The baby girl who was found dead in Sydney’s west following a welfare check had COVID when she died, however police say her exact cause of death is still unknown.
Emergency services were called to a home on Yindi Place, Doonside, just after 10am on Monday where a nine-month-old was found unresponsive.
Paramedics treated the baby at the scene, but she could not be revived.
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It has now been revealed that the baby girl had COVID at the time of her death, as did both her parents.
In another development, neighbors told 7NEWS they had heard the 32-year-old mother shout “go, go, go” on Monday.
Parents of the nine-month-old baby girl who died on Monday. Credit: 7NEWS
Both parents told investigators that they had woken up to find their daughter unresponsive.
Neighbors told 7NEWS they were shocked by the incident.
“(I’m) devastated, actually, that someone so young won’t continue on with their life,” Karen Nicholas said.
“For a young baby to just die like that …. it’s a pity for our street, it’s very emotional,” neighbor Bondu Allieu said.
According to neighbors the baby’s 32-year-old mother shouted ‘Go, go, go’ the day the child was found unresponsive. Credit: 7NEWSPolice will await results from toxicology reports to determine the exact cause of death. Credit: 7NEWS
However, it’s not the first time Doonside has seen death on one of its streets.
Almost a year ago to the day, a 16-year-old boy was beaten to death by a group of teenagers just a few doors up the street from Yindi Place. All five teenagers involved in the attack were charged with murder.
Despite the revelation that the nine-month-old had COVID, police are keeping an open mind regarding the cause of death, and are awaiting the results of toxicology reports.
After months of being locked down and singled out as a coronavirus danger zone, Western Sydney is facing the difficult challenge of bouncing back.
Key points:
Photographs from Being Together: Parramatta Yearbook (2021–2022) are on display in Parramatta’s Centenary Square
The area’s rapid development over the past few years provides the background to much of the project
Photographer Cherine Fahd hopes to take the concept to other communities
Workers required permits to leave their local area, the community had nightly 9pm curfews, defense personnel were on the streets helping enforce restrictions, and a targeted police operation roamed the areas known as the LGAs of concern.
Despite four months of tough restrictions, the community’s spirit was not broken, and people returned enthusiastically to public spaces in droves.
Photographer Cherine Fahd discovered this as she embarked on her photography project at the end of the 107-day lockdown.
“I wasn’t sure whether people would want to participate, whether they’d want to come onto the stage that we created and take photographs with me. And it was incredible,” Fahd said.
One of the multiple photo shoots was held outside Western Sydney Stadium.(Supplied: Cherine Fahd)
“People were really enthusiastic to be part of something creative.”
Setting up photo booths in Parramatta’s public spaces such as Centenary Square and outside Western Sydney Stadium before an Eels game, Fahd captured a cross-section of the community after shooting for more than eight months.
Photographs from Being Together: Parramatta Yearbook (2021–2022) from the Museum of Contemporary Art Australia and Parramatta Artists’ Studios are on display in Parramatta’s Centenary Square.
Like a high school yearbook, locals are invited to find themselves in the public artwork.
Parramatta is one of Sydney’s most diverse neighbourhoods. Fahd said the cultural richness that shone in her work de ella came naturally to the project.
MCA curator Pedro de Almeida says the work puts art outside the typical gallery environment.(Supplied: Cherine Fahd)
“It’s just the people that came and went on the days that we were shooting,” she said.
“Parramatta is diverse, it always has been.”
MCA curator Pedro de Almeida said works like Fahd’s were able to put community front and center outside the typical gallery environment that art usually resided in.
“Fahd has brought her humor and empathy to this year’s project Being Together: Parramatta Years and engaged with Parramatta’s diverse communities,” Mr de Almeida said.
“The result is a special kind of public yearbook that recognizes many of the individuals that shape Parramatta’s identity and celebrates the connections shared between them.”
A time capsule of a changing city
Pounding jackhammers, whirring drills, and reversing trucks make up the soundscape of Parramatta’s center as the area is being transformed into a concrete jungle metropolis.
Fahd says her aim was to foreground the people against the rapid development of the city.(Supplied: Cherine Fahd)
Major infrastructure projects, such as the Parramatta Square project and Sydney Metro, promise to rival the Sydney CBD and represent the rapid development of the city.
Fahd sought to capture this change in the project, which included a photo shoot on the construction site of 5 Parramatta Square, where the new council chambers will be housed.
“One of my aims as an artist was to foreground the people against that backdrop of development,” she said.
“I think we get lost in the excitement of architecture and building and the people can get lost in that.”
Lord Mayor of Parramatta City Council Donna Davis said the artwork did a great job of capturing this moment in time for the city.
“This artwork is a wonderful representation of our city and its people at a significant moment in time — not only in terms of the pandemic but also with respect to the physical transformation of the CBD,” Ms Davis said.
Fahd says she was not expecting participants to be so willing to take part.(Supplied: Cherine Fahd)
Beginning of lifelong project
Parramatta Yearbook is likely the beginning of a lifelong project for Fahd, who says she would like to take the concept further afield to other places where a strong sense of community binds people together, particularly through hardship.
Fahd brought up the example of Lismore, which was hit by catastrophic flooding earlier this year.
“You could take it regionally, you could take it overseas, take it into other states and capture various communities,” she said.
“Each community will bring something of themselves and something that’s unique.”
