He said the reserve was about $1.38 million to $1.4 million.
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“[It’s a] pretty typical experience, I think the quoted prices are where things are at,” Roberts said.
He did not think the impact of interest rates had filtered through yet, and said the market was “very price-sensitive, but still good”.
“Vendors are selling and doing well and bringing things to the marketplace,” he said. “It’s about getting the pricing right.”
In Maribyrnong, a three-bedroom parkside home also sold in the vicinity of its price hopes, fetching $1,015 million. This was just above the top end of price guide of $900,000 to $990,000.
Most interested buyers were young families but a middle-aged couple won the competitive auction for 1 Nayook Lane, Biggin & Scott Maribyrnong’s Quentin Hinrichs said, beating three other parties.
It had a fluctuating reserve, but the vendors were hoping for about $1 million, he said.
“[The market is] certainly down from, way down from, where it was not long ago, price wise,” he said.
Not all homes sold under the hammer. A Brighton block with water views passed in on a vendor bid of $5 million.
The weatherboard house at 50 Esplanade was marketed as an opportunity for the buyer to build a dream home on the 903-square-meter parcel.
Kay & Burton Bayside Brighton’s Will Maxted said he was in negotiations with some parties post-auction, and his phone had not stopped pinging since, with potential buyers wanting to talk.
“They are just a bit gun shy to put their hands up, they want to negotiate afterwards,” he said.
A more affordable four-bedroom house in Frankston North soared above its reserve price, trading for $712,000 in front of a crowd of more than 90 onlookers.
An investor outbid another investor and two owner-occupiers for 5 Blackbutt Court, surpassing the reserve of $500,000 and price guide of $500,000 to $550,000.
Bidding began at the bottom of the price guide and went up in $10,000 increments, and cut back to $500 bids towards the end, OBrien Real Estate Frankston’s Mark Burke said.
He said it was on a large block of 837 square meters but not all homes could command a similar result in this market.
“I’m a bit more picky about what I auction but if you get the right property you can auction it,” he said.
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“Buyers are looking for better value for money and better bang for their buck – it certainly has an effect on prices.”
In Glen Waverley, a three-bedroom villa unit at 1/743 High Street Road sold for $836,000.
An investor beat three other parties, pushing the price above the $800,000 reserve.
“It was not a bad auction, there was quite a few people here which was a bit of a surprise for us for a main road property,” Barry Plant Monash’s Tony Ievoli said.
“At some of the other properties we have auctioned in recent times, there are much fewer buyers and much less activity.“
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The Backbone One for Android just launched about a month ago, and with it, gave anyone with a Google, Samsung, or other Android phone a fantastic alternative to the GameSir X2. Along the launch of the mobile gaming controller, a $65 USD in value of free Stadia Pro, Xbox Game Pass Ultimate, and Discord Nitro were given away to promote it.
Now, Sony has partnered directly with Backbone to create an accessory that PlayStation gamers will appreciate. We actually saw this device last year and thought that maybe the gaming giant was working on its own to pair with PS Remote Play as an alternative to the PlayStation Vita and as a companion to the PlayStation 5, but it looks like it was a collaborative design all along.
The Backbone One – PlayStation Edition is meant for use with Apple’s iOS devices (like the iPhone 13 Pro/Max), and features the same colors, face buttons, and overall design as Sony’s new DualSense controller for its latest generation console. It’s collapsible while not in use, and has a Lightning charging pass-through port for your phone.
You’ll also be happy to know that it has something that’s become incredibly rare in recent years – a 3.5mm headphone jack! While those familiar with these sorts of accessories will already know that this doesn’t come with an internal battery of its own (it’s just a controller that interfaces with your phone), I feel the need to mention this for those new to the space and who may be interested in expanding their gameplay options.
You can download the Backbone app from the Apple App Store for additional functionality, but don’t be mistaken – this isn’t just and only for PS Remote Play usage! You can use any Backbone device to play other things too like cloud gaming services (Stadia, Nvidia GeForce NOW, etc.) as well as App Store games built with gamepad support.
