney.

It’s unclear whether the two women spotted on the boat on Thursday are also models.

As the son of media head honcho Kerry Packer, James Packer has a net worth of US$1.5 billion (A$2.17 billion) according to Forbes.

Two months ago, Mr Packer revealed he had been seeking to lose weight after telling The Weekend Australian last month that he was ready to start the “third act” of his life as he looks towards a return to Australia.

“I’m roughly 130kg now and want to be back to 100kg by the end of 2022,” Packer told the publication.

speaking to the Sydney Morning Herald around the same time, Packer divulged he was down 33kg after quitting alcohol, limiting his calorie intake and exercising daily.

Mr Packer told the newspaper his life was “pretty good right now”, adding: “My mental health is the best it’s ever been.”

He also revealed his mental health had also taken a turn, having quit the antidepressants and antipsychotic drugs he was taking.

With the $8.9 billion sale of his company shares to US private equity firm Blackstone’s finalized on June 24, which saw Packer pocket an enormous $3.36 billion, he’s now ready to plan his return home.

“I want to swim with my kids at Bondi when we’re all in Sydney together next year and be 100kg,” he said from his home in Mexico.

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Dr Charlie Teo is engaged to his girlfriend Traci Griffiths, social media posts suggest

Sydney neurosurgeon Charlie Teo could be trading scrubs for a wedding suit soon after revealing social media posts hinted he has recently become engaged to his girlfriend Traci Griffiths.

The couple met when Ms Griffiths sought Dr Teo’s expert advice in 2009, although they did not begin dating until 11 years later after the brain surgeon split from his wife.

Wedding rumors have followed the well-known surgeon and his former patient for more than a year, but it appears there may now be some truth to the whispers.

Ms Griffiths, a vegan activist and fitness influencer, has used revealing hashtags in pictures of the couple to hint at the change in their relationship status.

The former model has consistently tagged photos of her and Dr Teo with references to “#myhero” and “#mybestfriend” during their relationship, but she upgraded the hashtags in May to “#myfiance” and “#ilovemyfiance”.

The revelations are buried in a number of hashtags attached to photos of Ms Griffiths at the Charlie Teo Foundation Ball more than two months ago.

The engagement hints continued in June with pictures of the costumed couple attending a Great Gastby themed birthday party.

Photos from the night are captioned with the same fiance hashtags and a nod to Dr Teo’s paperboy outfit.

After dropping the tantalizing suggestions, Ms Griffiths has remained quiet on the topic of her relationship.

The animal activist hasn’t posted any further photos of the couple on her social media accounts and there have been no more revealing hashtags.

Neither she nor Dr Teo responded to requests for comments about the engagement.

The exciting hints come as Dr Teo has taken a step back from his work as a neurosurgeon after conditions were imposed on his medical registration last year following complaints from colleagues.

In August 2021, the Medical Council of NSW banned Dr Teo from performing high-risk surgeries without the written approval from a second independent neurosurgeon.

The restrictions will remain in place until next month.

Prior to the review of his medical practices, Dr Teo had built his reputation by operating on those with incurable or inoperable brain cancers.

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Natsiaa 2022: Indigenous artist Rarru wins first prize with hand-woven sail | indigenous art

A “monumental” hand-woven pandanus sail symbolizing the centuries-long relationship between Yolngu of Arnhem Land and their Macassan neighbors in Indonesia, has taken out first prize in the prestigious National Aboriginal and Torres Strait Islander art awards (Natsiaa).

Margaret Rarru Garrawurra, a senior Yolngu artist from Lanarra in Arnhem Land, created the stunning 2.8m-high hand-woven pandanus sail over several months of daily work.

Garrawurra, who won the bark painting award in 2005, said she is “proud and happy” to win the main prize of $100,000 for Dhomala (pandanus sail), which is about her cultural identity and connection to her father, as well as the historical relationships that endure between Yolngu people and the Macassans.

A 2.8m-high hand-woven pandanus sail hangs in an open plan gallery space
The winning 2.8m-high hand-woven pandanus sail on display in Darwin. Photograph: Mark Sherwood/MAGNT

“I was with my sisters when I found out about winning. We were very happy. It makes us proud to get first prize,” Garrawurra, known as Rarru, said.

“Yolngu people were watching Macassan people weaving their dhomala over time… then they started to make them. My father picked up the skill as well. I used to make them.

“I thought about how I made them, my father, and I started remembering. And now I’m making these.”

The sail features stripes of distinctive black-dyed pandanus. As a senior weaver at Milingimbi arts centre, Rarru knows the recipe for creating the black mole (dye) she uses – and use of mole is reserved for her, and those to whom she gives permission.

