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Robert Irwin almost says the F-word on Stan’s RuPaul’s Drag Race Down Under

Aubrey Haive (Timaru, NZ), 25

Aubrey is no stranger to being in front of the camera, as she is already a budding actor and musical artist.

This fashion-forward queen originally hails from Timaru, New Zealand, but is now based in Melbourne.

Aubrey Haive (Timaru, NZ), 25

Aubrey Haive (Timaru, NZ), 25

Beverly Kills (Brisbane, QLD), 21

Beverly Kills started doing drag within just a few months of turning 18.

Not just a pretty face, she offers something extra with her burlesque, including a good whipping and some fire breathing.

Beverly Kills (Brisbane, QLD), 21

Beverly Kills (Brisbane, QLD), 21

Faux Fur (Sydney, NSW), 27

Faúx Fúr has been a regular face, and the loudest voice, on the Sydney drag scene for the last seven years.

She is proud to represent her Asian heritage, and comes with the biggest of hearts to uplift others through all her performances.

Faux Fur (Sydney, NSW), 27

Faux Fur (Sydney, NSW), 27

Hannah Conda (Sydney, NSW), 30

After conquering the Perth drag scene, Hannah Conda took a leap of faith and made her way to Sydney in 2015.

She co-founded ‘Drag Storytime’ in 2016 where she reads to children while dressed in drag to teach them about inclusion, acceptance and love.

Hannah Conda (Sydney, NSW), 30

Hannah Conda (Sydney, NSW), 30

Kween Kong (Adelaide, SA), 29

Kween Kong is originally from New Zealand, and of Tongan and Samoan heritage, currently residing in Adelaide.

She is the matriarch of Haus of Kong, a drag collective that aims to change the lives of its young recruits both on and off the stage.

Kween Kong (Adelaide, SA), 29

Kween Kong (Adelaide, SA), 29

Minnie Cooper (Sydney, NSW), 49

Minnie Cooper is considered a drag royalty among the Sydney circuit, with a glittering career that spans more than 20 years.

In 2016, she was a semi-finalist on Australia’s Got Talent, combining her drag and musical theater talents.

Minnie Cooper (Sydney, NSW), 49

Minnie Cooper (Sydney, NSW), 49

Molly Poppinz (Newcastle, NSW), 30

Molly Poppinz originally made a name for herself in Vancouver after struggling to find the confidence to do drag in her hometown of Newcastle, NSW.

In 2018, she was crowned Vancouver’s most ‘Fierce Queen’, before returning to Newcastle to build a thriving drag community.

Molly Poppinz (Newcastle, NSW), 30

Molly Poppinz (Newcastle, NSW), 30

Pomara Fifth (Sydney, NSW), 28

Growing up in the suburbs of Western Sydney, Pomara Fifth always stayed true to herself and never let the bullies and naysayers keep her down for long.

She represents both First Nation Australian and Māori queens and has a reputation for being a versatile, multi-talented performer and host.

Pomara Fifth (Sydney, NSW), 28

Pomara Fifth (Sydney, NSW), 28

Spankie Jackzon (Palmerston North, NZ), 37

Spankie Jackzon is a New Zealand drag performer best known for winning the $10,000 cash prize on the Kiwi series House of Drag.

She is the official host and roving reporter of The Wellington International Pride Parade, bringing drag to small towns across Aotearoa.

Spankie Jackzon (Palmerston North, NZ), 37

Spankie Jackzon (Palmerston North, NZ), 37

Yuri Guaii (Auckland, NZ), 25

Starting out at the age of 18, Yuri Guaii has been doing drag for going on eight years, making her start in the Auckland drag scene.

Having studied fashion design, her secret weapon is her sewing skills and she is known for creating all her own show-stopping drag looks.

Yuri Guaii (Auckland, NZ), 25

Yuri Guaii (Auckland, NZ), 25

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Margot Robbie sent Neighbors cast champagne for finale

Hollywood star Margot Robbie has told how she will be “eternally grateful” to soap Neighbors after it launched her acting career.

