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Matt Smith, Olivia Cooke: Who’s who in the House of the Dragon cast?

Matt Smith, Olivia Cooke: Who's who in the House of the Dragon cast?

Audiences are about to plunge into the world of House of the Dragon, and just like its predecessor Game of Thrones, its ensemble cast is made up of well-known stars and “where have I seen them before?” faces.

Here are the main thesps and the roles that brought them to this moment in their professional lives.

matt smith

Character: Prince Daemon Targaryen

English actor Matt Smith is probably most famous face of House of the Dragons‘ ensemble cast, having played British cultural icons Doctor Who and Prince Philip.

Before nabbing the role of the Eleventh Doctor, Smith’s most prominent role had been in 2007 miniseries Party Animals, portraying a political staffer. As David Tennant’s time traveler replacement, Smith was catapulted into the stratosphere when he became the youngest actor to take on the Doctor. He was in the role for three series and five specials.

He followed that up by stepping into Prince Philip’s very expensive, custom-made shoes for two seasons of The Crown, for which he was nominated for an Emmy Award. Smith was praised for capturing the Duke of Edinburgh’s hautiness as well as the royal’s vulnerability to her as the Queen’s mostly powerless consort.

But his time on The Crown was embroiled in controversy when it was revealed Smith had been paid more than his co-star Claire Foy, despite Foy having the larger, more demanding and title role. Foy’s salary was later upped to match his.

Smith parlayed his TV celebrity into movie roles in Terminator Genisys, Charlie Says (where he played Charles Manson), His House and as villainous creeps in Edgar Wright’s stylish thriller Last Night in Soho and comic book vampire flick Morbius. Most recently, he took on the role of a wealthy party host in The Forgivenwhich also starred Jessica Chastain and Ralph Fiennes.

Olivia Cooke

Character: Lady Alicent Hightower

Treading the boards since she was eight years old, Olivia Cooke got her start through a local theater workshop in her hometown of Oldham.

Her first big break came when she landed the role of Emma Decody in Bates Matela prequel series to Alfred Hitchcock’s Psycho. Her character de ella had started the show as Norman Bates’ love interest and managed to survive the whole five seasons.

Cooke followed that up as William Thackeray’s scheming social climber Becky Sharp in the 2018 TV adaptation of Vanity Fair – great experience for her role as the manipulative Alicent in House of the Dragon.

On the silver screen, Cooke has been in a raft of studio and indie movies including Me and Earl and the Dying Girl, Thoroughbreads, Sound of Metal, pixie and as one of the leads in Steven Spielberg’s big budget sci-fi epic Ready Player One.

HOTD isn’t Cooke’s only prominent TV role this year – she was also one of the leads in Apple TV+’s spy show Slow Horsesopposite Gary Oldman and Kristin Scott Thomas. Slow Horses has already been renewed for four seasons.

Paddy Considine

Character: King Viserys I Targaryen

A constant presence in film and on TV, English star Paddy Considine has had memorable roles over the years, including as the doomed journalist weaving his way through Waterloo Station in the Bourne Ultimate – it was one of the most suspenseful sequences to feature in a spy thriller, so that’s saying a lot.

His most high-profile film projects have included Justin Kurzel’s Macbeth, The Death of Stalin, Miss You Already, Cinderella Man and two of Edgar Wright’s Cornetto Trilogy, Hot Fuzz and The World’s End.

On the smaller screen, Considine had starred in a series of TV movies called The Suspicions of Mr Whicher and had been making a splash in recent years as a recurring character on Peaky BlindersStephen King adaptation The Outsider and Jude Law series The Third Day.

He’s also a filmmaker, having written and directed Tyrannosaurusa feature he adapted from his own short film, and which starred Olivia Colman, Eddie Marsan and Peter Mullan.

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Emma D’Arcy

Character: Princess Rhaenyra Targaryen

Emma D’Arcy is a relative newcomer on the scene, compared to some of their more experienced scene partners, but that doesn’t mean they can’t hold their presence on screen.