The Backbone One will cost $99.99 USD and is available in the US, UK, New Zealand, Spain, Sweden, Italy, Mexico, Australia, Canada, France, Germany, and the Netherlands with other locations gaining access to it as time progresses. I really hope Android users get a PlayStation version of this device as well, as this would scratch my itch for a new PlayStation Vita, which I’m almost certain will never happen.
Johnny Depp’s hotshot lawyer Camille Vasquez has conducted her first sit-down interview after Amber Heard officially filed a notice of appeal over the $US10 million verdict in the former couple’s defamation case.
A spokesman for Heard announced the appeal move with a statement appearing to pre-empt social media reaction earlier in July.
WATCH THE VIDEO ABOVE: Camille Vasquez speaks
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“We believe the court made errors that prevented a just and fair verdict consistent with the First Amendment,” the spokesman said.
“We are therefore appealing the verdict.
“While we realize today’s filing will ignite the Twitter bonfires, there are steps we need to take to ensure both fairness and justice.”
Speaking to CBS Mornings co-host Gayle King on Friday, Vasquez said Heard’s appeal was “expected.”
“She’s indicated since the day she lost the trial that she was going to appeal.”
Vasquez said Depp’s team had prepared a strategy to deal with that.
“Mr Depp ended up filing his own appeals so that the court could have a full record.
“She insists on continuing to litigate this matter. We have to protect our client’s interests.”
Vasquez’s reference to Depp’s “own appeals” refers to the fact he has also filed an appeal against the jury’s ruling that he had defamed Heard via comments made by his attorney Adam Waldman in 2020.
Following Depp’s courtroom win, the actor told fans: “The best is yet to come and a new chapter has finally begun.”
King asked Vasquez: “How do you heal and move on when both sides are still in court arguing?”
“It’s pretty standard legal procedure,” Vasquez said.
“We just are hopeful that the court will uphold the verdict, which we think was the right verdict, and allow both parties to move on.”
“So is it safe to say that if she hadn’t appealed you all would not have appealed either and you would have moved on?” King asked.
“Yes,” Vasquez answered. “That’s a very fair statement.”
Before the official notice of appeal, Heard’s lawyers had unsuccessfully asked Judge Penney Azcarate to set aside the verdict and “investigate potential improper juror service”.
Among a variety of arguments, Heard’s lawyers suggested one juror on the panel may have been selected illegally.
According to court papers, a summons went out to a 77-year-old man.
But the man who responded in his place was his 52-year-old son, who has the same name and lives at the same address.
However, in a written order Judge Penney Azcarate rejected all of Heard’s claims and said the juror issue specifically was irrelevant and that Heard can’t show she was prejudiced.
“The juror was vetoed, sat for the entire jury, deliberated, and reached a verdict. The only evidence before this Court is that this juror and all jurors followed their oaths, the Court’s instructions, and orders.
“This Court is bound by the competent decision of the jury,” Azcarate wrote.
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Supercars drivers Thomas Randle and Andre Heimgartner have walked away from a big start line crash.
Starting from the front row, Randle stalled his Ford Mustang and was collected by a clearly unsighted Heimgartner, who then hit an innocent Nick Percat.
Both drivers were able to climb from their cars, although both are out for the rest of the weekend.
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The race was immediately red-flagged.
Heimgartner’s car owner Brad Jones said he thought the Commodore would be a write-off.
“I don’t think that thing is going to be running again any time soon… he was certainly going pretty quickly when he hit him,” he said on Fox Sports’ coverage.
“Andre’s okay, which is the important thing, and then we’ll work out where we go from here.
“I’d be very surprised, as clever as my guys are, if we can get the thing going again. It just looks really badly damaged. Lucky no one was hurt.”
Tim Edwards, team boss at Tickford Racing said he was thankful both drivers were able to walk away from the crash.
“Thankfully both of them got out. Both of them look a bit sore, but anyway,” he said.
“The main focus is that he’s physically alright. We’ll talk about the mental side after today. It’s just one of those things – drivers stall. In those situations, you just hope everybody avoids them. It’s always a fine line.”