Margot, 32, who began her TV career as Ramsay Street’s Donna Freedman from 2008 to 2011, appeared in the show’s finale, which aired last Thursday.

While the A-lister filmed her scenes for the final show in Los Angeles, she made a sweet gesture to her fellow castmates, sending 37 bottles of champagne to the Melbourne set, as revealed by Neighbors actress Christie Whelan on social media last week, The Sun reports.

Robbie said that the final episode marks “the end of an era”.

Now Hollywood’s highest-paid actress, she said: “I owe so much to neighbors.

“There are so many of us that owe [the show] for giving us a big break.

“It wasn’t just about giving me a break either – it gave me a real chance to work on my craft. It was the perfect training for Hollywood and I will always be eternally grateful.”

thursday’s neighbors finale saw Robbie return alongside a host of other fan favourites, including Jason Donovan, Kylie Minogue, Guy Pearce, Holly Valance and Natalie Imbruglia.

Anne Charleston, who played Ramsay Street legend Madge Bishop, also returned – with her late character appearing as a ghost.

Remembering her time on the soap, Robbie said it was only when she moved to London that she realized how widespread neighbors‘popularity was.

“It really is an end of an era for fans. When I lived in London, I understood at its peak how big it was. People would come up to me and tell me how they watched it every day after school.”

From fruit farm to Hollywood Hills

The actress, who grew up on a fruit farm on the Gold Coast, moved to LA after leaving neighbors in 2011 and landed a role in US TV show Pan Am.

But it was her part opposite Leonardo DiCaprio in The Wolf Of Wall Street that caught the eye of movie bosses in 2013.

Soon after, she moved to South London where she shared a four-bedroom pad in Clapham with six other friends that they dubbed “The Manor”.

Her housemates were friends she had met filming wartime flick French Suite – including the assistant director and her now-husband Tom Ackerley.

Robbie went on to star in 2015’s focus opposite Will Smith and played The Joker’s girlfriend Harley Quinn in 2016 hitSuicide Squad.

In 2016, she and Ackerley also married, and the following year they swapped their Clapham flat for a $3.6 million villa in Hollywood.

But she said leaving London had not been an easy move for the couple.

She said: “It was such a hard decision to leave, but I just couldn’t keep living out of a suitcase.”

Back in LA, the actress went on to star as Tonya Harding in I, Tonya – which she also produced – and alongside Nicole Kidman and Charlize Theron in Bombshell.

Both roles won her Oscar nominations.

She also starred as rising movie star Sharon Tate in Quentin Tarantino’s Once Upon A Time In Hollywoodappearing with former co-star DiCaprio as well as Brad Pitt.

Next year will see her hit the big screen in neon pink and sky-high heels after she was cast as Barbie in a romantic comedy about the iconic doll.

Directed by Greta Gerwig, the film also stars Ryan Gosling as Barbie‘s love interest Ken.

Robbie said: “When I read the script, I genuinely thought, ‘This is one of the best scripts I have ever read.’ I needed to be part of this story.

“I remember speaking with Ryan before we started shooting and we were just so excited to be part of this incredible script.

“Whatever people expect the Barbie movie to be like, they need to totally rethink it because Greta has done something special here.

“And Barbie is such a role model. She was a surgeon back in the early ’70s when a tiny percentage of females were applying for medical school.”

It is expected that in the hands of director Greta – whose last films were Lady Bird and Little Women – Barbie will get a thoroughly modern makeover.

‘Things have changed a lot’

It comes after Hollywood’s own makeover in recent years following the #MeToo scandals.

That movement was the focus of 2019 movie Bombshell, which was based on the sexual harassment of women working at Fox News.

Robbie, who starred as Kayla Pospisil, told at the time that it was only while working on the film that she realized what sexual harassment was.

She told Net-A-Porter: “I’m in my late twenties, I’m educated, I’m worldly, I’ve travelled, I have my own business – and I didn’t know. That’s insane.

