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Margot Robbie sent Neighbors cast champagne for finale

Hollywood star Margot Robbie has told how she will be “eternally grateful” to soap Neighbors after it launched her acting career.

Margot, 32, who began her TV career as Ramsay Street’s Donna Freedman from 2008 to 2011, appeared in the show’s finale, which aired last Thursday.

While the A-lister filmed her scenes for the final show in Los Angeles, she made a sweet gesture to her fellow castmates, sending 37 bottles of champagne to the Melbourne set, as revealed by Neighbors actress Christie Whelan on social media last week, The Sun reports.

Robbie said that the final episode marks “the end of an era”.

Now Hollywood’s highest-paid actress, she said: “I owe so much to neighbors.

“There are so many of us that owe [the show] for giving us a big break.

“It wasn’t just about giving me a break either – it gave me a real chance to work on my craft. It was the perfect training for Hollywood and I will always be eternally grateful.”

thursday’s neighbors finale saw Robbie return alongside a host of other fan favourites, including Jason Donovan, Kylie Minogue, Guy Pearce, Holly Valance and Natalie Imbruglia.

Anne Charleston, who played Ramsay Street legend Madge Bishop, also returned – with her late character appearing as a ghost.

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Remembering her time on the soap, Robbie said it was only when she moved to London that she realized how widespread neighbors‘popularity was.

“It really is an end of an era for fans. When I lived in London, I understood at its peak how big it was. People would come up to me and tell me how they watched it every day after school.”

From fruit farm to Hollywood Hills

The actress, who grew up on a fruit farm on the Gold Coast, moved to LA after leaving neighbors in 2011 and landed a role in US TV show Pan Am.

But it was her part opposite Leonardo DiCaprio in The Wolf Of Wall Street that caught the eye of movie bosses in 2013.

Soon after, she moved to South London where she shared a four-bedroom pad in Clapham with six other friends that they dubbed “The Manor”.

Her housemates were friends she had met filming wartime flick French Suite – including the assistant director and her now-husband Tom Ackerley.

Robbie went on to star in 2015’s focus opposite Will Smith and played The Joker’s girlfriend Harley Quinn in 2016 hitSuicide Squad.

In 2016, she and Ackerley also married, and the following year they swapped their Clapham flat for a $3.6 million villa in Hollywood.

But she said leaving London had not been an easy move for the couple.

She said: “It was such a hard decision to leave, but I just couldn’t keep living out of a suitcase.”

Back in LA, the actress went on to star as Tonya Harding in I, Tonya – which she also produced – and alongside Nicole Kidman and Charlize Theron in Bombshell.

Both roles won her Oscar nominations.

She also starred as rising movie star Sharon Tate in Quentin Tarantino’s Once Upon A Time In Hollywoodappearing with former co-star DiCaprio as well as Brad Pitt.

Next year will see her hit the big screen in neon pink and sky-high heels after she was cast as Barbie in a romantic comedy about the iconic doll.

Directed by Greta Gerwig, the film also stars Ryan Gosling as Barbie‘s love interest Ken.

Robbie said: “When I read the script, I genuinely thought, ‘This is one of the best scripts I have ever read.’ I needed to be part of this story.

“I remember speaking with Ryan before we started shooting and we were just so excited to be part of this incredible script.

“Whatever people expect the Barbie movie to be like, they need to totally rethink it because Greta has done something special here.

“And Barbie is such a role model. She was a surgeon back in the early ’70s when a tiny percentage of females were applying for medical school.”

It is expected that in the hands of director Greta – whose last films were Lady Bird and Little Women – Barbie will get a thoroughly modern makeover.

‘Things have changed a lot’

It comes after Hollywood’s own makeover in recent years following the #MeToo scandals.

That movement was the focus of 2019 movie Bombshell, which was based on the sexual harassment of women working at Fox News.

Robbie, who starred as Kayla Pospisil, told at the time that it was only while working on the film that she realized what sexual harassment was.

She told Net-A-Porter: “I’m in my late twenties, I’m educated, I’m worldly, I’ve travelled, I have my own business – and I didn’t know. That’s insane.

“I didn’t know that you could say, ‘I have been sexually harassed,’ without someone physically touching you.

“That you could say, ‘That’s not OK.’ I had no idea.”

