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Australia

Critically-endangered Capricorn yellow chat given a fighting chance by graziers’ soft touch

Central Queensland’s Shoalwater Bay may be better known as a military training ground for human conflict, but nearby graziers and conservationists are fighting for the survival of a unique species.

The Capricorn yellow chat is a critically endangered flycatcher unique to the region including near the bay better known for military training and war games involving soldiers from across the world.

Birdlife Capricornia secretary Allan Briggs said the endangered species survives in a flat environment which is also attractive for cattle grazing.

“Wherever we find them they are in what we call a marine plain environment which is basically a treeless environment, that’s right on the [coastal] edge and experiences some tidal flooding,” he said.

“That’s one of the reasons why people don’t see yellow chats, because they’re in very harsh environments and they’re difficult to access.”

Flat, green land with small lakes.
Marine plains are treeless, flood plain country with some tidal inundation.(Supplied: Craig Mace)

Grazier Craig Mace lives at Toorilla Plains and has about 4,000 hectares of marine plains on his property.

Rather than seeing it as lost productivity he said preserving the yellow chat habitat as a healthy environment benefited his business.

“If you look after the environment it looks after you, and the birds, that’s the environment they love,” he said.

“It’s just an aviary for birds and waterbirds. There’s plenty of them out there at the moment.”

He said that his cattle and the natural ecosystem worked effectively side by side.

“The birds just fit in with the cattle,” he said.

“I think the cattle keep the grass down to a degree and you just have to make sure you don’t overgraze the country.”

Cattle in water.
In the event of heavy rainfall graziers have to muster cattle from marine plains to higher ground.(Supplied: Lawson Geddes)

Down the road, Lawson Geddes also has marine plains on his property Couti-Outi.

He said it was a simple question of healthy environment, healthy cattle.

“They’re all animals,” he said.

“I think it’s all part of the environment isn’t it? They’re all a part of the ecosystem and I think they seem to get along quite well.”

The habitat has been working so well that Mr Geddes was surprised to hear the bird was endangered at all.

“Until a few years ago I didn’t know they were endangered,” he said.

“An environmentalist came back very excited one day because he’d found a bird that, apparently, they thought was extinct elsewhere.

“He showed us a photo and it was this yellow chat and we just said ‘Oh, we see that all the time’.”

Bird on the brink

Mr Briggs said the population of yellow chats is on a knife edge and any loss of population or habitat could have a detrimental impact.

“There’s only 250 left in the wild,” he said.

“That means the bird is critically endangered and you can well imagine if we had a major environmental event, like a cyclone or a huge fire that went through, we could end up reducing the population to a level that is not viable and it would end up going extinct.”

Mr Briggs said it made the landowners’ management of marine plains critical to the survival of the species.

“These land managers do a really great job,” he said.

“There’s, for example, invasive weed species and ferals which affect the yellow chat’s habitat and the landowners, the graziers, are keeping these problems under control.

A windmill, cattle, and flat plain.
Craig Mace said his cattle have lived alongside endangered Capricorn yellow chats for years. (Rural ABC: Pat Heagney)

“The cattle as well, they graze the grass and weeds down to a manageable level so they are effectively controlling the fire risk.

“Without them there is no management, and I don’t think the habitat would last very long if it was just left to be in its wild condition.”

Conservation cooperation

Mr Geddes said their work with the Capricorn yellow chat was an example of farmers working with the land, and that agriculture and the natural environment can co-exist.

“This bird has been here as long as I can remember, the cattle don’t worry about it at all,” he said.

“You can see the cows lying down and the bird on its back just going around doing its thing.”

A very green pasture.
Graziers say marine plains are home to a unique ecosystem and cattle feed almost all year round.(Supplied: Craig Mace)

Mr Mace agreed and said it was rewarding to challenge the negative perceptions of agriculture, but they needed to showcase more examples.

“I think the only thing you can do is to get people out and look at it,” he said.

“You can tell people all you like but they have to see it for themselves.

“That’s why we have a lot of environmental groups that come out and survey the place and count the birds”

Mr Briggs said that without the cooperation and management of the graziers it would be a very different story for the Capricorn yellow chat.

“I do want to congratulate the landowners that we’ve been working with,” he said.

“It’s a really delicate balance in these complex environmental scenarios and it really needs the cooperation of everybody — land managers, conservationists — all working together to maintain that population into the future.”

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Categories
Australia

Historic Kosciuszko hut rebuilt, ready to use after Black Summer bushfires

For more than two-and-a-half years the charred remnants of Sawyers Hill hut have served as a reminder of the harsh 2019-2020 bushfires that swept through the NSW Snowy Mountains.

Built as a travellers’ rest house in the 1900s, it was one of the most renowned historic structures in Kosciuszko National Park.

It is back in business and is the first of the 11 historic huts that burnt down during the Black Summer bushfires to be rebuilt.

NSW National Parks and Wildlife Service ranger Megan Bowden said it was the only hut in Kosciuszko that was built as a travellers’ rest hut.

She said it was significant because of its association with important historic transport routes through the mountains.

“From people who used it in the early days right through to people who used to use it until it was burned,” Ms Bowden said.