“I didn’t know that you could say, ‘I have been sexually harassed,’ without someone physically touching you.

“That you could say, ‘That’s not OK.’ I had no idea.”

The actress also said that she has experienced harassment, but “not in Hollywood”, adding: “I struggle to find many women who haven’t experienced sexual harassment on some level.

“So yes, lots of times. And to varying degrees of severity throughout my life.”

Speaking last week, Robbie said: “I think things have changed in Hollywood over the past few years.

“There have been some difficult conversations and very brave people.

“We live in hope that all this courage that has been shown means nothing like this ever happens again.”

This story originally appeared on The Sun and is republished here with permission

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Michael Pascoe and his journey to ‘The Summertime of Our Dreams’

Last Tuesday was the 40th anniversary of my father’s death.

On Wednesday my book, The Summertime of Our Dreamswill be launched, the coincidental timing making the event even more emotional for me and my siblings.

The book’s title comes from my father’s eulogy. How my oldest brother described his memory of the childhood our parents provided.

“It felt like one long, golden summer,” he said, “the summertime of our dreams.”

The book has taken time to happen, as life does. It’s been a decade since I started writing it – off and on, much more off than on – with thoughts coalescing for untold years before that.

That has been a good thing, a necessary thing, allowing the book to evolve and grow with our times beyond the initial attempt of paying homage to country and acknowledging the gifts and opportunities my parents worked so hard to give their children.

(There is no force on earth more powerful than the desire of a mother to give her children a better chance in life than she had.)

The Summertime of Our Dreams It grew as it absorbed and was built around a year-long conversation with a dying friend who wanted to help other people deal with mortality, to assure them that it shouldn’t be taken too seriously. That much of what you consume our lives can be let go.

And other stuff happened – cancer and COVID and history and memory – the hilarity and frailties of age and what sort of legacy we are providing for the children and grandchildren that are our legacy.

Fatherhood, mateship and mortality – but I’m assured it’s not as bad as that might sound, particularly if you can feel this land and enjoy driving through it.

Along the drive to this Wednesday’s launch, I’ve also learned a bit about having a book published, from the passion book people have for their profession to how scruffy your signature is in danger of becoming as you sign a pile of 200 copies and how bloody hard it is to record the audio book version of something that was often very personal and emotional to write, to keep your act together.

The last paragraphs written – inserted during the proofing stage – came from an incident in the surf earlier this year, recorded that day when I came home from the beach:

A morning in the Sunshine Beach surf, a man and his daughter swimming near me out where waves of not inconsequential size were breaking. The girl quite young, but a little water nymph. Locals.

The girl talking away about treading water and swimming and how big the waves were, the dad calling when to dive under or ride over them before they curled. A slight note of urgency in his voice – just to be sure the call was heeded – as a bigger set looms, calling the dive a little early, to dive deep so a small body might not be plucked up and rolled and dumped by the ocean’s endless power rising, crashing.

The girl comfortable with it all, confident with her dad. She surfaces, picking up her chatter where she left off, says something about getting out of breath sometimes.

‘Maybe that’s because you’re always talking,’ says her father with a gentle smile. She ignores him and talks on.

I’d like to tell him to lock in this memory, these moments with his little girl diving under breakers in bright sunshine, the light shining through the advancing green walls; to photograph her from her smile from her in his mind from her, to never forget this perfect morning together whatever else happens in their lives, uncomplicated minutes forever happy in trust and love.

I don’t. It would be presumptuous, might be creepy, some old bloke saying stuff like that. Entirely hypothetical anyway – I wouldn’t be able to get those words out, just the thought threatening to tear me up. Dive down and further away from them, silently wish them well and know their magic will be lost in time, too. Tears under the ocean. Saudade.

I’m told the author is expected to read a little of the book at the launch on Wednesday. I will have to choose my paragraphs carefully.

The Summertime of Our Dreams by Michael Pascoe is published by Ultimo Press and available in bookstores and online from August 3.

