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Larry Emdur reveals measly pay he received for The Castle cameo

Larry Emdur has spilled on the shockingly low pay he received for appearing in cult Aussie classic The Castle.

the Morning Show presenter, 57, made a small cameo as himself hosting The Price Is Right in the 1997 comedy, during a scene where Tracey (played by actress Sophie Lee) appears on the game show.

“45,000 worth of prizes, the luggage needs to be more than $640, it needs to be less than $740 … Go!” he is heard saying as Dale Kerrigan (Stephen Curry) narrates the family’s highlights over the years.

The Seven host’s appearance was small but iconic – but, as he told news.com.au podcast I’ve Got News For Youhe only pocketed a tiny amount for it.

“It was only like $123 or something like that, because it was just going to be a little indie film, no one had any idea where that was going,” Emdur explained to host Andrew Bucklow.

“They came in and shot the thing, we did it in a commercial break, and then they sent me a poster and a check for $123 dollars. (The Castle) went on to make tens of millions of dollars.”

During his interview with IGNFYEmdue also opened up about his beef with “sneaky” Karl Stefanovic over former Seven host Lisa Wilkinson.

He explained that plans were in place for then-Weekend Sunrise host Wilkinson to become his co-host, but that Stefanovic had instead lured her over to the Today Show.

“In the weeks after that audition, I introduced Lisa to Karl Stefanovic at the Logies,” Emdur revealed.

“And then he went about his sneaky little ways, which he does, and he somehow dragged Lisa over to the Today show.”

However, Emdur explained that there were no hard feelings, as it was the “right move” for Wilkinson.

“I think Lisa had different things to do other than The Morning Show at the time, so it was a reasonable move and actually made sense, so we went back to audition a few more people and eventually landed with Kylie (Gillies) on the couch. , which was just a magnificent result.”

The situation could have made for some awkward run-ins over the years, but instead, Emdur said he and Wilkinson now “laugh about it all the time.”

It’s not the only juicy Logies-related incident revealed by Emdur in the podcast – he also lifted the lid on his wild Logies afterparty with friends star Matt LeBlanc in 1998.

According to Emdur, the American actor had been looking “so bored” during the lengthy evening that he’d felt compelled to try and turn his night around.

“I was standing at the bar and in walks Matt LeBlanc with an entourage around him, and he just looked so bored,” Emdur told I’ve Got News For You.

“So I convinced the barman to give me a bottle of Sambucca for Matt, and I went over to him and I said, ‘Hey, do you want a Sambucca? You look so bored’, and he went, ‘Are you Italian?’ and I said, ‘No, does it matter?’ and he went, ‘No, let’s go!’

The result, Emdur explained, was that they ended up drinking “every bottle of Sambucca in Crown Casino” that evening.

“It was a very, very funny night … We were like two very, very naughty little schoolboys,” the TV host said.

He then revealed that LeBlanc had left a note under the door of the hotel room he was sharing with his wife Sylvie, which read: “Dear Sylvie, your husband got me very drunk. Love Matt.”

During his interview with IGNFYEmdur also

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Thai cave rescue movie Thirteen Lives avoids cheap Hollywood tricks

You have to hand it to American director Ron Howard for resisting the temptation of “Hollywood-ising” the true story of the Thai Cave Rescue.

But when a tale is as extraordinary and as well-known as the 2018 rescue of 12 children and their football coach from a flooded cave, any cheap movie tricks to over-egg the events would’ve been patently obvious.

Everyone knows at least the broad strokes of those 18 intense days. More importantly, everyone knows the ending, so you can’t inject false suspense, especially when the real ones were already so insane.

As a dramatisation, Thirteen Lives follows an excellent Nat Geo documentary feature, a less successful indie film and precedes a Netflix miniseries. The Thai Cave Rescue is a great story so it’s catnip to storytellers.

Howard’s film is a restrained but still gripping retelling, led by a commitment to realism and a deep respect for all those involved. You can feel that belief in the best of people at the worst possible moment coursing through the veins of the film, and it powers Thirteen Lives‘ hold on the audience.

Starring Viggo Mortensen, Colin Farrell and Joel Edgerton, the narrative is primarily built around the two British cave divers Richard Stanton (Mortensen) and John Volanthen (Farrell) who first located the missing boys more than a week after they were last seen.

And that of Australian diver and anaesthetist Richard Harris (Edgerton) who was recruited into the mission because of his specialist skill.

Thirteen Lives delves into the ethical quandaries and hesitations over the agonizing decision to sedate the boys so they can be retrieved through a treacherous system of tunnels in the five-hour long dive.

While we know it was ultimately a successful mission, the personal cost to those involved have a particular punch in the hands of accomplished actors and Howard’s steady instinct skills and sound as a director.

Those scenes, while quiet and almost ruminative compared to the dive sequences, are what distinguishes Thirteen Lives from the best documentary takes on the events. The Nat Geo doco The Rescue is a riveting work but there is something distinct – not better, just different – ​​about a dramatisation.

Of course, the signature piece of Thirteen Lives is those dive sequences. It’s not going for documentary verisimilitude but there is a realism to the underwater scenes.

Thai cinematographer Sayombhu Mukdeeprom, a frequent collaborator of the esteemed filmmaker Apichatpong Weerasethakul, does a beautiful job in evoking the intensity of those moments.

The water is murky, the currents are forceful and sometimes you can’t see what’s going on, effectively recreating the challenging conditions which all the divers operated under, highlighting how near-impossible their mission was.

Thirteen Lives centers Stanton and Volanthen experiences because it’s their life rights the filmmakers have. But despite that, the film largely avoids any unsavory white savior complex narratives, casting its net wider by giving time to the many, many people involved in the rescue.

That includes the Thai navy Seals, including Saman Kunan (Sukollawat Kanarot), the man who died during the mission, Narongsak Osatanakorn (Sahajack Boonthanakit), the governor co-ordinating the operation and Thanet Natisri (Nophand Boonyai), the water engineer leading a large group of volunteers atop the mountain in trying to stem the water flowing into the caves.

The film captures the scale of the operation and the strength of that co-operation, even if it can’t give enough attention to every experience. There are sections that feel rushed and stories that seem untold, but not even a two-and-a-half-hour movie has the time for everything.

And the boys’ perspective will be the focus of the upcoming miniseries Thai Cave Rescue after the team struck a deal with Netflix for their life rights.

Thirteen Lives is not the complete story but it’s an enthralling piece of a phenomenal moment.

Rating: 3.5/5

Thirteen Lives is streaming now on Amazon Prime Video

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