“They’re quite significant as being living museums, as markers of the past and for present use.”

She said it “really hurt” to see them destroyed by fire.

“Especially Sawyer’s Hut, which was actually burned down in 2003 and we rebuilt it,” she said.

“So, to see it go again was certainly pretty hard.”

A park ranger inspects the ruins of an old hut, where now just a brick chimney stands.
Sawyers Hill hut was destroyed by fire in 2020.(ABC News: Matt Roberts)

Rebuilt by NSW National Parks and Wildlife Service staff and volunteers, the timber was sourced from burnt trees that were felled during a roadside fire risk reduction program.

“We’ve used local millers to cut them to specific dimensions and shapes like splayed boards, which are actually hard to get now,” Ms Bowden said.

“So it’s nice to be able to use the timber that was burnt in the 2020 fires and then to see it being used in the huts today.”

It was estimated that hundreds of thousands of hectares of Kosciuszko National Park burned during the 2019-2020 bushfires.

Ms Bowden said the new huts had been built with “fire resistant strategies” to help protect them during future fires.

“We’ve used things like fire retardant in the timber,” she said.

“And we’ve wrapped the windowsills with iron and actually installed sprinklers as well.”

The huts — constructed by cattlemen, prospectors, and Snowy Mountains Scheme workers in the 1800s and 1900s — help paint a picture of survival in the region during that time.

Kosciuszko Huts Association president Simon Buckpitt said their origins were many and varied.

“Some were [for] stockmen, some were for soil conservation work, some were for hydrology, and some of them were for early survey works,” Mr Buckpitt said.

A hut in the snow with skiiers outside.
The huts have long been used by cross-country skiers and for shelter.(Supplied: Klaus Huenke)

In more recent times, the huts have been used by those seeking refuge from the harsh cold climate.

Two men sought shelter in Seaman’s Hut after becoming disoriented during a hike on Mount Kosciuszko in June.

“When people do get stuck in bad weather these huts have provided really important emergency shelter,” Ms Bowden said.

A landscape of burnt bushland.
Much of Kosciuszko National Park was badly burned during the 2019-2020 bushfires.(ABC South East NSW: Keira Proust)

Timber skills kept alive

Vickery’s Hut in Tumut is next in line for a rebuild and will require traditional timber practices in construction.

Ms Bowden said the project would run training courses throughout the rebuild process to help keep the historic timber skills alive, using broad axes and other traditional methods.

“A lot of these timbers you need the skills to know how to prepare them and install them in these places,” she said.

“We’re actually trying to run some training courses as well through this program.”

Two NSW National Parks and Wildlife Service staff rebuilding a historic hut
NSW National Parks and Wildlife Service staff and volunteers are working on the rebuild project.(ABC South East: Keira Proust)

The entire rebuild project is expected to be finished by 2025, pending weather conditions.

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Categories
Australia

Orpheus Island concert featuring William Barton captivates Australian Festival of Chamber Music

It’s a long way from a traditional stage, but the secluded paradise of a north Queensland island has provided the perfect backdrop to a unique musical celebration.

Audience members took a two-hour boat ride from Townsville to attend the intimate concert on Orpheus Island headlined by didgeridoo master William Barton.

“As a person who travels the world, coming back home to our country and our islands is a beautiful thing,” Barton said.

A man stands in front of rocks holding a didgeridoo
William Barton says nothing beats performing in Australia’s natural environments.(ABC North Qld: Lily Nothling)

The Kalkadunga man from Mount Isa has taken his craft to some of the world’s most prestigious stages but said “nothing beats” performing among Australia’s natural landscapes.

“It’s always special because this is where the language of the land comes from, this is where the songlines flow through you,” he said.

“In Australia, we have these beautiful natural amphitheatres, or outdoor spaces, that reverberate.”

People walk across a long bridge to arrive on a sandy island beach
Orpheus Island is a two-hour boat ride from Townsville.(ABC North Qld: Lily Nothling)

The Orpheus Island concert was a major drawcard at this year’s Australian Festival of Chamber Music festival and attracted crowds from across the country.

Executive director Ricardo Peach said he hoped the tropical showcase would help introduce the genre of chamber music to a new audience.

“Chamber music, when you hear it and you experience it live with professional musicians, is one of the most magnificent experiences of your life,” Dr Peach said.

A man in a t-shirt and hat stands on a beach with crowds and a bridge in the background
Chamber music director Ricardo Peach says the festival is the largest of its kind in the Southern Hemisphere.(ABC North Qld: Baz Ruddick)

The Townsville-based festival began in 1991 and is the largest of its kind in the Southern Hemisphere, but major performances were put on hold for two years during the pandemic.

“More than 60 per cent of our attendees come from interstate … and more and more internationally as well,” Dr Peach said.

“They support this festival like festival groupies — they kept us alive during the lean years during COVID and now they’re back with force.”

A man followed by two women cross a bridge onto an island
The concert attracted audiences from across the country, including chef and classical music fan Maggie Beer.(ABC North Qld: Lily Nothling)

Among the crowd at Orpheus Island was celebrated Australian chef and classical music fan Maggie Beer, who has long wanted to attend the beachside concert.