They have been in several theater productions at smaller venues, including The Crucible, romeo and juliet and Pillowman While their TV roles have included the divisive Netflix miniseries Wanderlust, the promptly canceled Rob Lowe drama Wild Bill and Hanna. They were one of the leads in Nick Frost and Simon Pegg’s supernatural comedy Truth Seekers.

On film, D’Arcy has been in misbehaviora Keira Knightley dramedy about the feminist protest at the 1970 Miss World Competition, and mothering sundaya romantic drama which starred Odessa Young, Olivia Colman and Colin Firth.

House of the Dragon will be their most prominent role yet.

Milly Alcock

Character: Young Princess Rhaenyra Targaryen

House of the Dragon will be the young Australian actor’s first international role, and what a platform on which to step up for your global debut.

Alcock, all of 22 years old, has been in many local productions, starting with guest and recurring roles in TV shows such as Wonderland, Janet King and A Place to Call Home. She was also in Foxtel show fighting season, Les Norton, Reckoning, The Gloaming and ABC series pine gapthe latter of which was a Netflix co-financed production.

But her most prominent role so far has been the scene-stealing co-lead in right, the drama developed, co-written by and starring Tim Minchin. Alcock has also wrapped filming on a second season of the series.

Steve Toussaint

Character: Lord Corlys Velaryon

Steve Toussaint has been a prolific actor in his near three-decade career on screen.

From one of his earliest roles as a nondescript squadron leader in the critically reviled Sylvester Stallone Judge Dredd to playing John Boyega’s dad in Alexander McQueen’s Small AxToussaint leaves his mark.

He’s been in a raft of British TV shows such as Holby City, Bill, doctors, My Dad’s the Prime Minister, The Knock, It’s a Sin, death in paradise and Silent Witness – and like most British actors who have been around on TV long enough, he’s played a cop a bunch of times.

Eve Best

Character: Princess Rhaenys Velaryon

The RADA-trained actor is most recognized for her role on Nurse Jackie as Edie Falco’s onscreen best friend, a role she played for five seasons.

Also on TV, Best has been in Prime Suspect: The Final Act, Vital Signs, The Inspector Lynley Mysteries, The American Experience and in all eight episodes of the Maggie Gyllenhaal-led political thriller The Honorable Woman.

If you were lucky enough to have seen Best in theatre, you may have witnessed her on stage in a bunch of Royal National Theater and Shakespeare’s Globe productions including Macbeth, The Cherry Orchard, The Coast of Utopia and Much Ado About Nothing.

Her best known film role was as American divorcee Wallis Simpson in Oscar winner The King’s Speech.

Sonoya Mizuno

Character: Mysaria

Former ballet dancer and model Sonoya Mizuno got her first big break in Alex Garland’s Former Machineas an AI android who was abused by her creator, played by Oscar Isaac.

Mizuno’s partnership with Garland continued in the filmmaker’s next work, Annihilation, but you may not have seen her face – she was the mirror dancing alien in that bonkers scene at the end with Natalie Portman. In Garland’s next project, the cerebral and philosophical miniseries devshe cast Mizuno as the lead, a computer engineer who is pulled into a plot after the disappearance of his partner.

She is also known for her appearance in Crazy Rich Asiansas the bride Araminta Lee, and shared a screen with Emma Stone in two projects, La La Land and Netflix series manic.

Rhys Ifans

Character: Ser Otto Hightower

What hasn’t Rhys Ifans done? The Welsh actor and musician gives Matt Smith a run for his money from him as the most recognizable star in House of the Dragon.

Ifans stole every scene he was in as Hugh Grant’s kooky and exhibitionist housemate in Notting Hill, among his many film credits which includes LittleNicky, The Replacements, The Shipping News, Vanity Fair, Enduring Love, Elizabeth: The Golden Age, The Boat That Rocked, The Five-Year Engagement and Official Secrets.