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Pat Carroll, voice of Disney villain Ursula in The Little Mermaid, dies aged 95 | movies

Pat Carroll, the Emmy award-winning actor and voice of the memorable Disney villain Ursula in The Little Mermaid, has died aged 95.

Carroll died on Saturday of pneumonia at her home in Cape Cod, Massachusetts, her daughter Kerry Karsian told the Hollywood Reporter.

Born in Louisiana in 1927, Carroll’s family moved to Los Angeles when she was five, and she began acting soon afterwards. Her big screen debut arrived in 1947, in the film Hometown Girl, but it was her presence on variety shows that made her name over the next three decades. She won an Emmy for her work de ella on Caesar’s Hour in 1957 and performed comedy roles alongside the likes of Jimmy Durante, Mickey Rooney, Steve Allen and Charley Weaver on their variety shows.

She got her first voiceover work in 1966, for the animated television series The Super 6. By the 1980s she was ever-present in cartoons, voicing roles in shows including Yogi’s Treasure Hunt, Scooby-Doo, Garfield and Superman, as well as the English dub of 1988 film My Neighbor Totoro. But it was her lifelong dream of her to work in a Disney film, and the opportunity came in 1989 with The Little Mermaid.

“It was a lifelong ambition of mine to do a Disney film,” she told author Allan Neuwirth in Makin’ Toons: Inside the Most Popular Animated TV Shows and Movies. “So, I was theirs hook, line and sinker.”

Critics singled out Carroll’s performance as particularly strong in the box office hit. The New York Times said Ursula, “played to the hilt by Pat Carroll, is a fabulously campy creation embodying the film’s well-developed sense of mischief”, while Roger Ebert deemed the gigantic octopoid woman “[Disney’s] most satisfying villainess since the witch in Snow White and the Seven Dwarfs.”

Carroll loved the role, and reprized it in several other works, including the spinoff TV shows, the Kingdom Hearts games and rides and attractions at Disney theme parks.

Over her career she landed regular parts across the gamut of US television, making small parts memorable in shows like Too Close for Comfort, She’s the Sheriff, The Mary Tyler Moore Show, Laverne & Shirley, The Love Boat and ER.

Her successful one-woman show Gertrude Stein, Gertrude Stein, Gertrude Stein won several awards in the late 1970s; the recorded version of her netted her a Grammy in 1980.

Carroll is survived by her two daughters and a granddaughter.

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“Rick and Morty” S6 Improvement Promised

Full Trailer Rick And Morty S5
adult swim

Throughout much of its first three seasons, Adult Swim’s “Rick and Morty” was a cultural icon, a smash hit with critics and audiences that pulled in big numbers and delivered memorable episodes.

From “Pickle Rick” and “Rixty Minutes” to “Total Rickall” and “Meeseeks and Destroy,” quotes and subplots from the episodes quickly entered the cultural lexicon. Anticipation was sky high that the fourth season would do the same.

It didn’t. The fourth and as much (or even more so) the fifth was met with a muted response. The show remains widely liked, but there’s a definite sense of a drop in quality with complaints of episodes being ‘all over the place’ and rushed.

One person who was mixed on the fifth season was co-creator Justin Roiland. Speaking with IGN recently, Roiland says he has mixed feelings about last year’s season with a big part of it due to the abrupt loss of a co-worker:

“Season 5 was a weird one. we lost [line producer J. Michael] Mendel… It was tough. We were thrown for a loop. That was…yeah. If I talk anymore, I’ll start crying”

Roiland adds he prefers the show’s first two seasons due to the “silliness and fun that was happening in the creative process” whereas later seasons have been a little more formalized.

Its been confirmed the show’s sixth season will be arriving in September, and Roiland seems more optimistic about what they’ve created and promises an improvement in quality:

“I will say that it’s a bit more canonical. It really rewards fans of the show that have been watching up to this point…So it’s like, I think we’re kind of finally back into the rhythm of Rick and Morty, and I think Season 6 is… I didn’t particularly think Season 5 was bad, but Season 6 is f—ing amazing. It really is af—ing quality season.”