“You have to pinch yourself that this could happen. It’s so Australian, isn’t it?” she said.

“It’s nothing short of a joy.”

A woman smiles while holding the rail of a boat with the beach in the background
Mezzo-soprano Lotte Betts-Dean traveled from the UK to perform at the festival.(ABC North Qld: Baz Ruddick)

After three canceled trips to Australia due to COVID, mezzo-soprano Lotte Betts-Dean was finally able to travel from the UK to sing on the island alongside the musicians.

“I think all of us performers today felt like it was a surreal moment in all of our performance lives,” she said.

“To be able to perform on a beach with bare feet in the sand in this idyllic spot, it’s just gorgeous.

“I think I will really remember this performance for a long time and treasure it because it’s just unlike anything else.”

A woman plays the flute on a beach in front of a crowd of people
Crowds enjoyed the sounds of chamber music with the sand between their toes.(ABC North Qld: Lily Nothling)

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Categories
Australia

Bronc-riding Australian women make history on US roughstock rodeo tour

Two trailblazing Queensland women have made history at world-renowned rodeo events in the United States that have traditionally excluded women.

Rockhampton bronc rider Jaime-Lee Mant and Normanton’s Emily Collits joined 10 other women from the US and Canada to show the world what they’re made of on the American rodeo circuit.

“If you look at rodeos and if you even say ‘rodeo’ to anyone, what do you think of?” Collits said.

“It’s a cowboy.

“You don’t think of a cowgirl getting in there behind the chutes, saddling her horse off, jumping on and getting bucked off.”

A woman in safety gear rides a bucking bronco.
Emily Collits won third place at Durango, Colorado — something she never expected to do.(Supplied: Emily Collits)

The daring sport of roughstock bronc riding is one of the toughest and most dangerous events on the rodeo circuit and the women are using their success overseas to push for greater women’s participation in the sport on home soil.

The aim is simple: try not to get bucked off a horse that’s doing its darnedest to kick you off.

But holding on tight for eight seconds would seem like a lifetime to amateurs.

“The experience of riding a bronc is like riding fire,” Collits said.

“I get bucked off more times than I ride time — it’s a mental and physical challenge within yourself.”

A bronco rider about to take a spill in a rodeo stadium.
Collits, seen here in Bell Fourche, South Dakota, says the horses are bigger and rougher in the US.(Supplied: Emily Collits)

Making rodeo history

High caliber events in the US are invitational and riders must provide their skill and commitment to be able to participate.

“It’s like getting the golden ticket at Willy Wonka’s chocolate factory,” Collits said.

Collits made the most of her opportunity, traveling thousands of kilometers to tour nine events through four states.

Eleven brightly dressed women in cowgirl hats stand along a row of horse chutes at a rodeo ground.
These women made history on the American rodeo circuit.(Supplied: Emily Collits)

It paid off when she took first place at Douglas, Wyoming and third place at Durango, Colorado.

“I didn’t have many expectations coming into it,” Collits said.

“I wanted to ride time on a few of these big strong American horses.

“I’ve exceeded those dreams.”

A woman wearing pink is photographed from the side as she rides a bucking horse.
Emily Collits competed at nine events, including Bell Fourche South Dakota.(Supplied: Emily Collits)

It’s the first time these American rodeos have opened their chutes to female participants from Australia.

The event all the competitors had their eyes on was the prized Cheyenne Frontier Days — one of the biggest, oldest and longest running rodeos in the world.

Three smiling women stand together in front of a sign that says "Cheyenne Frontier Days".
Jaime-Lee Mant (middle) won third place at the Cheyenne Frontier Days rodeo, which was attended by 21,000 people and watched by 50,000 more.(Supplied: Jaime-Lee Mant)

Keep won third place.

“It was pretty cool to be able to walk out from underneath the grandstand and have 21,000 people stare at you and cheer you on, and the roar of the crowd is pretty cool,” she said.

“As I walked up on the back of the chutes there, I just kind of looked out and I had a … moment of like, ‘Holy dooly, I’m really here,'” she said.

“My dreams are coming true.”

Four women carrying saddlery and ride gear stand side by side with a rodeo ground behind them.
Emily Collits (far left) and Jaime-Lee Mant (second from left) at the roughstock event in Deadwood.(Supplied: Emily Collits)

To wrap the tour up the women put on a non-competitive showcase at a rodeo in Deadwood, Colorado.

The rodeo hasn’t seen a women’s roughstock event in more than 80 years and the riders hope it sets the bar for future events.

“In the future it’ll hopefully mean we can add this as another stop on our tours while we’re over here in the States,” Collits said.

Onlookers lean on a stock fence as a woman begins to fall off a bucking horse.
Collits hopes this tour has laid the foundation for more to come.(Supplied: Emily Collits)

Women’s bronze riding ‘frowned upon’

Appetite for the rough-riding sport is on the rise in Australia, but there are still hurdles to overcome.

Mant said there was a lot to be learned about women’s saddle requirements, horse and training needs to grow the sport back home.

“For us girls, we don’t really get many opportunities over here in the way the American girls do,” she said.

“I just thought if an Australian girl could come home with a win or a place, it may open Australia’s eyes a bit more to it.