Off the race restart, pole-sitter Cameron Waters spun the rear tires on the oil-soak resin on the track surface at the crash site and was swamped into turn one.
Van Gisbergen then looked after his tires and took the lead via an undercut during the pit stop cycle. He won the race by 2.5secs.
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Incredible exhausts: The worst crashes in motorsport history
Amid the sound of air-raid sirens and the threat of missiles, Sofiia Yakymenko logs onto her computer for an online lesson.
Key points:
More than 120 Monash University student teachers have joined an international initiative to educate Ukrainian children affected by war
The program was initiated by Smart Osvita and provides online classes to thousands of children
The university is encouraging Australian educators to register interest if they want to be involved
The 12-year-old takes two to five online classes a day from her home in kyiv about anything from atmospheric science to how to practice yoga.
These classes are held by teachers from all over the world, including from Monash University in Melbourne.
“I walk a lot, I read a lot – but mostly I take online classes,” she said.
With ambitions to be a biologist, the lessons have been a lifeline for Sofia since school stopped when Russia invaded Ukraine.
Her mum Yuliia Lashko is a physicist and has found comfort in the classes too.
“There’s no guarantee any missile does not hit your house,” she said.
“But it’s important to understand there are much more good people who can share something good.
“They remind us we do not stay alone and our children have a future.”
Monash University provides lessons
More than 120 Monash University student teachers have been involved in providing online lessons for Ukrainian children who are living in the war-torn country or have fled abroad.
Maria Pakakis is one of the student teachers who ran a session about Mars from the Victorian Space Science Education Centre, where they have a simulated Mars surface.
She said 30 students joined the session, where they spoke about all aspects of the planet.
“It was a privilege and a pleasure — they were definitely eager to learn and asked some really great questions,” Ms Pakakis said.
“They were amazing considering what they’re going through.”
Michael Phillips has been Monash University’s faculty of education digital transformation associate professor and said the program started after Ukrainian organization Smart Osvita — an online learning NGO — approached him to run virtual classes.
Dr Phillips quickly said yes and within 24 hours of sending the word out to his students more than 100 put their hands up to teach.
He said he has been able to equip his young teachers with the skills to teach virtually, guided by “trauma-informed practice”.
“For [people in Ukraine] being able to experience that and see there are people who are wanting to support and help in any way gives them a sense they are not alone in this,” Dr Phillips said.
But he says remote learning also has a significant place at home and is an essential platform for teachers of the future.
“A lot of people don’t realize it, but Victoria’s biggest school is a fully online school with 5,500 students,” he said.
“And what we’re realizing with issues like COVID and the flu is the place of online learning isn’t going to go away any time soon.”
‘We’re going to keep going’
Smart Osvita international volunteer program coordinator David Falconer is continuing to search for ways the program can be not only expanded in Ukraine, but in other places affected by conflict.
Mr Falconer is an educator based in northern Canada who started working with the kyiv-based NGO soon after Russia invaded Ukraine.
“They invited me to coordinate the recruiting effort and to invite educators for the online learning program,” he said.
After approaching educators around the globe, he has since involved more than 20 institutions and organizations that are now teaching thousands of Ukrainian students.
They have even facilitated lessons hosted by Canadian film director Sergio Navaretta and astronaut Chris Hadfield.
Despite many children living in a war zone, Mr Falconer says the internet has been reliable thanks to Elon Musk’s low-lying satellites providing high-speed connections.
“We have kids joining lessons from bomb shelters – not for days, but weeks,” he said.
But it has not come without its challenges. Dr Falconer says the team has thwarted attempts by mysterious hackers attempting to derail the lessons.
“They’re wanting to disrupt these sessions because this program is successful and they want us to stop,” he said.
Mr Falconer is continually looking to grow the program and provide specialized tutoring for high school students in Ukraine.
He is also currently working to develop a similar program for children affected by the conflict in Burma.
But for now, Mr Falconer is calling for Australian institutions, organizations and individuals to get in touch if they want to join the effort.
“We’re going to keep going as long as it takes,” he said.
“You see those faces, you hear those voices, and you don’t forget.”