Roiland remains busy working on Hulu’s “Solar Opposites,” continuing to run his own game studio, and readying “Rick and Morty” for its return on September 4th on Adult Swim.

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Stranger Things breakout star Joseph Quinn jams with Metallica

Stranger Things star Joseph Quinn has been inducted into legendary metal band Metallica as an honorary member after jamming with the band at the Lollapalooza festival in the US.

On the show, Quinn plays Eddie Munson, a misunderstood metal fan who’s forced to go on the run when he’s wrongly accused of murder. In a pivotal scene, Eddie saves the day by playing “the most metal concert ever”: Metallica’s icon banger, Master of Puppets. Quinn performed the song himself.

When Metallica Met "Eddie Munson", from left to right: drummer Lars Ulrich, lead singer and guitarist James Hetfield, bassist Robert Trujillo, actor Joseph Quinn and guitarist Kirk Hammett, at Lollapalooza 2022, in Chicago.  Insert: Joseph Quinn as Eddie Munson.

Netflix/Supplied

When Metallica met “Eddie Munson”, from left to right: drummer Lars Ulrich, lead singer and guitarist James Hetfield, bassist Robert Trujillo, actor Joseph Quinn and guitarist Kirk Hammett, at Lollapalooza 2022, in Chicago. Insert: Joseph Quinn as Eddie Munson.

On Saturday, Netflix shared a clip of the 28-year-old British actor joining the band backstage at the festival, where lead singer James Hetfield invites Quinn to jam with them in the band’s tuning room.

“I’m a bit rusty,” Quinn says. “You might need to give me a lesson.”

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He describes the song as being all he listened to for two years during the pandemic while he was waiting for shooting on season four of the show to resume after the UK and US lockdowns.

Actor Joseph Quinn jams with Metallica backstage at Lollapalooza in Chicago.

stuff

Actor Joseph Quinn jams with Metallica backstage at Lollapalooza in Chicago.

“I feel very connected to you guys.”

He then gets to play Master of Puppets with the band, prompting drummer Lars Ulrich to announce Metallica “just became a five piece”.

Hetfield caps the love fest off by giving Quinn a replica BC Rich NJ series Warlock guitar like the one played by Eddie on the show, signed by the band, with Eddie’s Hellfire Club logo inside the case.

Quinn’s transformative performance of Eddie Munson has been widely lauded by fans and critics.

The character swiftly took on iconic status, appearing in memes, on tee shirts across the Internet, while a petition created by fans to demand the Stranger Things producers The Duffer Brothers bring Eddie back next season has reached more than 80,000 signatures.

The South London-raised actor, who studied drama at the Benedict Cumberbatch’s old school, Lamda , has been in hot demand since the show’s final episodes aired in mid-July.

A recent London comic convention allegedly tuned sour when organizers were overwhelmed by the number of people who turned out to meet him.

Joseph Quinn as Eddie Munson in a pivotal scene in the final episode of Stranger Things season 4.

Netflix/Supplied

Joseph Quinn as Eddie Munson in a pivotal scene in the final episode of Stranger Things season 4.

During a Q&A at the event, a fan expressing gratitude for Quinn’s performance and for the time he spent with the fans brought the actor to tears. When 1883 Magazine published a cover story with the star its site crashed for 24 hours.

In an appearance on The Tonight Show with Jimmy Fallon, Quinn expressed surprise and relief at the response to Eddie. He said he would love to play Eddie again, and is open to returning, although he has no idea how they would do that.

“It was moving to see how many people have identified with him,” Quinn told Fallon.

Stranger Things season four is available on Netflix now.

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Rodriguez Talks The “Fast X” ‘French Takeover’

Rodriguez Talks The Fast X French Takeover
Universal Pictures

Actress Michelle Rodriguez has revealed she’s very happy with filmmaker Louis Leterrier having taken over the direction of “Fast X” following director Justin Lin exiting the project shortly after it began filming.

