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Olivia Newton-John: Re-watching Grease highlighted rape culture of the film

This week the 1970s classic grease aired on Nine in prime time viewing in tribute to the very much beloved Olivia Newton-John, who tragically passed away earlier this week. But celebrating grease again is a dangerous game.

Unfortunately, looking at grease through a 2022 lens leaves plenty to be desired. The movie enforces stereotypes, makes rape jokes and trivializes consent. Watching it with fresh eyes feels less nostalgic and more concerning.

I understand our desire to revisit the film, considering Newton-John’s death. It was the film that made her a star. She played Sandy, and she gave a Mary-Sue character dimension and charm.

It was the biggest film of the year when it was released, and it’s still very much a cultural touchstone. Who doesn’t know the words to, You Are The One That I Want? (I bet you’re singing the, ooh ooh ooh’s in your head).

But sadly, besides the chemistry between high school sweethearts Newton-John and John Travolta as Sandy and Danny, the film sends some harrowing messages. Let’s break it down, shall we?

For instance, at the beginning of the iconic movie, Danny brags to his mates about meeting a hot Australian girl during summer break. His friends pestered him for details of the relationship, including the line: “Tell me more, tell me more, did she put up a fight?”

Basically, the guys were making light of the idea of ​​Danny having to force Sandy into sex. As if it would be perfectly acceptable for a guy to push a woman into sex.

Then there’s the scene in the drive-in, Danny is desperately trying to make out with Sandy and make things right. She pushes him away several times and then eventually screams “no” while Danny pins her down and says: “Nobody’s watching!” Ick, right?

Seems more rapey than romantic. If a woman says no, a man shouldn’t touch or force her. He should respect her de ella wishes de ella and not try to talk her into it and a movie romanticizing the opposite is grim.

If that wasn’t stressful enough, when Rizzo, a character in the film becomes pregnant and plans to get an abortion sings the song, There Are Worse Things I Could Do.

“There are worse things I could do, than go with a boy or two…. I could flirt with all the guys, smile at them and bat my eyes. Press against them when we dance, make them think they stand a chance, then refuse to see it through. That’s a thing I’d never do,” she sings.

She is suggesting that the worse thing a woman could be is a tease, which is not true. Women can say no and set boundaries whenever they want. Women have the right to flirt and make eyes, and we don’t need to sleep with a man.

Then there’s the overarching message; ultimately, good girl Sandy turns herself into a more vampy version of herself to earn Danny’s affections. So, the overall message is, change who you are to get the guy? Not very heartening.

I understand it’s a movie, it was made in the 1970s, and we weren’t having such loud and important conversations about consent, but re-watching it feels less like a trip down memory lane and more of a reminder that so much of our aging pop culture references just reinforce rape culture.

I miss Olivia Newton-John, but I think there are better ways to remember her than watching Grease. Her de ella entire body of work de ella and her de ella endlessly contributions de ella to create a better world for everyone speaks volumes, particularly being an advocate for Breast Cancer Awareness.

I’d much rather stare at the Olivia Newton-John Cancer Wellness & Research Center to remember her than watch her character Sandy wade through misogyny through song and dance.

Mary Madigan is a freelance writer.

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Ferris Bueller’s Day Off actress Edie McClurg ‘victim of elder abuse’, court documents claim

The family of US actress Edie McClurg has claimed that she’s a victim of elder abuse.

In court documents seen by The New York Postthe family of the Ferris Bueller’s Day Off star – who lives in Los Angeles and suffers from dementia – alleged that she was abused by a man claiming to be a “long time” friend who reportedly attempted to take her out of California to marry her.

The documents – filed in the Superior Court of California – name the alleged abuser as Michael L. Ramos, who reportedly has been living at the 76-year-old’s LA home since 2017.

According to the documents, Ramos is unemployed and does not pay rent or any expenses and was able to “finagle” his way into McClurg’s life, reportedly attempting to move her out of California in order to marry her despite her dementia diagnosis.

The documents also claim Ramos allegedly “sexually assaulted” McClurg’s current caregiver, with a report filed with the LA Police Department.

In addition, the caregiver was “worried” that Ramos “has or may be assaulting the Conservatee and that she may not even know that it is happening to her,” according to the court filings.

McClurg and Ramos “have never been involved. [in] a romantic relationship,” with the caretaker now concerned he had been sexually abusing the actress.

They reported that he wanted to marry her out of state despite knowing she “lacked capacity” and was living in her home for “companionship,” which the judge of the conservatorship had allowed.

McClurg is under conservatorship and got protection from a judge – as per the documents – who ordered Ramos that he “may not enter into a valid marriage” with McClurg.

The lawyer for the conservatorship – which has been in place since 2019 – is now reportedly asking for an order to remove Ramos from the legal arrangement altogether.

McClurg’s family reportedly went to court in 2019 to ask for the legal arrangement, with claims she had been living with a male companion who was verbally abusive and tried to influence the handling of her estate by reportedly getting her to sign documents.

A 2019 neuropsychological evaluation report obtained by the post said that McClurg “suffers from a progressive, unreversible neurodegenerative disorder”.

The report outlined prior instances in which McClurg was allegedly taken advantage of, including by a married contractor who did work on her home and later reportedly “proceeded to live” in her home, claiming to be “her boyfriend”.

The contractor’s wife allegedly “began calling the patient and even stalking the patient” before McClurg’s cousin, Angelique Cabral, intervened.

The evaluation also noted that McClurg allegedly was “befriended” by Ramos in 2012 or 2013.

Cabral was appointed her guardian and filed the emergency petition on July 14 to remove Ramos from McClurg’s home.

Ramos filed an objection to the emergency motion with his declaration, denying assaulting or sexually abusing either McClurg or her caretaker.

McClurg has more than 200 acting credits and has appeared in iconic films such as Ferris Bueller’s Day Off and Plans, Trains and Automobiles and has done voiceover work in The Little Mermaid, A Bug’s Life, Cars and The Rugrats Movie.

This article originally appeared on New York Post and was reproduced with permission

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