Younger fans might know him as the conspiracy loving Xenophilius Lovegood in the Harry Potter movies while he’s also played the slithering and clobbering villain Dr Curt Connors/Lizard in The Amazing Spider-Manthe latter was a role he recently reprised via voice performance in Spider-Man: No Way Home.

On TV, Ifans had a recurring role as Mycroft Holmes in Elementary and he was one of the leads in berlin station.

He also had a memorable starring role in the film clip to Oasis song, “The Importance of Being Idle”.

Fabien Frankel

Character: Ser Criston Cole

Fabien Frankel has only been in the business for a few years but he made an impression in Netflix true crime series The Serpentin which he played Dominique Renelleau, a real-life French backpacker who managed to escape death at the hands of serial killer Charles Sobhraj.

He has also had parts in the NYPD Blue TV movie reboot, an episode of An Uncandid Portraitthe Emilia Clarke rom-com Last Christmas and is one of the leads in the upcoming farce comedy Venice at Dawn.

House of the Dragon will premiere on Monday 22 August at the same time as the US, streaming on Binge. The series will also be available to watch on Foxtel in 4K Ultra HD

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Matt Smith reveals downside of filming House of the Dragon

Matt Smith reveals downside of filming House of the Dragon

It’s Matt Smith as you’ve rarely seen him.

The 39-year-old British actor has taken on his boldest role yet in HBO’s upcoming House of the Dragonthe much-anticipated prequel to game of Thrones debuting locally on Binge and Foxtel August 22.

Smith, who is best known for becoming the youngest actor to helm Doctor Who from 2010,-2014 as well as his Emmy-nominated performance as Prince Philip in Netflix’s The Crownenter the thrones-sphere as Prince Daemon Targaryen.

The main antagonist – Daemon is the impulsive, power-hungry brother of King Viserys I Targaryen (Paddy Considine) in a world set around 200 years before the events of GoT.

While joining a franchise as universally lauded as thrones was reason enough to jump on-board, it was the complexities of this character that enticed Smith most.

“I thought he was really interesting and unknown. And I thought I could add something to him,” Smith says.

“I think you always feel an element of nerves going into every part, it felt sort of slightly outside of anything I’d done before, which is which is why I was attracted to do it.”

That’s not to say I loved every minute of it.

Smith says the nature of this production took an extreme physical and emotional toll on him. From sitting in the makeup chair for two hours to having the iconic Targaryen silver-haired wig fitted, to waiting around in hot, heavy armor.

“It was a great privilege to be apart of something like this, but it was grievous as well. It was a tough shoot. And it was a year over Covid and it wasn’t easy. It’s not like it was just bells and whistles,” he says.

“And this type of show, there’s so many characters in it. There’s a lot of hanging about on the set.”

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Admittedly, Smith feels overwhelmed on every set, saying his roles become his “sole focus.”

So, how does he stay sane?

“A pint of Guinness, watch some football. Go to the gym, do the normal stuff, walk my dog, you know, [I would] just go and do something that had nothing to do with blonde wigs and swords,” he says.

Few sets are as dynamic as this one. game of Thrones won Emmys for its immense fight scenes. Season 6’s ‘Battle of the Bastards’ (which was directed by HotD director Miguel Sapochnik) is as edge-of-your-seat-viewing as it gets.

Though, rehearsing such battles to the point of perfection can be risky.

French actor Fabien Frankel, who plays Sir Christen Cole in the prequel, reveals he almost damaged the money-maker – Smith’s pin-up face.

“I hit Matt in the face in our first rehearsal,” Frankel says. “My sword cut him in the head. We didn’t even really know each other.

Smith interjects, “It was your shield (which) hit my sword.”

While they laugh about it now, Frankel genuinely feared he was “going to get fired.”

“It was like, you know, you don’t want to insult Matt Smith,” he says.

Smith was one of the millions of diehard thrones fans, having watched the entirety of its eight season run.

He says he feels privileged to be welcomed into the world of Westeros for a new era, but of course, that sort of legacy warrants high stakes.

“But ultimately, it’s a good pressure,” Smith says.

