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Moment Brad Pitt almost lost first movie role

The director of an obscure Serbian film has shared the moment she “discovered” award-winning actor Brad Pitt as a young adult looking for his silver-screen debut, and how she was almost turned off giving him his start.

Before the fame of blockbuster productions like Ocean’s Eleven and Mr & Mrs Smitha pimply but “electrifying” 21-year-old Pitt responded to a casting call from the agency of Lauren Lloyd, former executive vice-president of Hollywood Pictures and Trust Sony pictures.

Lloyd described her first meeting with the young wannabe who would become a megastar back in the ’80s to Aussie podcast What is Was Like.

“So this kid walks in and I think he had done maybe one or two episodes in a soap opera… and I was like, who’s this kid? But it was like God walking in” Lloyd told the podcast.

“So I said ‘sit down and talk to me’, and he had kinda bad skin… but he seemed very calm for being one so young and non-experienced.”

At 21 years old, Pitt had minimal acting experience and was looking to enter the film industry.

Lloyd’s talent agency had agreed to scout a male lead for a Yugoslavian-US co-production The Dark Side of the Sun.

And by the time young Pitt read the script to them, Lloyd and her work partner were “giggling with delight” at the actor they had found.

“We were like who is he? This guy is magnificent,” she said.

But despite Pitt having successfully charmed the two talent scouts, Lloyd revealed she almost didn’t cast him because of his lack of experience in film.

“I said ‘but he just does TV’ – because we were at that stage when the people in the movie business we looked down upon television… they were making the money but we were making the movies,” she said.

After her partner assured her “you’ve got a movie star!” the pair hired Pitt for his first ever movie gig working with Yugoslavian directors.

“And Brad was so excited, he was like a kid,” Lloyd added.

They call it the ‘X-Factor’

It’s the quality that distinguishes ordinary people from “stars” who become globally and critically acclaimed artists.

And that’s exactly what Lloyd saw in Pitt the day he walked in and read his first film script.

A large part of film success she conceded, was down to genes – being born with a face for camera.

“Well (Pitt) had shaggy hair and kind of bad skin but you’re still … captivated by it,” she said.

“He was almost too pretty, he had very delicate features – he’s grown into a much more manly man – but he was just quite a beautiful creature.”

But looks alone don’t drive the “X-Factor” she said, and when it came to Pitt, what made him “electrifying” was his “calm” and “holistic” presence.

“(He was) so united inside – and when I say that I mean for someone so young to be so comfortable in their body, to be intellectually there.” she said.

“So it’s a spiritual, intellectual, and physical blending… and there he was – magnificent looking.

“So when someone likes that walks into a room you see them – but you feel them. It’s almost like every cell in your body is electrified.”

Lloyd said Pitt had been “blessed” with an “incredible combination of genes” which gave him that “movie star quality” that talent agencies look for.

But pretty faces come and go, she acknowledged, and to make a long-lasting career in the Hollywood film industry, actors have to be persistent.

“When you go to Hollywood, you have to have that (self-belief) no matter what you do,” she said.

“(Because) if you don’t have that drive it’s so difficult… you’ll perish away… you have to be so driven that no matter how many times you get ‘no’, you’ll find a way.

“And he had that.”

This is an extract from the podcast What it Was Like. To hear the full story of how Brad Pitt became a star, click here.

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Entertainment

Angourie Rice on Honor Society, breaking the fourth wall and the book she always travels with

Ever since Angourie Rice broke out in The Nice Guys as Ryan Gosling’s onscreen daughter, she’s been destined for big things.

Adept at a pithy retort as well as an emotional moment, Rice’s career has been seen her work with some huge names in front of and behind the camera.

Only 21, the Melbourne actor has already staked her place among Kate Winslet and Jean Smart on The Mare of Easttownnext to Nicole Kidman, Kirsten Dunst and Sofia Coppola in The Beguiled and alongside Miley Cyrus in BlackMirror. She’s also made a mark in ensemble casts, as Betty Brant in Spider-Man: Far From Home and as ingenue Lisa in Ladies in Black.

Honor Society is her first lead role, exactly the challenge Rice was looking for. The teen rom-com features her as Honor, a high-achieving student who decides to take down her academic rivals in the hopes of getting into her dream school, Harvard.