If you are interested in getting involved, you can register with Monash University here.
Man dies after jumping from plane before landing near Raleigh; pilot hospitalized, officials say
MORRISVILLE, NC — A twin-engine cargo plane made an emergency landing Friday at Raleigh-Durham International Airport after reported landing-gear issues and a search for the co-pilot who jumped from it before the landing ended with a recovery of a body, according to officials from Wake County.
ABC 11, Channel 9’s sister station in Raleigh, reported a man jumped out of the plane before it made its emergency landing near Raeford after a wheel had come off the landing gear.
There are now questions about he exactly exited the plane. The conversation between the plane and air traffic control can be heard in a 40-minute recording, ABC 11 reported on Saturday night.
“Emergency, we’ve lost our right wheel, we’d like to proceed to Raleigh and make a landing at Raleigh,” one pilot said. “We were attempting to land, we made contact with the ground, had a hard landing, and decided to go around, and at that point we lost the wheel.”
The CASA C-212 Aviocar, made in Spain in 1983 landed on Runway 5R-23L at RDU around 2:40 pm and viewed into the grass. The pilot on board was taken to Duke Hospital with minor injuries, according to RDU first responders.
“How do you intend to land at Raleigh-Durham?” air traffic control asked. “Get as slow as we can… I guess we’re going to put it on the belly,” the caller said.
After the emergency landing, the pilot was taken to Duke Hospital with minor injuries and has since been released.
The body of co-pilot Charles Hew Crooks, 23, was found 20 miles away from the airport in a Fuquay-Varina neighborhood.
Several residents told ABC 11 they heard the crash, one of them being a person who realized it was in his backyard.
“I honestly thought it was somebody who was slamming their trash can lid or something cause it was pretty loud,” the eyewitness said.
The pilot told authorities that co-pilot aboard jumped out before the landing attempt, according to ABC 11’s reporting. The jumper was initially thought to have exited the plane toward a body of water near West Lake Middle School in Apex.
Another resident who lives two doors down from where Crooks was found near called it a “surreal,” experience.
“I guess I don’t know if we’ll ever really know, but it’s just crazy” Matt Stone told ABC 11. “If he jumped a second earlier, he could’ve been right here in my kid’s playset. Just a million things, and the sadness about it, of it being a 23-year-old guy who probably woke up that day, had breakfast, ready to go fly a plane.”
Several agencies assisted in the massive search before it ended Friday evening. The National Transportation Safety Board is in charge of the investigation, but questions remain on how Crooks exited during the flight.
Wake County authorities said on Friday there was no indication he had a parachute with him.
“Maybe he fell, or jumped, I don’t know,” an eyewitness said. “But I was feeling remorseful for his family from him.”
The plane landed after it was unable to open its right landing gear, but the left landing gear appeared to be working properly. The plane is owned by Spore LTD LLC in Colorado Springs and took off from Raeford.
The FAA and the National Transportation Safety Board will investigate the incident. Runway 5R-23L at RDU was reopened on Saturday and the airport returned to normal operations.
The Associated Press contributed to this report.
(WATCH BELOW: Travelers stuck at Charlotte airport as flights delayed, canceled across US)
Travelers stuck at Charlotte airport as flights delayed, canceled across US
“We’ve never ever queried about rental increases, and we’ve understood,” he said. “[But] it’s quite tough at the moment.”
Zahos acknowledged that the committee didn’t put his rent up during the 2020 and 2021 COVID-19 lockdowns and that he expected an increase this year.
However, he said after revenue loss due to the pandemic and increases in costs due to inflation, the suggested amount was extraordinary. He also declined to make the amount public.
Fresh produce stalls remained open during the lockdowns, while other stalls were forced to close.
The other stallholders who spoke to The Sunday Age did so on the condition of anonymity, out of concern it could affect negotiations.
One woman, whose rent could increase by about 30 per cent, accused the committee of being bullies.
“They are essentially going to send our businesses bust … during a recession, during a pandemic,” she said.
The woman said she felt pressured to provide her financial records.
“It’s outrageous, disgusting behaviour. We’re being treated like kids,” she said.