“That had its own cultural footprint. And its success will never be repeated.

“There’s a huge fan base there. They love it. And we’re going to try and deliver something that’s original and entertaining and move the story forward, even though we’re moving the story backwards.”

House of the Dragon premieres express from the US on Binge and Foxtel August 22

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Prince Harry’s charity, African Parks hits major milestone on Meghan Markle’s birthday

Prince Harry's charity, African Parks hits major milestone on Meghan Markle's birthday

Prince Harry received an amazing piece of news on his wife, Meghan’s birthday, after being snubbed by her Majesty the Queen.

As Meghan Markle celebrated her 41st birthday yesterday, Prince Harry received some great news, The Sun reports.

The Duke of Sussex is the president of charitable organization African Parks, which announced on Meghan’s birthday it had completed a huge conservation project just days earlier.

Prince Harry’s patronage along with DNPW Malawi and IFAW Global translocated 263 elephants and 431 other creatures to safety to Kasungu National Park in Malawi.

This is an incredible achievement, as the Duke has been working closely with the charity since 2016.

It comes after the Duke’s grandmother, Queen Elizabeth, recently snubbed Harry in a speech she gave at Lambeth Palace.

However, the Queen did not wish Meghan a public happy birthday.

Her Majesty praised Prince Charles and William for continuing Prince Philip’s work for the environment.

During her speech to the 15th Lambeth Conference, the Queen said: “I was interested to learn that the focus of your program at Lambeth Palace today is a reflection and dialogue on the theme of the environment.

“A cause close to the heart of my late husband, and carried on by The Prince of Wales [Charles] and The Duke of Cambridge [William].”

Her Majesty made no mention of Prince Harry, and also did not publicly wish the Duchess a happy birthday.

Expert: Her Majesty’s Meghan snub is ‘remarkable’

Royals from across the Firm took to social media to wish Meghan Markle a happy birthday yesterday, but one key member was absent.

Her Majesty the Queen chose not to wish Markle a happy birthday, a decision which Royals expert Richard Palmer calls “remarkable.”

However, the expert explained why this decision may have been made.

Writing for the Daily Express, he said: “The Queen’s website neglected to mention the big day after deciding it will only mark the birthdays of non-working members of the family when they end in a zero.”

This post originally appeared on The Sun and has been republished with permission

Read related topics:Meghan Markle Prince Harry

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Queen Elizabeth’s heartbreak as her childhood friend dies, aged 97

Queen Elizabeth's heartbreak as her childhood friend dies, aged 97

The Queen has been dealt another devastating blow with the loss of a close childhood friend just months after the death of her husband Prince Philip.

Lady Myra Butter, a cousin to the Duke of Edinburgh, was a childhood friend of the Queen and part of her inner circle. She died aged 97 in her London home de ella on July 29, according to a death notice published in UK newspaper The Daily Telegraph.

speaking to The Telegraph In 2021, Lady Butter revealed how she first came to know the Queen as a child and opened up about their time together in the 1st Buckingham Palace Company of Girl Guides, when it launched in 1937.

“(Buckingham Palace) got hold of some girls to be part of the thing to make it more fun,” she said.

“In the Guides and the Brownies it was a real mixture, which was really nice, some friends, friends of (the family), and all the people in the Royal mews, their children, they were Brownies and Guides. Just a normal sort of pack really.”

According to the article, the Queen also used to swim with Lady Butter, who once described the monarch as having a “very good sense of humor which has gone on for all her life”.

Lady Butter was born in Edinburgh in 1925 to Sir Harold Wernher and the great-great granddaughter of Russia’s Nicholas I, Countess Anastasia “Zia” Torby.

Her death notice read: “Myra Alice, Lady (CVO) died peacefully on Friday 29th July 2022 in London aged 97. Beloved wife of the late Major Sir David Butter. Adored mother, grandmother and great-grandmother. Private family funeral in Scotland”.