One of those rivals is played by stranger thingsGaten Matarazzo.

On paper, Honor is not a sympathetic character given her scheming, but in Rice’s hands, she’s charming and relatable – and her conspiratorial fourth-wall breaks lets the audience in on her journey.

Rice talked to news.com.au about the challenges of her first lead role, staying grounded on set and how she related to Honor’s instincts to protect herself.

Is it surreal to keep going back to high school? How long do you think you’ll be content to keep playing teenagers?

I graduated [from high school] just over three years ago, so it does feel very fresh in my mind. Also, because I didn’t go to university, [these high school characters] are like the last experience in education that I had.

But there are definitely some really exciting scripts out there that are about young people who aren’t set at high school or college, and I’m excited for more of those for sure.

Are you happy to keep extending that ride for a little big longer?

Honestly, if I’ve learned anything is that as much as I try, I cannot control anything in the film industry. Whatever comes my way, we’ll see.

This character has so many fourth-wall breaks – she’s always speaking to the audience. Was it intimidating to play someone who is so deliberately trying to connect with the audience?

I was nervous to have that much dialogue and to be so switched on in those scenes.

Honor brings the audience in by talking to them, by making them part of her plan. She reels them in. Then the camera and the audience become her conscience of her. She feels judged by them because she’s making some questionable choices.

She reminded me a little bit of election‘s Tracy Flick on that she’s a little intense but not as intense or as unlikeable, even though her plan is some pretty heavy level sabotage of her peers’ future. What were those conversations like the filmmakers in terms of keeping the audience on Honor’s side?

That was important to me. I thought she’s got to be charming and the audience has to want to be part of her plan. Honor should talk to the audience like, ‘let me tell you a little secret and we’ll be a team against everyone else’. What’s exciting about her is that she’s charming, she’s funny and has a sense of humour.

And she’s able to learn and say sorry, to admit it when she’s wrong.

Every role you choose has a different aspect to it. What was new or challenging about Honor Society?

Definitely talking to the camera was a new and exciting challenge for me. Playing a lead – I really wanted to do that. And to map a character’s arc fully. She’s in scene one and scene 100 and every scene in between.

We see her, we see her entire arc and I really wanted to do that. I wanted to show this character change and grow and learn.

What was the experience like of playing the lead? You’re the first person on the call sheet, you’re almost kind of responsible for setting the tone, the energy and the work ethic of everyone beneath you on the call sheet.

It was nerve-racking and very scary. I did feel pressure. But really the thing that made it possible was my sister was there with me the whole time.

She would come to set three or four times a week, and it was great to have her there as an emotional support person.

It really helped to have someone, when you’re so in the world of [a character] and fixated on something, to have someone from home, who’s there reminding you to drink water and to stop talking about yourself, to go home and just watch movies.

For Honor, the book The Handmaid’s Tale is like her bible. I know you have Community Librarya podcast talking about books so what’s your bible that you carry with you?

It’s Pride and Prejudice. I usually travel with a copy just in case I need it. It’s like comfort food to me. I know the story so well, I’ve read it so many times. Every time I dive back in, it’s like coming home. Every time I read it, I find new things to laugh at or new things to learn.

How many times do you think you’ve read it?

Maybe seven or eight times. I read it again right now.

Have you ever pictured yourself playing Lizzie Bennett?

Absolutely! I feel like every Jane Austen fan has. Whenever you read Pride and Prejudiceno one is saying ‘I want to be Mary’.

There’s a line in Honor Society that really struck me. It’s at the beginning and it’s obviously part of where the character starts before she goes on her arc. She says, ‘To survive, I hide within myself’. Is that something you’ve ever done as somebody with a fairly high-profile job and public persona?

Definitely. It’s something that I really related to with the character because she puts up this facade to protect herself from people knowing who she really is, because what if they don’t like her?

I really related to that.

Yes, as a person with a public profile but also as anyone going through high school, anyone who has social media, anyone living a life as a teenager.

That’s what being a teenager is, it’s hiding who you really are because you are so anxious that people aren’t going to like you, and changing who you are to please certain people. That was one of the main things of the movie that really struck me when I first read it.

Honor Society is streaming now on Paramount+

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