“I really want it to be something big in Australia — it’s getting there, but very, very slowly.”

A man in a red shirt, with a mustache and a large hat.
Cam Eiser said not everyone was accepting of women riding when he decided to help train them.(ABC Capricorn: Jasmine Hines)

Blackall Trainer Cam Eiser hosts training schools where Collits and other outback women attend.

“It seemed to be – when we started – pretty well frowned upon, letting girls ride bucking horses and we copped a fair bit of [flak] over it,” he said.

“I just saw an opportunity to help girls go ahead and compete [in the US] and get them schooled up safely, without any injury.”

A man and 12 women, all dressed in cowboy outfits, pose for a photo in a rodeo stadium.
Daryl McElroy and his wife host women’s bronc riding events at American rodeos.(Supplied: Emily Collits)

The founder of the Women’s Ranch Bronc Championships in Texas, Daryl McElroy, worked with central Queensland trainer Ken Reid to organize this year’s tour.

“We need to put them on the stage and let them show their talents to the world,” McElroy said.

“We get emails and we get messages from all over the world and I’m just amazed by it.”

A mother holds up a small girl so she can pat a horse.
Emily Collits was obsessed with horses from a young age.(Supplied: Emily Collits)

‘fingers over their eyes’

From a young age, horseriding became an obsession for Collits, who grew up on the Gold Coast.

“My parents both live just outside of the city and I don’t think they in a million years imagined their little girl getting on horses that want to buck her off,” she said.

“But it doesn’t matter what I do, they’re always going to be in my corner supporting me as best they can — even if it’s with their fingers over their eyes.”

Mant said her parents also worried she would hurt herself, but trusted her now because of her rigorous training over the years.

“My mum, she thinks it’s cool and she’s very supportive of me,” Mant said.

“But she thinks I’m a bit crazy doing it.”

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Categories
Business

Townsville’s ‘Sugar Shaker’ hotel is getting a makeover, prompting admirers to sift through its history

It has been described as one Australia’s most recognizable buildings after the Sydney Opera House, but this icon is set for a face lift.

Townsville’s Sugar Shaker hotel has defined the city skyline for more than 46 years with its original brown sandstone color.

But now the building’s exterior is being completely repainted, prompting admirers to sift through its history.

An old, but color photograph of a busy city street.  A post office sits before a much taller circular high rise building.
The “Sugar Shaker” is located in Townsville’s city heart on Flinders Street.(Supplied: Townsville City Council )

The hotel will maintain its silhouette, which resembles a sugar shaker with a distinctive spout-like shape at its peak.

Dr Mark Jones, a prominent Architect and Associate Professor at the University of Queensland, said the Sugar Shaker had become one of the most recognizable buildings in Australia.

“Most imagery of Townsville incorporates this building, not dissimilarly to the Sydney Opera House,” he said.

“I don’t think, apart from those two examples, there’s another building in Australia that so exemplifies the city in which it’s located.”

A black and white photograph taken from a helicopter captures the construction of a circular high rise building in the 1970s.
Townsville’s “Sugar Shaker” was built in the 1970s and remains the tallest building in the CBD.(Supplied: Townsville City Council)

Dr Jones said at the time the building opened in 1976 as Hotel Townsville there were two similar properties in the country; the Tower Mill Hotel in Brisbane, and Australia Square in Sydney.

“I suspect that the architects for the Sugar Shaker drew some inspiration from those two buildings,” he said.

“But they went a step further with this interesting enclosure on the roof air conditioning cooling towers that gives it a sugar shaker shape.”

A black and white photo of Townsville's Flinders Street Mall.
The hotel is often used in imagery used to market Townsville.(Supplied: Townsville City Council)

46 years after the building was erected in Townsville, debate on whether the resemblance was intentional continues.

“I’m not sure if they were directly thinking of a sugar shaker or if that came from people afterwards,” Dr Jones said.

“Either way, it’s a wonderful symbol for cane-growing region.

“I can’t think of another example, except for the sort of kitschy big banana and big pineapple-type installations.”

A wide shot of Townsville's modern CBD.
Forty-six years after the building was erected, the “Sugar Shaker” is being refurbished.(ABC North Qld: Chloe Chomicki)

Director of marketing for lobby group Townsville Enterprise Lisa Woolfe said there were several local theories about the design.

“Apparently, it was modeled off a sugar shaker that was sold in a nearby cafe,” she said.

“But I have also heard over the years people refer to it as a lipstick.”

A color photograph of a regional city with one circular building preceding over all of the other properties.
There is debate about whether the buildings likeness to a sugar shaker was intentional.(Supplied: Townsville City Council)

Townsville’s deputy mayor Mark Molachino said he suspected the architects were intentional with their design.

“I don’t know the history of design, I will be honest,” he said.

“But whoever did design it has made it look as close to a sugar shaker as possible, so they have done a good job with the likeness.”

The hotel has been known as Centra Townsville, Townsville International Hotel and Holiday Inn over the years, but is currently owned by Hotel Grand Chancellor.

Manager Paul Gray said it was a “daunting” task to choose a new color for the “iconic” building.