Ingrid Seward, author of the book Prince Philip Revealed, told magazine Newsweek: “Lady Butter was wonderful. She is a daughter of the Wernher family and the Queen and Philip were very, very friendly with them and so she was ella the Queen Mother”.

Her death is understood to come as another devastating blow to the Queen who lost her husband in 2021.

The Duke of Edinburgh, who had been married to the Queen for 73 years, died at Windsor Castle in June last year.

Following the Duke’s death, Lady Butter – who also had a longstanding friendship with her cousin, the prince – described Her Majesty’s sense of loss as “incalculable”.

He had dedicated his life to the Queen and sadly died just before his 100th birthday.

In the past the Queen regularly called the Duke her “constant strength” and “guide”.

The pair was described as “love matched” and married in 1947 at Westminster Abbey.

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Sad milestone in Princess Charlotte video

Sad milestone in Princess Charlotte video

I’m going to make an argument that might make you scoff: To be born a prince or princess in

the British royal family would be a rotten fate.

Oh yes, I know about the castles, the family’s $645 million wealth and the just under $3 billion trusts which only some members hav access to, not to mention the indescribably vast collection of jewels including questionable Romanov pieces, rubies the size of quail’s eggs and that their Gan Gan owns the world’s largest private collection.

To live life, from your first squalling breath, as an HRH means nearly unthinkable privilege, far too much venison and always getting to board a RyanAir flight first.

But, it would still be a rubbish life.

Exhibit A) the video released by William and Kate, Duke and Duchess of Cambridge’s Instagram and Twitter accounts on Sunday night ahead of England’s Lioness soccer team playing in the Euro 2022 final. There the duke sat in some bucolic garden somewhere in England of the sort that Beatrix Potter would have given her best bonnet to sketch. On his knee he sat Princess Charlotte, age seven-years-old, with what looked like a plastered-on, slightly forced smile.

You can see her eyes dart off to the side, possibly to her mother the duchess who, as we know, is a dab hand with a camera. William wishes the team luck before Charlotte gets to deliver her line from Ella at the end, saying “Good luck, I hope you win, bye,” and offering a cheery wave.

It’s short, sweet and should be nothing more than a source of a few million more likes.

Except that, watching the video, something occurred to me. Here we have the future king delivering his lines with genuine warmth and enthusiasm and a small child staring down the barrel of a totally new sort of royal childhood, one where she and brothers Prince George and Prince Louis won’t just be obliged to occasionally appear. in public but will be required to help churn out the social content needed to keep the monarchy afloat.

Sure, all royal kidlets, including a cherubic Queen in the 1920s, have been rolled out to charm and delight the masses, tiny curiosities, waving gamely, that the press could slap on their front pages with glee abandon.

However, what sets the youngest Cambridges totally apart is that they are now also required to help their parents keep the pipeline of photos and videos for social media purposes coming.

Not only are George, Charlotte and Louis already expected to take part in key ceremonial family moments but on top of that, their childhoods are going to be intruded upon in an unprecedented way in the royal annals all in the name of likes, retweets and views .

You can already, clearly, see this pattern emerging if you contrast William and Charlotte at seven.

The year the prince was that age, he took part in the carriage procession for Trooping the Color and the later Buckingham Palace balcony waving session, appeared at the Beating Retreat military parade, and was photographed attending two weddings (his uncle, now the Earl Spencer , and that of the Duke of Hussey’s daughter) and alongside his brother Prince Harry on the younger boy’s first day at school.

Contrast that with the 12-months to date for Charlotte. In August last year she appeared in a Duke and Duchess of Cambridge Instagram post about a conservation effort called the Big Butterfly Count; there was the family’s Christmas card image, snapped during a private holiday to Jordan, that was shared widely; she attended the memorial service for her de ella Great Grandfather Prince Philip in March and the royal easter service in April, before the usual birthday shots of her were released in May.

Come June, Charlotte and her siblings took part in their first Trooping the Colour, did the balcony waving thing, undertook her first official engagement with her parents and George in Cardiff where she participated in an official walkabout, before taking center stage with her family during the Platinum Jubilee Pageant, along with filming a video baking cakes with Kate, George and Louis.