The actress also said that she has experienced harassment, but “not in Hollywood”, adding: “I struggle to find many women who haven’t experienced sexual harassment on some level.

“So yes, lots of times. And to varying degrees of severity throughout my life.”

Speaking last week, Robbie said: “I think things have changed in Hollywood over the past few years.

“There have been some difficult conversations and very brave people.

“We live in hope that all this courage that has been shown means nothing like this ever happens again.”

This story originally appeared on The Sun and is republished here with permission

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Sports

Sad milestone in Princess Charlotte video

I’m going to make an argument that might make you scoff: To be born a prince or princess in

the British royal family would be a rotten fate.

Oh yes, I know about the castles, the family’s $645 million wealth and the just under $3 billion trusts which only some members hav access to, not to mention the indescribably vast collection of jewels including questionable Romanov pieces, rubies the size of quail’s eggs and that their Gan Gan owns the world’s largest private collection.

To live life, from your first squalling breath, as an HRH means nearly unthinkable privilege, far too much venison and always getting to board a RyanAir flight first.

But, it would still be a rubbish life.

Exhibit A) the video released by William and Kate, Duke and Duchess of Cambridge’s Instagram and Twitter accounts on Sunday night ahead of England’s Lioness soccer team playing in the Euro 2022 final. There the duke sat in some bucolic garden somewhere in England of the sort that Beatrix Potter would have given her best bonnet to sketch. On his knee he sat Princess Charlotte, age seven-years-old, with what looked like a plastered-on, slightly forced smile.

You can see her eyes dart off to the side, possibly to her mother the duchess who, as we know, is a dab hand with a camera. William wishes the team luck before Charlotte gets to deliver her line from Ella at the end, saying “Good luck, I hope you win, bye,” and offering a cheery wave.

It’s short, sweet and should be nothing more than a source of a few million more likes.

Except that, watching the video, something occurred to me. Here we have the future king delivering his lines with genuine warmth and enthusiasm and a small child staring down the barrel of a totally new sort of royal childhood, one where she and brothers Prince George and Prince Louis won’t just be obliged to occasionally appear. in public but will be required to help churn out the social content needed to keep the monarchy afloat.

Sure, all royal kidlets, including a cherubic Queen in the 1920s, have been rolled out to charm and delight the masses, tiny curiosities, waving gamely, that the press could slap on their front pages with glee abandon.

However, what sets the youngest Cambridges totally apart is that they are now also required to help their parents keep the pipeline of photos and videos for social media purposes coming.

Not only are George, Charlotte and Louis already expected to take part in key ceremonial family moments but on top of that, their childhoods are going to be intruded upon in an unprecedented way in the royal annals all in the name of likes, retweets and views .

You can already, clearly, see this pattern emerging if you contrast William and Charlotte at seven.

The year the prince was that age, he took part in the carriage procession for Trooping the Color and the later Buckingham Palace balcony waving session, appeared at the Beating Retreat military parade, and was photographed attending two weddings (his uncle, now the Earl Spencer , and that of the Duke of Hussey’s daughter) and alongside his brother Prince Harry on the younger boy’s first day at school.

Contrast that with the 12-months to date for Charlotte. In August last year she appeared in a Duke and Duchess of Cambridge Instagram post about a conservation effort called the Big Butterfly Count; there was the family’s Christmas card image, snapped during a private holiday to Jordan, that was shared widely; she attended the memorial service for her de ella Great Grandfather Prince Philip in March and the royal easter service in April, before the usual birthday shots of her were released in May.

Come June, Charlotte and her siblings took part in their first Trooping the Colour, did the balcony waving thing, undertook her first official engagement with her parents and George in Cardiff where she participated in an official walkabout, before taking center stage with her family during the Platinum Jubilee Pageant, along with filming a video baking cakes with Kate, George and Louis.

Also in June, the Cambridge Three appeared in a sweet family shot, taken in Jordan, that was posted to mark UK Father’s Day.

Sure, the young Cambridges may never know the hell of being chased by the paparazzi, but often in the coming months and years we are very likely only going to more regularly see their small faces popping up on Instagram, Twitter, YouTube and Facebook feeds. (A gambling woman would put money on William and Kate making a foray onto TikTok soon too.)