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Another stallholder, whose rent could increase by about 40 per cent, called the move a “shake down”.
“They’re trying to draw blood from a stone,” he said.
“Before you know it, the face of the market will change forever to a glorified food court because takeaway food or big chains will be the only thing that can survive.”
A fourth stallholder said prices could soon be as high as at the Stonnington Council-run Prahran Market, while another said the process had caused him extreme stress. “It’s been hell,” he said.
Port Phillip Council owns and operates the South Melbourne Market. The land it is on was made available under a crown grant for a general market in 1867.
Mayor Marcus Pearl said the council provided $1,193,725 in rental support to stallholders impacted by the COVID-19 lockdowns and that the rent increases were the first in three years.
“The reality is that it’s expensive to run and maintain a market of this size and complexity,” he said. “This means we have to increase rents to meet our obligation to ratepayers to keep the market financially sustainable.”
Pearl said the council aimed to keep rents as affordable as possible for traders and that most would face a 3.5 per cent rise.
He said the committee took into consideration the public benefit of the market and that financial records were requested to ensure the stalls could remain viable.
The committee’s charter calls the market one of the council’s “prime infrastructure assets” and notes its intention to develop it as a “premier shopping destination”.
“The market is an integral part of [the] council’s long term financial sustainability and, as such, must continue to operate profitably and competitively,” it says.
On Saturday, the market was bustling with people, some there to do their weekly shop, others to browse or meet friends.
Terry Lees, who has been shopping at the market for 30 years and now visits three times a week, said if prices increased he would shop at other markets more often, including the Queen Victoria Market.
“Este [market] would be less competitive with Vic Market,” the local South Melbourne said. “It’s going to force some people out because they don’t want to put the prices up and [make the market] more expensive.”
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Keren Amore said she did her main shop at Preston Market, which had lower prices, and that she came to South Melbourne for a few select specialty goods. The local Northcote said she would still visit if prices increased.
Regular Linda Pankhurst, who lives on St Kilda Road, said she too would still shop at the market, but that she worried about people on lower incomes and for the stallholders.
“A lot of these guys have really struggled, especially over the last couple of years,” she said.
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Not every young farm roustabout dreams of gracing the stage of Australia Ballet’s famed productions performing to scores by musical geniuses such as Tchaikovsky.
But for James McDonell it’s becoming a reality as he prepares to perform across regional Australia for the next few weeks, taking him from the family farm in Victoria’s Macedon Ranges to the center of the troupe’s Swan Lake Variations, choreographed by the Australian Ballet’s former artistic director David McAllister.
McDonell, 19, grew up in the country surrounded by dogs, cats, some pet sheep, and alpacas, and started dancing at the age of nine at a local dance school in Riddells Creek.
Speaking to ABC Central Victoria, McDonell said he loved the feeling of being on stage and being able to use his body to express emotion and make people feel something.
“I kind of realized that it suited my body,” he said.
“And I just loved the way it felt. And as the years went on, it really resonated with me in my body and how the lines that you can make with your body and shapes and how movement can be created with your body.
“I love the aesthetic of it, really, the way of transforming your body to make stunning shapes, and then being able to show that to an audience as well. I think that’s the pinnacle thing for me.”
A great teacher matters
It was under the guidance of his first dance tutor, Val Sparshot, that McDonell began to find his love of ballet after trying his hand at tap and jazz.
“She kind of pushed me to do ballet because it wasn’t really the top of my list. I started doing jazz and tap and for two years straight she would say, ‘Do ballet, do ballet’. And I was like, ‘ Nah, not really me’,” he said.
“And then she finally convinced me, and I started ballet, and then from there, I was like, ‘Oh, this isn’t actually too bad. I kind of like this’.”
In 2015, he moved to The Victorian College of the Arts Secondary School at the age of 12 where he stayed for five years before joining The Australian Ballet School in 2020.
pinnacle of dance
Swan Lake Variations is a classical piece celebrating the joy of dance and the beauty of Tchaikovsky’s famous score. This will be the second time McDonell takes to the stage across regional towns after performing with the company last year.