“Locals are very passionate about the Sugar Shaker, but it did need a refresh,” Mr Gray said.

A photo of several balconies on a sandstone building.  Half of them have been painted gray and white.
The ‘Sugar Shaker’ is expected to have been completely repainted by the end of August.(ABC North Qld: Chloe Chomicki)

The refurbishment, including a complete repaint of the building, is due to be completed by the end of August.

“The building itself is being painted in grey,” Mr Gray said.

“It’s going to have white running up the risers, just to break it up a little bit as well.

“I think it’ll tie in quite nicely with the buildings around the city and look a lot more modern.”

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Categories
Australia

YouTube sensation TrainGuy 659 turns childhood passion into unique career on the tracks and online

Joe Dietz has loved trains ever since riding the railways of Europe on family holidays as a child.

As a young man now living in Cairns, he has turned his boyhood passion into a unique career on and off the tracks.

His day job is driving locos during the far north Queensland sugarcane crushing season, which stretches from May to November.

man leans on cane train with load of sugar cane in background
Joe Dietz has been driving cane trains, or locos, in far north Queensland since finishing high school.(Supplied: Joe Dietz)

Mr Dietz, aka TrainGuy 659, says winding his way through the neighborhoods and farmlands on the cane train tracks of far north Queensland is a dream job.

“I’ve just always had a thing for trains,” he says.

“I’ve always wanted to work on the railways.”

Mr Dietz’s family moved to the region when he was in high school.

“I was just lucky that, after graduating, I ended up getting a gig on the cane locos,” he says.

“You get the best of the city life, but you also have the countryside too and making connections with the farmers and the community in those areas is something unique.

“I’m living the best of two worlds.”

Mr Dietz is also living in two worlds when it comes to train driving — the real world and the online world.

Young man in high vis at controls of train
Joe Dietz says driving trains is his dream job.(Supplied: Joe Dietz)

During the other half of the year, he drives miniature Lego trains on intricate tracks around his family home, and millions upon millions of people watch him do it.

Seven years ago, I started the YouTube channel TrainGuy 659.

His unique work-life balance has allowed him to build a massive audience and become a professional YouTuber.

“When I first started, I wasn’t getting paid or anything from YouTube, so every season, I go back [to the cane trains],” Mr Dietz says.

“The YouTube audience grows every year because I have that time off, so I’m just lucky to work six months on, six months off.

“The YouTube thing pays the bills but isn’t something I can live off independently… but there is more potential.”

Massive miniature feats of engineering

Mr Dietz became an internet sensation when he began producing his annual Christmas Lego train videos, all of which have attracted audiences in the tens of millions.

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These involve constructing about 120 meters of Lego train track around his parents’ home, across obstacles including the backyard swimming pool, and even through the neighbours’ yard.

Lego train runs across bridge built in pool
Joe Dietz’s train videos involve constructing around 120 meters of Lego train track through various obstacles.(Supplied: Joe Dietz)

Mr Dietz says it is a painstaking process that can be up to a month of work.

“It’s like building an actual railroad but in miniature,” he says.

“It takes three to four weeks to set up. It takes about a week or two to film, and it’s packed up within three days.

“There’s a lot of trial and error, and you do a lot of testing too. There’s a lot of time that goes into it.”

Mr Dietz says there is no shortage of derailments during the shoots, which have resulted in some highly entertaining blooper reels, usually featuring cameo appearances from the family pets.

Blue Healer cattle dog sitting next to Lego rail track and bridge.
The Dietz family’s dog, Matilda, has been responsible for numerous Lego train derailments, which appear in the TrainGuy 659 blooper videos.(Supplied: Joe Dietz)

“We’ve got a blue heeler, and you know what cattle dogs are like… they go after the train… [in one video] she’s nipping at it, she’s knocking it over,” he says.

“They actually end up doing better than the main video — everyone loves bloopers.

“There’s one time the train accidentally fell in a pool, which was like, ‘Oh no!'”

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He says the odd, stray Lego piece also poses hazards for his supportive but long-suffering family.

“The amount of sore toes around the house during Christmas and New Year’s, it’s not funny,” Mr Dietz says.

The secret building blocks of internet stardom

Mr Dietz’s YouTube channel has amassed 660,000 subscribers, while his combined views are in the tens of millions.

Young man in pool with Lego set
Joe Dietz is a professional YouTuber having attracted an audience in the tens of millions who watch his Lego train videos online.(Supplied: Joe Dietz)

He’s often asked what the secret is to becoming internet famous. His answer to it is relatively simple.

“Find something that’s unique that hasn’t been done before,” he says.

“And if you’re doing something that’s already out there, find what makes you stand out to make it different to the others.”

In addition to his annual Christmas specials, Mr Dietz began producing a series of Lego train road trip videos.

“I started doing these tunnels with some PVC pipe, the Lego train goes through this, and it’d transition to a different scene,” he says.

“I did this one around Australia, and that really took off.”

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The initial concept film in 2019 was well-received, attracting 10 million views, but his grand plans were ultimately derailed by COVID-19.

Now that national and international borders have re-opened, Mr Dietz says he is hoping to get his Lego train road trip dream back on track with plans to take his train set through Europe when the crushing is over next season.