For the duke and duchess, being on most of the major platforms means they have agreed to a post-industrialist Faustian bargain. They can plug their brand of royalty – an accessible, warm and relatable one – directly to Britons via the most powerful marketing platforms ever created. The cost? They have to energetically and regularly generate the sort of personal and intimate photos and videos that are expected in these environments, that is, they are going to have to serve up their children at times.

Queen Victoria and Prince Albert, about 160 years ago, had the canny idea of ​​remaking the monarchy’s image by marketing their own family unit (and all nine children). This they did by releasing photos of what had hitherto been entirely personal moments such as christenings and the family on holiday. (In the 1860s, tens of thousands of copies of souvenir photos called carte-de-visites of the family were sold in the UK.)

This is a very similar strategy to the one that William and Kate are pursuing now, with their Happy Normal Family routine one of the building blocks of Cambridge Inc.

Cast your mind back to April last year when the duo released a totally unexpected departure of a video of the family gambolling on a beach, playing in a pristine garden and roasting marshmallows, to mark the duke and duchess’ tenth wedding anniversary.

The whole thing looked and felt like a commercial for a luxury station wagon, complete with atmospheric guitar music.

That was not an accident because fundamentally, William and Kate’s job comes down to the same thing a German car brand does: selling. In their case, selling the UK on a hereditary monarchy again and again to ensure it survives well into the 21st and 22nd centuries.

And, while every generation of royal parents have made their children accessible to the world via whatever the new technology of the day is, before now there was at least some sort of line between their private and public selves.

What sets George, Charlotte and Louis apart is that that distinction, that line, has quietly blurred in the last couple of years. We have seen content shot during family holidays, while ensconced on their private estates and after school in the Kensington Palace garden, shared on social media by their parents.

Obviously William and Kate are deeply protective of their children but they also have a responsibility to the monarchy too and that means embracing whatever new marketing weapons they can add to their arsenal.

Social media is a beast that must be fed and in recent years William and Kate have seriously upped their game on this front, hiring David Wakins, who formerly ran the Sussex Royal social media accounts, and launching a YouTube channel with a charming sizzle reel of sorts.

We are now served up, via the various Cambridge accounts, made-for-social content to promote their good works or news, such as when Kate was named as the Patron of the Rugby Football League and Rugby Football Union in February, with Kensington Palace putting out a sweet 30 second video starring the duchess amongst others.

These days it is hours, at the very most, after they attend any sort of engagement or event that videos and/or multiple images taken by the Cambridge team are posted, chirpily informing the world of what they have been up to and increasingly offering behind -the-scenes access.

Take their recent, somewhat disastrous tour of the Caribbean where they paid for their own photographer Matt Porteous to record their trip and where the couple’s digital team put out daily videos and photo montages.

A video of them scuba diving, shot by Porteous, to view marine conservation work was an interesting first – an official engagement conducted while the credentialed press pack were nowhere in sight and which was exclusively shared with the world via social media.

Clearly, William and Kate are devoting time, energy and budgetary resources to building up their social media presence as they inch ever closer to the throne but that is a path that involves their kids, whether any of them like it or not. (I’d wager it’s the latter.)

To be seven-years-old and on school holidays, and yet to be expected to take a break from your childhood to record a video in service of an ancient, stultifying institution? I’m not sure there are enough emeralds in the world to make up for that.

Daniela Elser is a royal expert and a writer with more than 15 years’ experience working with a number of Australia’s leading media titles.

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Entertainment

Meghan Markle is the victim of bullying, Trisha Goddard says

Meghan Markle has made headlines recently for her alleged acts of “bullying”, and in the process has copped a substantial amount of vitriol.

But now the tables have been turned in a Channel 9 60 minutes segment that dug deep into the latest royal scandal involving the claims that the Duchess of Sussex intimidated and belittled her staffers.

When the allegations first emerged, Buckingham Palace announced it was conducting an inquiry, but it has since said it won’t release the findings. It’s a curious move that’s left many puzzled. What did they discover, that they don’t want us to know about?

And could it be that the facts actually reveal instead of being the bully, Meghan is the one who’s been bullied?

In the segment, 60 minutess reporter Tom Steinfort asked British television host Trisha Goddard, a rare and staunch supporter of the Duchess of Sussex: “Who do you think is the victim of bullying?”