“I have had to sacrifice, I guess you could say, a normal life,” McDonell said.
“I trained six days a week, 8:30am until 6pm. So that comes with sacrificing things most people my age would be going out or doing. But I can’t afford to be doing that as much as others.”
Regional audiences will also get the opportunity to see dancers perform the exciting Flames of Paris Pas de Deux and the dramatic dance sequence Pas d’Action from La Bayadère.
McDonell will join the Australian Ballet’s regional tour as it stops over in Bendigo on August 5 and 6 for three performances at the Ullumbarra Theater and a youth masterclass.
“I know my parents are coming, but I’m sure others might accompany them as well,” he said.
When Adelaide-born pop musician and TikTok darling Peach PRC was offered the chance to record two Spotify Singlesshe was ecstatic.
The 25-year-old covered iconic band Wheatus’ even more iconic hit ‘Teenage Dirtbag’, as well as a reimagined version of her own single ‘God Is A Freak,’ and from her social media “bubble” the reviews were raving.
Then, comments from a wider audience rolled in.
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“the amount of 🤟🏻men🤟🏻who are being so mean about my teenage dirtbag cover lol they act like metallica is gonna walk in their living room and hand them a beer for pointing out autotune. being a loser takes inches off your hairline grow up,” Peach tweeted last month in response to the trolls – but the criticism, despite her mammoth online following and presence, was a new experience for her.
“I actually don’t get a lot of [trolls],” Peach, whose real name is Shaylee Curnow, tells 9Honey Celebrity via Zoom. “I feel like I only noticed that when my music [was] shared through a platform that isn’t mine.”
Peach says she’s usually in a “bubble” online, and her followers and those she follows were “excited” to listen to her singles and only had “positive” things to say about it.
“When a different platform shows my stuff and it’s to a new audience, people are like, ‘What the f–k is this?’ I’m like, so taken back,” she says.
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The ‘Josh’ hitmaker acknowledges that “of course” her songs will not be liked by everyone, but for her, the criticism was “jarring” to see.
Usually, Peach says, she wouldn’t acknowledge the trolls, but because the singles were shared far and wide – Wheatus actually retweeted it on their own platform – it was overwhelming.
The band actually privately messaged her their approval of her cover, and gave her some heartwarming advice.
“They were like, ‘I think it’s awesome, it’s really fun.’ Like, you know, ‘F–k what the haters are saying. Like, they hated it when we put it out 20 years ago. So like, don’t stress about it,'” she recalls, noting the band also said if she was to ever perform the song in New York City to let them know so they can come out and support it.
“It was so cool,” she says. “And so I was just like all the men that were just like, ‘You’ve ruined it.’ I’m like, ‘I haven’t taken the original away from you. Don’t listen to it.’ I’m like, ‘Wheatus even likes it.’ Grow up, get over it.
“A lot of artists, I’m sure, would love seeing their song reinvented years and years later. Like, I’d be really flattered if someone did a cover of my song 20 years later and it was like a whole new sound. I’d be stoked about it.”
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Peach’s over 1.9 million TikTok following and almost 250,000 Instagram followers are, like many high-profile creators, largely from users who lived vicariously through social media throughout lockdown – and the shift from her online notoriety to her real post-lockdown day-to-day life was one that had some hiccups.
Particularly for Peach, who is known for being open about everything from her sexuality to her mental health or synesthesia or relationships (her debut single ‘Josh’ was about her ex, actually named Josh), personal boundaries during lockdown were something she did not prioritize , and it’s something she’s now reevaluating.
“At the time I never really cared about it,” she says. “I was like, ‘Yeah, you know, like this is, I’m just sharing myself. I don’t know any other way to be. I want to talk about these things.’ I’m talking about them and like, there’s nothing that was really off-limits for me.
“Now, I guess, things have progressed more in my career and with my audience, and there’s things that I said a while ago, that I’m like, ‘I probably wish I kept that to myself.'”
Those things, for Peach, are mainly to do with her “personal wellbeing” and “growth,” something that goes back and forth when she sometimes “falls back into bad habits.”
