Archie Roach – Michmutters

Live and back on Larrakia Country, this year’s National Indigenous Music Awards (NIMAs) was a powerful celebration of First Nations talent past and present.

Playing out under the stars at Darwin Amphitheatre, Baker Boy was the biggest winner of the ceremony, walking up to the podium twice Saturday night.

The rapping-dancing Yolŋu sensation won Album of the Year for his inspiring debut album Gela and was named Artist Of The Year. It’s the third time the Fresh Prince of Arnhem Land has won in that latter category, bringing his total NIMAs tally to nine trophies since he first gracing the ceremony as an Unearthed competition winner back in 2017.

Fresh from the release of their self-titled debut album, King Stingray claimed the coveted Song Of The Year for scorching bush-disco belter ‘Milkumana’ (voted #56 in triple j’s Hottest 100 of 2021). The Yolŋu rock band also proved why they’re one of Australia’s deadliest live acts with an electrifying performance to close out the ceremony.

Gumbaynggirr and Bundjalung woman Jem Cassar-Daley, aka the indie pop offspring of country legend Troy Cassar-Daley, was named Best New Talent following the release of her 2021 debut EP I Don’t Know Who To Call.

‘King Brown’ by powerful Malyangapa and Barkindji rapper Barkaa was recognized as Film Clip Of The Year, while Indigenous Outreach Projects earned Community Clip of the Year for ‘Loud & Proud’.

Dobby, the Murrawarri/Filipino multi-instrumentalist rapper and producer behind some of the best First Nations raps going ’round, took home the Archie Roach Foundation Award, recognizing his achievements and supporting his growth as an artist.

Moving tributes to Archie Roach and Gurrumul

Powerhouse vocalist Emma Donovan and Butchulla songman Fred Leone led an emotional homage to the late Archie Roach, pairing up for an emotional performance of the important and influential songwriter and storyteller’s ‘We Won’t Cry’.

Joined on stage by a chorus of First Nations talent, it was a teary celebration of the life of the important and influential Uncle Archie, just days after the Gunditjmara (Kirrae Whurrong/Djab Wurrung), Bundjalung Senior Elder died at age 66.

The ceremony also commemorated the musical legacy and life of Gurrumul, who was officially inducted into the NIMAs Hall Of Fame and honored with a performance by his brother and Saltwater Band co-founder Manuel Dhurrkay.

The acclaimed, otherworldly Yolŋu singer-songwriter died due to liver and kidney damage in 2017 but left behind a stunning catalog of solo records that won multiple ARIAs, NIMAs, APRA and AIR Awards, and was named Double J Australian Artist of the Year in 2018 .

He joins NIMAs Hall Of Fame inductees Warumpi Band, Archie Roach, Roger Knox, Kev Carmody and the band he started out in, Yothu Yindi.

The NIMAs also hosted a live line-up of performances from Thelma Plum, hip hop power couple Birdz and Fred Leone, the soulful Emma Donovan & The Putbacks, traditional dance from Red Flag Dancers, and the elegant pipes of Noongar woman and triple j Unearthed. winner Bumpy.

The NIMAs have been Australia’s most important celebration of Indigenous music for 16 years but 2022 marked a glorious return to Larrakia Country in Darwin after a two-year hiatus. The ceremony was forced to innovate around the COVID pandemic, going virtual in 2020 and presented as a two-hour special on triple j’s Blak Out last year.

View the full list of winners below and tune into Blak Out this Sunday from 5pm for a highlights wrap of winners, performances, and backstage antics simulcast across triple j, Double J and triple j Unearthed.

National Indigenous Music Awards 2022 Winners

Artist of the Year
baker boy

Album of the Year
Bakerboy- Gela

New Talent of the Year
Jem Cassar-Daley

Song of the Year
King Stingray – ‘Milkumana’ (songwriters: Roy Kellaway / Gotjirringu Jerome Yunipingu)

Film Clip of the Year
Barkaa – ‘King Brown’ (Directed & Produced by Sonder Films, Executive Producer: Vyva Entertainment)

Community Clip of the Year
Numulwar, NT – Loud & Proud (Directors & Producers: Indigenous Outreach Projects/Matthew Mastratisi/Franceska Fusha/Lesley Phillips/Jordan O’Davis/Numbulwar Community & School)

Hall of Fame
Gurrumul

Archie Roach Foundation Award
dobby

posted 11 hours agoSat 6 Aug 2022 at 12:35pm, updated 11 hours agoSat 6 Aug 2022 at 12:52pm

From the top of Arnhem Land, where musicians take inspiration from his timeless words, to the streets of Melbourne’s Fitzroy, where fans leave floral tributes on the steps of Charcoal Lane, there seems no place in the country that has not been touched by Archie Roach .

His sons, Amos and Eban, said Archie died surrounded by his family and loved ones at Warrnambool Base Hospital in Victoria.

Archie’s family has given permission for his name, image and music to be used.

However, the love felt for Archie extends far beyond that hospital ward, far beyond state lines and color lines to every corner of the land we call Australia.

Archie leaves behind a legacy of tireless work towards reconciliation and a new generation inspired to carry on his message of healing into the future.

As Australia comes to terms with the loss of one of it’s greatest storytellers, those who were touched by Archie are opening up on what he meant to them.