“Meghan Markle,” replied Trisha Goddard, who was also a former Australian TV star featuring on such shows as Play School.

“They can’t go too all out on Prince Harry, so let’s go for the evil scheming woman, that whole thing about women taking men away and driving them somewhere and destroying them. I mean how misogynistic is that?

“I think what’s she done wrong is not to be of the correct stock. I think what she’s done wrong is to be an American, to be an outsider… also she she’s a strong woman.

“I’m not saying she’s perfect, but I’m sorry but Prince Andrew doesn’t get as much consistent vitriol.”

Steinfort then asked: “So what do you think is at play here – is it sexism, racism, or a heady combo of both?”

To which Goddard replied: “It’s all those and above. We know through the polling that the Sussex’s poll highest among youngsters, under 25s.

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“It’s the dinosaurs screaming when it comes to an outsider, and a female, and a female of color, then that is something that you are going to come down on because it shouldn’t be allowed,” she said on 60 minutes.

When asked if she noticed a pattern in the kind of people that attack Meghan, Goddard said: “Yeah. White, male, pale and stale”.

“Can we just stop messing around and call this for what it is – it’s bullying.”

She said it’s quite baffling why Prince Harry and Meghan are loved in America, but there’s so much controversy around them from the Brits.

“In the US people really like them they – they can’t understand what’s going on in Britain other than snobbishness, and I’m sure there’s a lot of that going on.

“You can’t blame them if they want to stay in the States can you?”

However, the bullying claims continue to swirl around Markle.

Also featured on the 60 minutes segment was Valentine Low, the royal correspondent for UK newspaper The Times. He said it was Meghan’s explosive Oprah interview that was the tipping point for several palace staffers who decided to reveal their claims of bullying to the world.

“What I was told was that in late 2018, Jason Knauf, who was Harry and Meghan’s communications secretary – so one of their very closest advisers – sent an email to his boss saying that Meghan had been bullying staff,” Mr Low said.

“He said that a couple of members of staff had been driven out by Meghan’s behaviour. and

he was also concerned for how much pressure was being put on their private secretary, their

very closest adviser, an Australian woman called Samantha Cohen.

“Now this was an explosive allegation, but the point is, nothing happened,” he said.

He said the palace simply didn’t know what to do.

“They didn’t know how to cope with such an unusual situation, and they didn’t know how to cope with Meghan.”

Read related topics:Meghan Markle

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Sylvester Stallone slams Dolph Lundgren over upcoming ‘Drago’ spin-off

Sylvester Stallone has hit out at his long-time friend and co-star Dolph Lundgren over an upcoming spin-off to Rocky.

The 76-year-old US actor created the smash-hit Rocky franchise back in the ’70s, in which he stars as Philadelphia boxer Rocky Balboa across six films spanning three decades. He also reprized the iconic role in two believe films, with the third to be released in 2023.

And now, the cult favorite story is set to be repurposed yet again, with TheWrap announcing a new MGM project focusing on Lundgren’s Rocky IV character, Russian boxer Ivan Drago.

But the news hasn’t gone down well with Stallone, who launched an explosive post claiming Lundgren kept the production a secret from him, despite Stallone having created the character.

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Taking to Instagram with a lengthy statement, Stallone also hit out at original Rocky producer Irwin Winkler, 91, who won the Oscar for Best Picture for the breakout 1976 film.

“ONCE AGAIN, IRWIN WINKLER, this PATHETIC 94-year-old PRODUCER and HIS MORONIC VULTURE CHILDREN, Charles and David, are once again picking clean THE BONES of another wonderful character I created without even telling me,” Stallone wrote alongside a screenshot of the news.

“I APOLOGIZE [sic] to the FANS, I never wanted ROCKY characters to be exploited by these parasites …

“By the way, I once had nothing but respect for Dolph but he NEVER told me about what was going on behind my back with the character I created for him!!! REAL FRIENDS are more precious than gold.”

Stallone followed up the post with another furious rant, which featured a photoshopped image of Winkler wearing vampire teeth having sucked blood from Rocky’s neck.

“After IRWIN WINKLER and FAMILY SUCK ROCKY DRY!” Stallone captioned the post. “Presumed to be the most hated, untalented, decrepit [sic]producer in Hollywood and his cowardly children have found their next meal… Drago, RETURN MY RIGHTS BLOODSUCKERS!”