“People are holding me to such a standard because of what I’ve said previously about the way I’m living or whatever,” she says.
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At the end of the day, however, Peach says while she is still “figuring out” the balance between what’s too personal and not “healthy” to share and what’s not – creators, after all, make their personhood a business – being transparent is something she overwhelmingly sees as a “positive” thing that’s “worth the backlash.”
As her online fame bleeds into the offline, Peach says her lack of personal boundaries can actually be “nice” when somebody approaches her on the street.
“It’s kind of nice sometimes, because it’s like, ‘Okay, they already know me, I don’t need to make a first impression or worry about what they’re going to think of me,'” she says. “They already know. I can’t really go wrong from there.”
The mortifying order of being known, however, can at times be a double-edged sword – especially when people approach her when she’s going about her day, and want to talk to her about personal tidbits, which sometimes span quite heavy topics, she’s shared on social media.
“I have to remind myself that in that moment, it’s not really just about me,” she says.
“Somebody is just really excited to share something vulnerable with me or relate to me in that way or they’re wanting to just be like, ‘I’m so proud of you’ for this and that.
“It’s a really beautiful, sweet sentiment. So I try not to be in my head about like, ‘Oh, I really don’t want to delve into, like, my emotional side and like what I’m going through right now. ‘ I just take it for what it is in that moment and then kind of leave it in that moment and just go back to my grocery shopping and leave it with them.”
Listen to Peach PRC’s Spotify Singles ‘Teenage Dirtbag’ and ‘God Is A Freak’ onSpotifynow.
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Adam Saad has spoken out as the AFL joined the Adelaide Football Club in investigating reports of an alleged racial slur made towards him during Carlton’s loss at Adelaide Oval on Saturday night.
In a Tweet circulated on social media, the Carlton cheer squad claimed a female Crows supporter called the Blues defender “a terrorist.” Saad is a first-generation Lebanese Muslim – the only practicing Muslim player in the competition.
The post also labeled the subsequent action taken by Adelaide Oval ground staff as “absolutely disgraceful”, after the accused woman was spoken to but allowed to remain in her seat for the remainder of the match.
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According to Adelaide Oval’s code of conduct, any person who engages in racial abuse “may be removed” from the venue.
“Depending on the severity of the behaviour, anyone evicted may incur a ban, suspension of membership and/or police charges,” the code says.
Addressing the media on Sunday, Saad said he wanted to use the incident to educate people on the peacefulness of his religion.
“[I’m] always grateful to be in this position, can’t complain,” he told reporters.
“Those things shouldn’t be said but hopefully the AFL and the clubs will deal with it.
“It’s disappointing, I guess we’ve just got to educate around making comments like that.
“At the end of the day I know who I am as a person and us as a Muslim community.
“As long as we can educate the person and move things forward.”
The Blues said in a statement they were comforting impacted members of their community.
“The Carlton Football Club is working with AFL Integrity and all relevant parties regarding an allegation of racial vilification in the crowd during Saturday night’s game at the Adelaide Oval,” it read.
“The club is fully aware of the seriousness of the alleged comments, and has been providing the appropriate level of support to its people as the matter is investigated.
“The club makes clear that vilification of any kind is disgraceful, unacceptable and has no place in society, let alone our game.”
In a separate statement, the Crows said they would not stand for any type of anti-social behaviour.
“We do not tolerate and strongly condemn any form of discriminatory behavior and it has no place in football or society. Adelaide Oval should be an inclusive and family friendly environment,” it read.
This latest occurrence of racism at the footy comes just months former Adelaide captain Taylor Walker completed a six-match ban for making a racist slur towards North Adelaide’s Robbie Young in a SANFL game last August.
In response to the incident, AFL House said the league would continue to advocate for diversity and inclusion.
“Football is a place of inclusion and belonging and there is no place for racist behavior in our game,” a statement read.
“Nobody in our game or in the community deserves to be discriminated against and vilified against due to their faith or race and there is simply no excuse for it.”
South Australia Police have confirmed officers and Adelaide Oval security took down the details of people allegedly involved in the incident.
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