“I didn’t know what was happening; it was a confusing time for everybody, especially for Middle Eastern kids growing up.”
“You’re 10 years old, but you suddenly have to deal with no one wanting to be your friend, and you’re thinking, ‘I didn’t have anything to do with this, I live in Auckland, I live like two minutes away from you, I’m your neighbour! What’s going on?’”
In those early and confusing days following 9/11, Assadi looked to nullify the confusion by getting creative: he tried to convince his schoolmates he was Tongan. In Raised by Refugeeswe see Pax attempt the same move, desperate to distance himself from the drama playing out half a world away.
“That worked for a little while until the real Tongans started asking questions I couldn’t answer,” Assadi laughs.
Eventually, he realized that comedy (not finger guns) could be his most potent weapon.
A successful stand-up comedian in his native New Zealand, Assadi regularly mined his childhood for material before figuring out that his experiences would make for a perfect sitcom.
“It’s such a fascinating vantage point to be this kid in Auckland, New Zealand, which is 18 hours away from New York but is still heavily impacted by the event,” he says.
“And the beautiful thing about comedy is that it is so disarming; it’s a tool to open people up to dialogue.”
Raised by Refugees is the latest in a series of TV comedies created by first, second and third-generation immigrants that tap into the cultural minefield of identity.
From Aziz Ansari’s Master of None to Ramy Youssef’s Ramy and, closer to home, Benjamin Law’s The Family Lawthe landscape is brimming with creators reflecting on what it means to be trapped between two worlds.
“During production, I had a whiteboard in my office where I had written ‘Pax is in cultural limbo’ above my desk,” explains Assadi.
“And that was my reference point; every time I got confused about the story, I just looked at that and remembered how it felt not to belong.”
While Assadi is well-versed in using his experiences on stage and screen, Raised by Refugees presented an opportunity to gain insight into his parents’ journey. Assadi played his own Iranian father, Afnan, which proved to be both an inspired and confronting casting decision.
“Playing my dad was easy, which means I’m very similar to my dad, which is a terrifying thought. I just grew the mustache and started yelling at white people in a Middle Eastern accent,” he jokes.
“I know it sounds cliched, but it made me appreciate my parents more; I never really thought about the fact that when my grandmother died, we couldn’t afford to send my mother home for the funeral or that my dad would get called names at work, so it helped me understand what they went through.”
Finding a young actor to play Pax was decidedly less tricky, with Assadi stumbling across newcomer Kenus Binu at the movies.
“My wife and I were watching Wonder Woman, and Kenus was hanging out with his mates and throwing out gags, making the entire audience laugh, which was insane,” says Assadi.
“My wife was like, ‘You have to get this kid to audition’. By this point, we had narrowed it down to 50 kids from about 250, but then Kenus came in and nailed the audition, even though he had never acted a day in his life from him.
Binu’s beginner’s luck looks set to continue with Raised by Refugees approved for a second season. Returning to his younger self is something Assadi relishes, with plans to explore the ultimate cultural crossroads: the obligations of faith versus the temptations of high school.
“I’m part of the Bahaʼi Faith, and we’re encouraged to avoid a lot of what you encounter at that time: sex, girls and alcohol,” says Assadi.
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“So Pax will have to confront that, just like I did, but we’ll have a good time doing it.”
* Stan is owned by Nine, publisher of The Sydney Morning Herald and The Age.
You can listen to The Age and The Sydney Morning Herald‘s culture news editor Osman Faruqi interviewed with Raised by Refugees creator Pax Assadi on the latest episode of our weekly culture podcast, The Drop.