Rocky IV, which was released in 1985, is considered one of the most popular films in the franchise. It follows Rocky’s emotional journey to the ring to fight against Drago, who had fatally punched Rocky’s best friend Apollo Creed (Carl Weathers) during an exhibition bout.

Stallone has previously opened up about his frustration over failing to secure rights to Rockytelling Variety in 2019 he had “zero ownership” of the franchise.

“Every word, every syllable, every grammatical error was all my fault. It was shocking that it never came to be, but I was told, ‘Hey, you got paid, so what are you complaining about?’” Stallone said.

“I was very angry. I was furious. Rocky is on TV around the world more than any other Oscar-winning film other than Godfather. You have six of them, and now you have believe and Believe II.

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Margot Robbie sent Neighbors cast champagne for finale

Hollywood star Margot Robbie has told how she will be “eternally grateful” to soap Neighbors after it launched her acting career.

Margot, 32, who began her TV career as Ramsay Street’s Donna Freedman from 2008 to 2011, appeared in the show’s finale, which aired last Thursday.

While the A-lister filmed her scenes for the final show in Los Angeles, she made a sweet gesture to her fellow castmates, sending 37 bottles of champagne to the Melbourne set, as revealed by Neighbors actress Christie Whelan on social media last week, The Sun reports.

Robbie said that the final episode marks “the end of an era”.

Now Hollywood’s highest-paid actress, she said: “I owe so much to neighbors.

“There are so many of us that owe [the show] for giving us a big break.

“It wasn’t just about giving me a break either – it gave me a real chance to work on my craft. It was the perfect training for Hollywood and I will always be eternally grateful.”

thursday’s neighbors finale saw Robbie return alongside a host of other fan favourites, including Jason Donovan, Kylie Minogue, Guy Pearce, Holly Valance and Natalie Imbruglia.

Anne Charleston, who played Ramsay Street legend Madge Bishop, also returned – with her late character appearing as a ghost.

Remembering her time on the soap, Robbie said it was only when she moved to London that she realized how widespread neighbors‘popularity was.

“It really is an end of an era for fans. When I lived in London, I understood at its peak how big it was. People would come up to me and tell me how they watched it every day after school.”

From fruit farm to Hollywood Hills

The actress, who grew up on a fruit farm on the Gold Coast, moved to LA after leaving neighbors in 2011 and landed a role in US TV show Pan Am.

But it was her part opposite Leonardo DiCaprio in The Wolf Of Wall Street that caught the eye of movie bosses in 2013.

Soon after, she moved to South London where she shared a four-bedroom pad in Clapham with six other friends that they dubbed “The Manor”.

Her housemates were friends she had met filming wartime flick French Suite – including the assistant director and her now-husband Tom Ackerley.

Robbie went on to star in 2015’s focus opposite Will Smith and played The Joker’s girlfriend Harley Quinn in 2016 hitSuicide Squad.

In 2016, she and Ackerley also married, and the following year they swapped their Clapham flat for a $3.6 million villa in Hollywood.

But she said leaving London had not been an easy move for the couple.

She said: “It was such a hard decision to leave, but I just couldn’t keep living out of a suitcase.”

Back in LA, the actress went on to star as Tonya Harding in I, Tonya – which she also produced – and alongside Nicole Kidman and Charlize Theron in Bombshell.

Both roles won her Oscar nominations.

She also starred as rising movie star Sharon Tate in Quentin Tarantino’s Once Upon A Time In Hollywoodappearing with former co-star DiCaprio as well as Brad Pitt.

Next year will see her hit the big screen in neon pink and sky-high heels after she was cast as Barbie in a romantic comedy about the iconic doll.

Directed by Greta Gerwig, the film also stars Ryan Gosling as Barbie‘s love interest Ken.

Robbie said: “When I read the script, I genuinely thought, ‘This is one of the best scripts I have ever read.’ I needed to be part of this story.

“I remember speaking with Ryan before we started shooting and we were just so excited to be part of this incredible script.

“Whatever people expect the Barbie movie to be like, they need to totally rethink it because Greta has done something special here.

“And Barbie is such a role model. She was a surgeon back in the early ’70s when a tiny percentage of females were applying for medical school.”