Flowers wrapped in paperbark outside a yellow door, with a tribute to Archie Roach poster behind. — Tributes were laid outside the Charcoal Lane Aboriginal social enterprise in Melbourne, which shares its name with the singer’s first album.(ABC News: Barrie Pullen)

‘He kept struggling, he kept fighting, he kept believing’

Goanna frontman Shane Howard, a longtime friend of both Archie and his wife, Ruby Hunter, was emotional at the death of a man he considered a brother.

It’s very raw. It’s very real. It’s a lot to lose, but I think Ruby might be calling him home,” Howard said.

The pair toured Australia, the United Kingdom and Ireland together with the Black Arm Band and saw each other just days before Archie’s death.

Archie Roach and Shane Howard. — Archie Roach and Shane Howard toured the world together as part of the Black Arm Band musical theater group.(Facebook: Shane Howard—Goanna)

Remembering his friend as a “deeply cultural being”, Howard says Australians mourning Archie’s passing should continue the reconciliatory work the Gunditjmara (Kirrae Whurrong/Djab Wurrung) singer strove towards for much of his life.

“His ability to keep forgiveness at the front — after all that had happened to him and all that has happened to First Nations people here in this country — his capacity to keep believing that we could reconcile this nation, that we could become a just and fair nation,” he said.

It comes as discussion swirls around the enshrining of an Indigenous Voice to Parliament in the Constitution, an issue Prime Minister Anthony Albanese has pledged to settle as soon as possible.

“Archie’s passing reminds us that we must redouble efforts, and the greatest way we can honor him is to honor those things,” Howard said.

“There is still so much wrong and Archie knew that, but he kept struggling, he kept fighting, he kept believing.”

‘He took the words we could not speak’

Beyond his legacy as one of Australia’s most-acclaimed songwriters, Archie’s passing carries a special meaning for the Stolen Generations.

Born in Mooroopna, in Victoria, Archie was just three years old when he was forcibly removed from his family.

Yorta Yorta man and Stolen Generations survivor Ian Hamm said he was shaken after hearing the news of Archie’s death.

“When I heard, it was just like a gray shadow fell across me,” Mr Hamm said.

“Archie was a special person in his ability to convey stories and songs and bring to life what it means to be just an ordinary Aboriginal person.”

For Mr Hamm, Archie’s music provided an outlet for unspeakable pain and a way to make sense of his own traumatic experiences.

“He took the words that we could not speak and he turned them into song so that our voices could be heard,” he said.

“When we were unable to articulate what it meant at a really human level, the song ‘They Took The Children Away’, it just said it all for us.”

Mr Hamm said Archie’s strength and courage in sharing his own story was crucial in establishing initiatives such as the Stolen Generations Redress scheme.

“I don’t think we’ll see his like again and I can only hope that we will never forget that we were lucky enough to be graced by his presence,” he said.

Daniel James says he had the deep privilege of interviewing Archie Roach on numerous occasions.(ABC News: Simon Winter)

Writer and broadcaster Daniel James interviewed Archie numerous times and described the singer as a “powerful but humble presence.”

“He was someone [who] wasn’t a voice of his generation, he was a voice for generations,” James said.

James said Archie was integral in starting a conversation around truth-telling in Australia.

“This sounds counterintuitive, but there was nothing performative about his music,” he said.

“He was someone [who] was singing into a void before there was an audience ready to hear what he had to say.

“And then, eventually, that void was filled with an audience and then, eventually, that audience was filled with love. Love for him, love for his music.”

‘We want to do it the same way our Uncle Archie did’

For Aboriginal musicians such as Victor Rostron, Archie’s storytelling served as an inspiration.

“We’re here in Garma because we’ve seen our elders telling stories, singing songs, from their hearts,” he said.

“His music tells us a story from his heart.”

Based in Maningrida in north-east Arnhem Land, Rostron plays in the Indigenous rock band Wildfire Munwurrk and wants to emulate the strength of Archie’s music.

“He was our mentor, and we want to do it the same way our Uncle Archie did, really strong and powerful,” he said.

Victor Rostron says Archie is an inspiration to Indigenous musicians from all around the country.(ABC News: Gary-Jon Lysaght)

Rostron said Archie’s breakout song, ‘Took the Children Away’, brought with it an important message not just for people in Australia, but also for those around the world.

“Me and my boys, we’re going to miss him,” he said.

“His music really means something, and we don’t want his music stopped, we want his music to be a memory for him and stay there forever.”

‘A song can be a medicine to heal’

For opera singer Deborah Cheetham, the loss of Archie represents the loss of a pillar of the Australian community.

“Today our world has changed forever. Our work becomes so much more difficult because Uncle Archie was holding up so much of our nation’s spirit,” Cheetham said.

Space to play or pause, M to mute, left and right arrows to seek, up and down arrows for volume.

Opera singer Deborah Cheetham says Archie Roach united people through song.

Cheetham said Archie’s deep connection to music allowed his message to break through racial barriers and unite the country.

“His understanding, deep within his DNA, that a song is so much more than just a song,” she said.

“A song can be a medicine to heal the many wounds that have been inflicted on not only Indigenous people in this country but [also] on every Australian.

“It’s often said that we stand on the shoulders of giants,” Cheetham said.

“The whole of Australia can say that it stood on the shoulder of a giant in Uncle Archie.”

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