A colorful painting by Ms D Yunupingu featuring pink flowers and some abstract figures on a large piece of cloth
Ms D Yunupingu won the bark award for her colorful work that recalls a mermaid story. Photograph: Mark Sherwood/MAGNT

Rarru said the work took months to create, from collecting pandanus and dyes in July last year, and weaving from October to March “every day, morning to night” before it was complete.

The Natsiaa judges said the work was “a monumental sculpture that is both majestic in scale and exacting in technical virtuosity.”

“Hers is a powerful work which reminds us that Yolngu have long been active and intrepid explorers, participating in international trade since well before the arrival of the Europeans,” Myles Russell Cook and Dr Joanna Barkmann, the judges, said.

Winner of the work on paper was Larrakia artist Gary Lee for a beautiful portrait of his grandfather, adorned with white blooms.

The late Ms D Yunupingu from Yirrkala won the bark award for her joyous retelling of an important mermaid story that is also a story of her relationship with her father and traditional sea country. Ms Yunupingu, who became a master painter like her sisters de ella late in life, used the bright magenta from printer cartridges to create the background on which the ghostly mermaids sit, representing sea creatures as well as the stars of the night sky.

From Buku-Larrnggay Mulka art centre, Merrkiawuy Ganambarr-Stubbs accepted the award on behalf of their beloved “mermaid lady”.

“Mermaid is the spirit that revealed itself to her father, my grandfather, on Wessel Island when they were living there in the late 1930s,” Ganambarr-Stubbs said.

Ganambarr-Stubbs said the painting captured Ms Yunupingu’s effervescent spirit.

“[In the painting room] you could always hear her across the room, her laughter and she was always saying, ‘Awesome!’ That was her favorite word of hers.

“If she was here, this is what she would say: ‘This is awesome!’”

Jimmy Thaiday, from Darnley Island, won the multimedia prize for a moving film about the impact of climate change on his island and a sand key nearby, which is now almost completely underwater. Thaiday said the $15,000 award will help him make more work addressing the crisis of climate change in the Torres Strait.

“I encourage all the younger generation to get up there and talk out, if they feel helpless about climate change,” Thaiday said. “It is really affecting our sand key, affecting breeding seasons for animals and birds, and plants, and our ability to go there and talk to younger ones about our traditions.”

An installation at Natsiaa 2022 featuring figures displayed in cases in front of poster drawings
Some of the artworks on display as part of Natsiaa 2022. Photograph: Mark Sherwood/MAGNT

Rebekah Raymond, curator of Aboriginal art and material culture at MAGNT, said there were 63 finalists from across Australia, representing more than 44 different nations and language groups.

“This year, I’ve seen a reemergence of strong works that are made by hand in really tactile practices – carving, ceramics, weaving – which celebrate working with your hands in such intimate ways,” Raymond said.

“During Covid, life slowed down a little bit. For many of the artists across the north of this continent there was a return to homelands, and that gave them more time to consider different things, to push their practice in new ways, to up the scale or return to something they’ve always done .”

  • The Telstra National Aboriginal & Torres Strait Islander art awards (Natsiaa) exhibition runs 6 August 2022 to 15 January 2023 at the Museum and Art Gallery of the Northern Territory in Darwin. Details: www.natsiaa.com.au

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Blind Date: Marketing executive Connor III wooed administrator Lily with his wit and charisma

LILY, 32, SAYS:

I arrived first, my date was running a couple of minutes late so as I was chatting to the staff and being walked to our table, I noticed a dude with a backpack sitting in the corner and thought, oh god, please not him. Thankfully it wasn’t and my date arrived soon after.

Lily's verdict: 9.5/10
Camera IconLily’s verdict: 9.5/10 Credit: John Koh/The West Australian

My first impressions of Connor III were that you picked a good one. He was tall and very easy to talk to. It didn’t feel forced at all.

We started off with some stock standard questions about work, how many siblings do you have etc., then once we both had a drink and relaxed a little, conversation just flowed. There were no awkward silences or any awkward moments actually. You can tell talking to people comes very easily to him. I mentioned he had recently been to a really crazy wedding. He told loads of good stories and made me laugh a lot.

I’d describe Connor III as funny, charismatic and likeable.

For dinner, we shared some plates. I’ve been to Lotus before so I knew even if my date wasn’t great, the food/cocktails would be. To be honest, I had set my expectations low for this date but funnily enough, we ended up staying until about 10pm. We shared a bottle of red and just took our time. I didn’t feel rushed or anything like that – it was just easy conversation. It was really bad weather, so we just decided to stay put instead of checking anywhere else out.

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