It is expected that in the hands of director Greta – whose last films were Lady Bird and Little Women – Barbie will get a thoroughly modern makeover.

‘Things have changed a lot’

It comes after Hollywood’s own makeover in recent years following the #MeToo scandals.

That movement was the focus of 2019 movie Bombshell, which was based on the sexual harassment of women working at Fox News.

Robbie, who starred as Kayla Pospisil, told at the time that it was only while working on the film that she realized what sexual harassment was.

She told Net-A-Porter: “I’m in my late twenties, I’m educated, I’m worldly, I’ve travelled, I have my own business – and I didn’t know. That’s insane.

“I didn’t know that you could say, ‘I have been sexually harassed,’ without someone physically touching you.

“That you could say, ‘That’s not OK.’ I had no idea.”

The actress also said that she has experienced harassment, but “not in Hollywood”, adding: “I struggle to find many women who haven’t experienced sexual harassment on some level.

“So yes, lots of times. And to varying degrees of severity throughout my life.”

Speaking last week, Robbie said: “I think things have changed in Hollywood over the past few years.

“There have been some difficult conversations and very brave people.

“We live in hope that all this courage that has been shown means nothing like this ever happens again.”

This story originally appeared on The Sun and is republished here with permission

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Sports

Tennis: Alex de Minaur collected his sixth ATP title by winning the Atlanta Open

Australian No.1 Alex de Minaur is on the verge of re-entering the top 20, only four weeks out from the US Open after winning the Atlanta Open for the second time.

The 23-year-old powered to his sixth career ATP title – all at 250 level – and first for 2022, with a 6-3 6-3 defeat of American Jenson Brooksby in 91 minutes.

de Minaur’s victory preceded Australian Open champions Thanasi Kokkinakis and Nick Kyrgios claiming the Atlanta doubles final 7-6 (7-4) 7-5 over countrymen Jason Kubler and John Peers.

Kyrgios and Kokkinakis have now won 14 of 16 matches together this season, including reaching the Miami Masters semi-finals as well as their maiden grand slam title.

de Minaur’s victory was his second title in Atlanta having also won the singles title in 2019, beating another American, Taylor Fritz, before going on to make the last 16 at that year’s US Open, which begins at the end of August.

The tournament wasn’t held the following season because of the Covid-19 pandemic, while Minaur skipped last year’s edition while recovering from the virus.

Fellow Australian and close friend Matt Reid stepped in to coach him for the week, with his usual mentor, Adolfo Gutierrez, to link up with him at this week’s ATP 500 event at Washington.

Australian Davis Cup assistant coach Jaymon Crabb also supported him in Atlanta.

“My coach (Gutierrez) is currently traveling to Washington. He’s on the plane and hasn’t been able to watch the final, so hopefully when he lands he’ll get a nice, little notification on his phone,” de Minaur said.

“I’ve got Matt Reid over there, who’s helped me out this week. He’s made time out of his very busy schedule to come out here and help me out and we’re undefeated as a team, so thank you very much.

“Jaymon Crabb’s here on Davis Cup business but he’s (also) put in a lot of hours in the hot, hot Atlanta summer.”

Third-seeded de Minaur proved far too strong for Brooksby in their first meeting, breaking the world No.43 four times while dropping serve himself just once.

The match turned in the Australian star’s favor in the sixth game of the opening set when he snatched a 4-2 lead, after staving off a pair of break points three games earlier.

That was enough for de Minaur, who came from a set down in the previous two rounds, to take a one-set lead before the rivals traded breaks to start the second set.

Neither player faced another break point until the seventh game, when de Minaur wore down Brooksby with some extended rallies before the American dumped consecutive tired forehands into the net to concede serve.

The result will see the Australian rise from his current ranking of 30 to 21 – and within sight of his career-high ranking of 15.

de Minaur reached the fourth round at the Australian Open and Wimbledon this year but will try to at least match his career-best quarter-final run at the 2020 US Open when he competes in New York.

Kyrgios and Kokkinakis smashed 15 aces past Kubler and Peers and converted the only break of the match in the final game to seal a tight straight-sets victory.

It was an unlikely turn of events for Wimbledon finalist Kyrgios, who withdrew before his first-round singles clash in Atlanta with a left knee soreness but continued in the doubles.