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Categories
Australia

YouTube sensation Lego Joe turns childhood passion into unique career on the tracks and online

Joe Dietz has loved trains ever since riding the railways of Europe on family holidays as a child.

As a young man now living in Cairns, he has turned his boyhood passion into a unique career on and off the tracks.

His day job is driving locos during the far north Queensland sugarcane crushing season, which stretches from May to November.

man leans on cane train with load of sugar cane in background
Joe Dietz has been driving cane trains, or locos, in far north Queensland since finishing high school.(Supplied: Joe Dietz)

Mr Dietz, aka Lego Joe, says winding his way through the neighborhoods and farmlands on the cane train tracks of far north Queensland is a dream job.

“I’ve just always had a thing for trains,” he says.

“I’ve always wanted to work on the railways.”

Mr Dietz’s family moved to the region when he was in high school.

“I was just lucky that, after graduating, I ended up getting a gig on the cane locos,” he says.

“You get the best of the city life, but you also have the countryside too and making connections with the farmers and the community in those areas is something unique.

“I’m living the best of two worlds.”

Mr Dietz is also living in two worlds when it comes to train driving — the real world and the online world.

Young man in high vis at controls of train
Joe Dietz says driving trains is his dream job.(Supplied: Joe Dietz)

During the other half of the year, he drives miniature Lego trains on intricate tracks around his family home, and millions upon millions of people watch him do it.

Seven years ago, I started the YouTube channel TrainGuy 659.

His unique work-life balance has allowed him to build a massive audience and become a professional YouTuber.

“When I first started, I wasn’t getting paid or anything from YouTube, so every season, I go back [to the cane trains],” Mr Dietz says.

“The YouTube audience grows every year because I have that time off, so I’m just lucky to work six months on, six months off.

“The YouTube thing pays the bills but isn’t something I can live off independently… but there is more potential.”

Massive miniature feats of engineering

Mr Dietz became an internet sensation when he began producing his annual Christmas Lego train videos, all of which have attracted audiences in the tens of millions.

loading

These involve constructing about 120 meters of Lego train track around his parents’ home, across obstacles including the backyard swimming pool, and even through the neighbours’ yard.

Lego train runs across bridge built in pool
Joe Dietz’s train videos involve constructing around 120 meters of Lego train track through various obstacles.(Supplied: Joe Dietz)

Mr Dietz says it is a painstaking process that can be up to a month of work.

“It’s like building an actual railroad but in miniature,” he says.

“It takes three to four weeks to set up. It takes about a week or two to film, and it’s packed up within three days.

“There’s a lot of trial and error, and you do a lot of testing too. There’s a lot of time that goes into it.”

Mr Dietz says there is no shortage of derailments during the shoots, which have resulted in some highly entertaining blooper reels, usually featuring cameo appearances from the family pets.

Blue Healer cattle dog sitting next to Lego rail track and bridge.
The Dietz family’s dog, Matilda, has been responsible for numerous Lego train derailments, which appear in the TrainGuy 659 blooper videos.(Supplied: Joe Dietz)

“We’ve got a blue heeler, and you know what cattle dogs are like… they go after the train… [in one video] she’s nipping at it, she’s knocking it over,” he says.

“They actually end up doing better than the main video — everyone loves bloopers.

“There’s one time the train accidentally fell in a pool, which was like, ‘Oh no!'”

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He says the odd, stray Lego piece also poses hazards for his supportive but long-suffering family.

“The amount of sore toes around the house during Christmas and New Year’s, it’s not funny,” Mr Dietz says.

The secret building blocks of internet stardom

Mr Dietz’s YouTube channel has amassed 660,000 subscribers, while his combined views are in the tens of millions.

Young man in pool with Lego set
Joe Dietz is a professional YouTuber having attracted an audience in the tens of millions who watch his Lego train videos online.(Supplied: Joe Dietz)

He’s often asked what the secret is to becoming internet famous. His answer to it is relatively simple.

“Find something that’s unique that hasn’t been done before,” he says.

“And if you’re doing something that’s already out there, find what makes you stand out to make it different to the others.”

In addition to his annual Christmas specials, Mr Dietz began producing a series of Lego train road trip videos.

“I started doing these tunnels with some PVC pipe, the Lego train goes through this, and it’d transition to a different scene,” he says.

“I did this one around Australia, and that really took off.”

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The initial concept film in 2019 was well-received, attracting 10 million views, but his grand plans were ultimately derailed by COVID-19.

Now that national and international borders have re-opened, Mr Dietz says he’s planning to get his Lego train road trip dream back on track with plans to take his train set through Europe during the crushing is over next season.

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Business

Passion for old Toyota Corolla leads Bendigo woman to Girls in STEAM Electric Car program, job

A chance encounter has propelled a young woman into a career in the automotive industry.

Tarli Goss was pulling apart her car in a car park at La Trobe University’s Bendigo campus when the director of the Bendigo Tech School, Graeme Wiggins, spotted her.

“We found her one hot summer’s day with her car disassembled over three parking bays and went over to find out what she was up to,” Mr Wiggins said.

“We ended up saying there’s a project you should really come and have a look at.”