Also in June, the Cambridge Three appeared in a sweet family shot, taken in Jordan, that was posted to mark UK Father’s Day.

Sure, the young Cambridges may never know the hell of being chased by the paparazzi, but often in the coming months and years we are very likely only going to more regularly see their small faces popping up on Instagram, Twitter, YouTube and Facebook feeds. (A gambling woman would put money on William and Kate making a foray onto TikTok soon too.)

For the duke and duchess, being on most of the major platforms means they have agreed to a post-industrialist Faustian bargain. They can plug their brand of royalty – an accessible, warm and relatable one – directly to Britons via the most powerful marketing platforms ever created. The cost? They have to energetically and regularly generate the sort of personal and intimate photos and videos that are expected in these environments, that is, they are going to have to serve up their children at times.

Queen Victoria and Prince Albert, about 160 years ago, had the canny idea of ​​remaking the monarchy’s image by marketing their own family unit (and all nine children). This they did by releasing photos of what had hitherto been entirely personal moments such as christenings and the family on holiday. (In the 1860s, tens of thousands of copies of souvenir photos called carte-de-visites of the family were sold in the UK.)

This is a very similar strategy to the one that William and Kate are pursuing now, with their Happy Normal Family routine one of the building blocks of Cambridge Inc.

Cast your mind back to April last year when the duo released a totally unexpected departure of a video of the family gambolling on a beach, playing in a pristine garden and roasting marshmallows, to mark the duke and duchess’ tenth wedding anniversary.

The whole thing looked and felt like a commercial for a luxury station wagon, complete with atmospheric guitar music.

That was not an accident because fundamentally, William and Kate’s job comes down to the same thing a German car brand does: selling. In their case, selling the UK on a hereditary monarchy again and again to ensure it survives well into the 21st and 22nd centuries.

And, while every generation of royal parents have made their children accessible to the world via whatever the new technology of the day is, before now there was at least some sort of line between their private and public selves.

What sets George, Charlotte and Louis apart is that that distinction, that line, has quietly blurred in the last couple of years. We have seen content shot during family holidays, while ensconced on their private estates and after school in the Kensington Palace garden, shared on social media by their parents.

Obviously William and Kate are deeply protective of their children but they also have a responsibility to the monarchy too and that means embracing whatever new marketing weapons they can add to their arsenal.

Social media is a beast that must be fed and in recent years William and Kate have seriously upped their game on this front, hiring David Wakins, who formerly ran the Sussex Royal social media accounts, and launching a YouTube channel with a charming sizzle reel of sorts.

We are now served up, via the various Cambridge accounts, made-for-social content to promote their good works or news, such as when Kate was named as the Patron of the Rugby Football League and Rugby Football Union in February, with Kensington Palace putting out a sweet 30 second video starring the duchess amongst others.

These days it is hours, at the very most, after they attend any sort of engagement or event that videos and/or multiple images taken by the Cambridge team are posted, chirpily informing the world of what they have been up to and increasingly offering behind -the-scenes access.

Take their recent, somewhat disastrous tour of the Caribbean where they paid for their own photographer Matt Porteous to record their trip and where the couple’s digital team put out daily videos and photo montages.

A video of them scuba diving, shot by Porteous, to view marine conservation work was an interesting first – an official engagement conducted while the credentialed press pack were nowhere in sight and which was exclusively shared with the world via social media.

Clearly, William and Kate are devoting time, energy and budgetary resources to building up their social media presence as they inch ever closer to the throne but that is a path that involves their kids, whether any of them like it or not. (I’d wager it’s the latter.)

To be seven-years-old and on school holidays, and yet to be expected to take a break from your childhood to record a video in service of an ancient, stultifying institution? I’m not sure there are enough emeralds in the world to make up for that.

Daniela Elser is a royal expert and a writer with more than 15 years’ experience working with a number of Australia’s leading media titles.

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