Read related topics:Nick Kyrgios

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Greg Norman LIV golf mess could end in player boycott, Davis Love III says

Davis Love III has a proposition to solve the divide that the LIV Golf Invitational Series has caused.

In an interview with Sports Illustrated, the World Golf Hall of Famer and captain of the US Presidents Cup team expressed frustration over how LIV is plucking players from the PGA Tour and disrupting the sport. So he suggested that he could see a scenario where players boycott a major championship to motivate golf’s governing bodies to ban LIV players from competing in them.

“Well, here’s the biggest lever; and it’s not the nice lever,” Love told Michael Rosenberg of Sports Illustrated. “But if a group of veterans and a group of top current players align with 150 guys on the Tour, and we say, “Guess what? We’re not playing,’ that solves it, right? If LIV guys play in the US Open, we’re not playing. If they sue in court, and they win, well, we’re not playing. You know, there won’t be a US Open. It’s just like a baseball strike.”

The PGA Tour has issued indefinite suspensions to players who are participating in LIV, which in turn has made them ineligible to participate in this year’s Presidents Cup, which is run by the PGA Tour. It also hinders their ability to play in the Ryder Cup, since players need to earn qualifications through Tour events and be a PGA of America member.

While the PGA Championship, US Open and the British Open have all acknowledged the headache LIV Golf has caused, these major championships still allowed qualified players to play in their tournaments this year.

Back in April, Masters chairman Fred Ridley said Phil Mickelson was not prohibited from playing as a past champion despite the fact that the six-time major championship winner was clearly headed toward signing with LIV. Love said he exchanged several messages with Mickelson, who was ultimately one of the first players to go.

Love has tried to convince players they could be making a long-term mistake and has asked if they are comfortable with never playing in the Ryder Cup or Presidents Cup again.

“Some of them understood it,” Love said. “Some of them think they are going to court or whatever and are going to prevail, and they’re gonna get to come back. What they don’t seem to understand is that players make the rules. So we can strengthen the rules rather than loosening the rules, right?”

With the deadline to make his captain’s selections for the US President Cup team just a few weeks away, Love has to recognize that players for both teams could potentially leave prior to then and after the FedEx Cup playoffs. LIV is scheduled for two events in September before the Presidents Cup.

This article was originally published by the New York Post and reproduced with permission

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Ne-Yo’s wife, Crystal Renay, accuses him of cheating: ‘8 years of lies and deception’

Looks like Ne-Yo’s wife is about to become “Miss Independent.”

Crystal Renay shared an impassioned statement via Instagram on Saturday, in which she accused her husband of cheating on her with “numerous” other women over the course of their nearly decade-long relationship, reports the new york post.

“8 years of lies and disappointment. 8 years of unknowingly sharing my life and husband with numerous of women who sell their bodies to him unprotected… every last one of them!” her statement from her began.

“To say I’m heartbroken and disgusted is an understatement. To ask me to stay and accept it is absolutely insane. The mentality of a narcissist. I will no longer lie to the public or pretend that this is something it isn’t,” she continued.

Renay, 36, added that she would be focusing on herself moving forward, writing, “I choose me, I choose my happiness and health and my respect.

“I gained 3 beautiful children out of this but nothing else but wasted years and heartache,” the model added of the three kids she shares with the 42-year-old singer — sons Shaffer Chimere, 6, and Roman Alexander-Raj, 4 , as well as 13-month-old daughter Isabella Rose.

She concluded on a conciliatory note that nonetheless conveyed an air of finality: “If someone can’t love you the way you deserve then it’s up to you to love yourself. With no hate in my heart I wish him nothing but the best.”

A spate of celebs and influencers proclaimed their allegiance to Renay in the comments section, offering both condolences and words of support.

“Stand in your truth boo. Now it’s just time for the next chapter in your story. Sending you all the good vibes,” wrote social media personality Landon Romano.

“So sorry,” wrote model and dancer Bria Myles, adding five melancholic crying emojis.

By Sunday afternoon, Ne-Yo responded to Renay’s post via Twitter.

“For the sake of our children, my family and I will work through our challenges behind closed doors,” he explained.

“Personal matters are not meant to be addressed and dissected in public forums. I simply ask that you please respect me and my family’s privacy at this time.”