I have invited Ms Goss to get involved in Girls in STEAM Electric Car program, which immerses young women in the automotive industry.

That program has now led the 21-year-old to work at a Bendigo auto repair business.

‘I wanted to service my own car’

Woman works on a car with its bonnet open in a tin shed with another car in background.
Ms Goss says she thought it would “be cool” to have general knowledge about cars.(ABC Central Victoria: Emma D’Agostino)

Ms Goss said she had not considered a career in the automotive industry until she got her car and license.

Music was one of her passions growing up, and she played the violin at a level that provided her with opportunities to travel to learn and perform.

Ms Goss became interested in a new set of instruments when she introduced a 1994 Toyota Corolla.

“I wanted to service my own car,” she said.

“I thought it would just be cool to have general knowledge about cars.

“That way, I could help some of my friends because I know it’s not a very common thing for people of our age or even in this generation to actually know about even changing a tire.”

She was already completing an automotive course at TAFE when she met Mr Wiggins.

Studies were part of the reason she was pulling apart her car that summer’s day.

“I kind of just wanted to look more into my car and build a relationship with it,” Ms Goss said.

Connecting need with interest

Male teacher in blue overalls with two female students in an auto workshop.
Mr Wiggins says the project is about investing in young people.(ABC Central Victoria: Emma D’Agostino)

It was through her involvement with the Bendigo Tech School that Ms Goss connected with her employer.

She was part of the team working on the Girls in STEAM Electric Car — an aspirational technology project that aims to help educate the community about the future of transport.

“The concept was to convert an old four-wheel-drive — in this case, a Range Rover — into a Tesla-powered electric car,” Mr Wiggins said.

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Categories
Australia

Townsville teen dancer secures coveted spot at English National Ballet School

A Townsville teenager has beaten thousands of international dancers to take up a position at one of the world’s most prestigious ballet academies.

Zai Calliste, 17, has been accepted into the English National Ballet School, following in the footsteps of his dancer mother.

“Everything I had been working hard for sort of just came into fruition and it was the most amazing feeling and I felt so proud,” Zai says.

The application process began in December 2021 via video, with the teenager later invited to London for the final round of intense and “nerve-wracking” auditions.

A young man stands in front of a sign reading 'English National Ballet School'
Zai Calliste in London auditioning for the English National Ballet School.(Supplied: Nikki Robinson)

As a male dancer of Caribbean heritage, achieving his dream has had its challenges — especially in a regional city.

“There are many things that come with being a male dancer and a male dancer of culture. [It] hasn’t always been the easiest,” Zai says.

His mother, Nikki Robinson, is also no stranger to the world stage, with a dance career spanning over 21 years.

Ms Robinson was the key reason behind her son entering the dance studio 11 years ago.

“I knew he had a bit of a performance bug and, even way back when he was little, he had a really endearing quality that he was able to communicate to the audience,” she says.

“It’s been really wonderful to watch him bloom and progress and, of course, I’m super proud of how he’s adapted to everything he’s faced over the years dancing.”

A young man does the splits in the air in front of the water
In Sydney, Zai Calliste gained further experience through classes offered by the Sydney Dance Company.(Supplied: Nikki Robinson)

Zai started dancing at the age of six when he was sitting in one of his mother’s ballet classes.

“I decided I wanted to try it and she said she would give me a week and after that if I still wanted to do it, she would get me sorted,” he says.

“I lasted the week and I’ve been dancing ever since.”

Now that he has secured his spot in the school, Zai has his sights set on joining the world-renowned English National Ballet Company.

Dance teacher and co-director of the Ann Roberts School of Dancing Jane Pirani says there continues to be a stigma around male dancers, despite their talents.

“I’ve lost quite a few boys [from the dance school] because they were being ostracized at school or out in the community for [dancing],” she says.

Ms Pirani says for many young male creatives, dance is a safe place to express themselves.

A young dancer holds himself up on one hand while performing on stage
Growing up in Townsville, Zai was a frequent performer in regional dancing competitions.(Supplied: Nikki Robinson)

The English National Ballet School has been operating since 1988 and is held in high regard as a feeder academy into the company.

“The English National Ballet Company is now in alignment with the likes of the Royal Ballet and the Paris Opera Ballet,” Ms Pirani says.

Zai is due to move to London later this year.

“This is the stepping stone now, where it is make or break and he will have the opportunity to be offered a contract with [the English National Ballet] or audition for other companies,” Ms Pirani says.

She says it is incredibly rare for a regional dancer to make it on an international stage but believes once Zai secures his first job, he is going to be huge.

“Townsville is behind him; it’s been his dream from a little boy, and he really deserves everything he gets because he is a natural performer and that’s something you cannot teach people,” she says.

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Categories
Entertainment

Artists and performers with disabilities given mainstream platform in regional town

Vincent Worlters remembers the moment his dreams of being a professional musician were initially crushed.

“As a young man, I was being trained to be an opera singer, but life got in the way with the onset of my disability, which was quite profoundly disabling,” Mr Worlters said.

“And basically, it destroyed my opportunities to be a professional singer.”

Despite his diagnosis, Mr Worlters was determined music would remain a big part of his life.