Renay first started dating Ne-Yo sometime after the two met in 2015 to discuss potentially collaborating on the musician’s upcoming album, according to People.

The R&B star’s ex-fiancee, Monyetta Shaw, 42, — with whom he shares Madilyn Grace, 11, and Mason Evan, 10 — claimed in a 2016 New York Post op-ed that she learned of his involvement with Renay in 2014 , one year after he’d broken up with Shaw over the phone.

In any case, the One in a Million crooner successfully proposed to Renay in 2015, and the two wed a little under a year later — at which time she was nearly nine months pregnant with their first child.

The couple briefly split in 2020 before remarrying in 2022, throwing a lavish ceremony in Las Vegas to celebrate their reunion.

This article originally appeared in the New York Post and was reproduced with permission.

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Categories
Sports

England beats Germany, wins women’s Euros: Football news, reaction

England won a major women’s football tournament for the first time as Chloe Kelly’s extra-time goal secured a 2-1 victory over Germany at a sold out Wembley on Monday morning (AEST).

In front of a record crowd of 87,192 for any match in the history of the European Championships, Kelly prodded home a loose ball from close range to end English football’s 56-year wait for a World Cup or Euro victory.

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England looked set for victory in the 90 minutes when substitute Ella Toone’s sublime chip over Merle Frohms put the hosts in front.

Germany showed remarkable resilience to bounce back as Lina Magull leveled 11 minutes from time.

But for once, England were not to be denied a major tournament success. Kelly fought back from an anterior cruciate ligament tear to be fit in time for the tournament and made herself a national hero by being in the right place to pounce when Germany failed to clear a corner in the 110th minute.

The Manchester City winger tore her shirt off in celebration in scenes reminiscent of Mia Hamm’s famous reaction to scoring the winning penalty for the USA at the 1999 World Cup.

Fortune did not favor Germany, who lost captain and top goalscorer Alexandra Popp to a muscle injury in the warm-up.

But England will feel their time for some luck was due as 12 months on from the Three Lions’ defeat on penalties to Italy in the Euro 2020 men’s final, the nation’s women went one better.

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Categories
Entertainment

‘Punched in the face’: Chris Rock reacts to Will Smith’s apology

Hours after Will Smith took to social media to apologize for slapping Chris Rock during the 2022 Oscars, the stand-up took to the stage to wax poetic over the moment.

Rock compared Smith to former Death Row Records executive and currently incarcerated hothead Suge Knight, reported Page Six.

“Everybody is trying to be af***ing victim,” Rock, 57, said during a gig at Atlanta’s Fox Theater Friday night.

“If everybody claims to be a victim, then nobody will hear the real victims. Even me getting smacked by Suge Smith… I went to work the next day, I got kids.”

“Anyone who says words hurt has never been punched in the face,” Rock added, according to People.

The comic is currently touring his new material as part of his Ego Death World Tour. He also touched on the subject during recent shows in New Jersey and New York, co-headlined by Kevin Hart.

Smith’s latest apology — as he also apologized to Rock via social media days after the notorious incident — revealed that Rock has refused to speak to him so far about the moment he deemed “unacceptable.”

“I reached out to Chris, and the message that came back is he’s not ready to talk, but when he is, he will reach out,” Smith said in the video posted to YouTube. “I will say to you, Chris, I apologize to you. My behavior was unacceptable, and I’m here whenever you’re ready to talk.”

Smith, 53, also apologized to Rock’s mother and brother Tony Rock.

“That was one of the things about that moment that I didn’t realize,” he continued. “I wasn’t thinking about how many people got hurt in that moment. I want to apologize to Chris’ mother, to Chris’ family of him, especially his brother, Tony Rock. ”

Tony, who previously worked with Smith on an early-2000s sitcom All Of Ustook Smith to task over hitting his brother, leaving the Oscar winner with the impression that their relationship is now “probably irreparable.”

“Disappointing people is my central trauma.

“I hate when I let people down, so it hurts psychologically and emotionally to know that I didn’t live up to people’s image and impression of me,” he further explained. “The work I’m trying to do is I am deeply remorseful, and I’m trying to be remorseful without being ashamed of myself.”

This article originally appeared on Page Six and was reproduced with permission

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