“The only breath I got from my horrible illness was to grab my guitar and sing and then the symptoms would come to a stop.”

Man in a floral shirt and vest smiles at the camera with green and purple stage curtains in the background
Vincent Worlters did not realize his love of acting until he joined a disability theater group.(ABC Mid North Coast: Madeleine Cross)

A new inclusive arts program on the NSW mid-north coast has now given Mr Worlters a chance to live out his dreams on stage.

The Wauchope Regional Art Program, also known as WRAP, is designed to assist artists with disabilities to build their confidence and skills. It connects them with professional artists so they can participate in the mainstream industry.

Mr Worlters joined WRAP’s theater class, along with Steph Smith and Kirsty Georges.

“The acceptance is really quite beautiful,” he said.

“Groups like this give me an opportunity, whereas nothing else will.”

Two men sing together while sitting on a stage, two women dance in the background
The WRAP theater group rehearsed for weeks with mentor Ian Castle.(ABC Mid North Coast: Madeleine Cross)

The trio is mentored by singer and musician Ian Castle.

“It’s this collaborative effort building on the strengths they have as individuals and myself inspiring them to try other things,” Mr Castle said.

The theater group performed on stage at a mainstream arts festival in the region called ArtWalk in front of a crowd of spectators.

It was a dream come true for the close-knit team.

“When the audience gets behind you, your whole performance totally lifts to a whole new level,” Mr Worlters said.

“You can see it in their faces, or the cheers, and their claps. It’s really uplifting.”

Audience watches performers on stage as the sun sets behind them on a river
WRAP groups performed at Port Macquarie’s ArtWalk event, which attracts thousands of spectators.(ABC Mid North Coast: Madeleine Cross)

Kirsty Georges said her parents and family were “stoked” about the program and her performance.

“I feel it inside my chest. I feel happy,” she said.

And it is not just stage performers who have thrived in the inclusive program.

Artists celebrate inclusion

Creating visual art has always been a source of joy for Kerri Cains but, due to her intellectual disability, she often found it hard to be taken seriously.

“I’ve always had trouble with reading and writing and maths skills,” Ms Cains said.

“But it’s always been a passion of mine to do art.”

Lady in floral shirt stands in front of colorful art work.
Kerri Cains is over the moon to have her artwork on display at a local gallery.(ABC Mid North Coast: Madeleine Cross)

Ms Cains said she was over the moon to be involved in the Wauchope Regional Art Program and its workshops.

“It’s hard to find places sometimes that are so inclusive,” Ms Cains said.

“In this art class, in particular, we don’t feel like we’re just put on the side … it’s actual artists actually teaching you how to do it and they treat you like they would treat everybody else.”

Two women in floral shirts stand in an art gallery looking at pieces of art work on a table.
Graphic designer and mentor Michele Kaye worked with Kerri Cains to develop the WRAP logo.(ABC Mid North Coast: Madeleine Cross)

Thanks to WRAP, Ms Cains’ work has been displayed front and center at Wauchope Art Gallery as part of the ArtWalk event.

“I can show my family and my friends and everybody in town will see my artwork,” she said.

“It’s just good to see that disability and the arts are coming together in such an amazing way.”

Ms Cains was paired with and mentored by graphic designer Michele Kaye.

“It’s beautiful, its humbling, its real, it’s life. It’s what everyone should be seeing day by day,” Ms Kaye said.

Two women in floral shirts stand side by side and smile with artwork in the background
Michele Kaye says she loved every moment of mentoring Kerri Cains.(ABC Mid North Coast: Madeleine Cross)

Artists’ skills ‘skyrocket’

WRAP was established by the Wauchope Community Arts Council, through an NDIS Information, Linkages and Capacity Building Grant.

Project coordinator Vicky Mackey said WRAP was started due to a lack of similar services on the Mid North Coast.

“Even though we have a very busy arts community, they weren’t connecting with people with disabilities,” she said.

“Disabled artists were segregated.”

Woman in white and red costume performs on stage, under a blue light
WRAP theater group member Steph Smith performed a solo show on stage.(ABC Mid North Coast: Madeleine Cross)

Ms Mackey said it was fantastic the group had been given its first mainstream platform at ArtWalk.

“It’s the first time that a lot of them have got to perform in public,” she said.

“The growth in their confidence and just the way they hold themselves, the ability to communicate with strangers, it’s skyrocketed.”

Woman with blonde hair and green jacket smiles at the camera, with artwork behind her
WRAP project coordinator Vicky Mackey was inspired by her own daughter’s disability.(ABC Mid North Coast: Madeleine Cross)

Ms Mackey said she was inspired by her own daughter who has a disability.

“I always try to have the best for her, living the best life she can, and that’s what it’s all about — giving these guys an opportunity,” she said.

“In art, it’s not about being perfect or the best. It’s about the passion and the joy that the person can show in their artwork or their dance.

“It doesn’t have to be perfect and that’s great — life’s not perfect.”

Crowd of people watch performance with buildings and palm trees in the background
The WRAP performances attracted a large crowd at Port Macquarie’s ArtWalk event.(ABC Mid North Coast: Madeleine Cross)

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