Once Leterrier was onboard, he packed the tenth “Fast and Furious” film with a creative team from his native France and Rodriguez tells THR the production is now “like the French takeover, dude”. She’s not complaining though. Remove the opposite:

“Trust me, at the beginning, I was like two weeks in with no director. I’m like, ‘What are we gonna do?’

I have [Leterrier] came with all this energy of love. We haven’t had that in Fast and Furious for a very long time where we get somebody excited who’s a real fan and who really wants to take it places that it hasn’t gone before.

We’ve been at it for 20 years, bro. After all that time, you get jaded and kind of forget what you do it for [until] a director like Louis comes in and reminds you, ‘This is beautiful. Let’s go make magic.’ We’re so lucky to have him bro.”

Letterier was announced as director back in early May, and things seem to have progressed smoothly since Rodriguez confirmed last week she has already wrapped her filming commitments and the whole production should be finished filming by the end of August.

“Fast X” is currently on track for a May 19th 2023 release.

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From WAG Nation to The Shire: the 15 Australian reality shows we all forgot about – sorted | TV-reality

From the release of “docusoap” Sylvania Waters in 1992 to produce the most outrageous international edition of Married At First Sight, Australia has played a significant role in shaping reality television. But in between there have been some less successful attempts. From the making of a Neighbors soap star’s debut album to a competition inspired by Princess Mary’s love story, here are the most ridiculous Australian reality shows canceled over the past 20 years.

15. Park Street, Arena, 2011

Remember Park Street, the reality television series based on the editors of the now defunct ACP Magazine titles Cosmopolitan, Cleo, Madison, Dolly and Shop Til You Drop? The show debuted in 2011 to an audience “so small that OzTam was unable to detect any viewing at all in Melbourne and Adelaide, while it estimated that it had 76 viewers in Perth and 856 in Sydney”, according to Mumbrella.

Scathing reviews followed (“It was about as exciting as waiting for the printer to get fixed – and we’re betting that will be the plot of next week’s episode”), and the show has almost been entirely scrubbed from the internet.

14. Australian Celebrity Survivor, Seven, 2006

Before the successful relaunch of Australian Survivor by Channel 10 in 2016, both Nine and Seven had a go at adapting the mega US franchise. Seven’s 2006 attempt gave us Celebrity Survivor: Vanuatu – a series featuring the lowest standard of celebrities ever committed to Australian television. Among them, the British model Gabrielle Richens who appeared in a singular episode of How I Met Your Mother as ‘Tramp Stamp Girl’ and singer Fiona Horne whose biggest hit peaked at No 48 on the Aria charts.

13. The Shire, Ten, 2012

“Dramality” series The Shire followed a cast of young locals in Sydney’s Sutherland Shire, in what Channel 10 hoped was their answer to Jersey Shore and Geordie Shore. After rapidly declining ratings and two cast members being physically assaulted on the street while the show was airing, the series was canceled after one season.

12. Runway to L.A., Fox8, 2007

Australia’s Next Top Model was so popular at one point that it was given a spin-off series, Runway to LA, starring season three’s second runner-up, Jordan Loukas. The five-episode show followed Loukas, described as a “Marrickville ghetto chick”, being schooled on modeling basics by mentor Charlotte Dawson, in the hopes of eventually cracking the US market.

11. The Face Australia, Fox8, 2014

Another short-lived Australian modeling show (following the same format as previous US and UK editions) that didn’t reveal any new supermodels, but did give us this iconic confrontation between mentors Naomi Campbell and Australian model Nicole Trufino.

10. Fashion Bloggers, Style Network and E!, 2014-2015

It turns out the most interesting part of fashion bloggers’ (the original Instagram influencers) lives is the highlights reel they post online. Producers were so starved of usable content in the series – which followed five of the industry’s biggest fashion influencing names – that they resorted to 20-second scenes of catching up for lunch in the very first episode. Watch season one back for a 2014 nostalgia trip of early Instagram filters, flatlays and flower crowns.

9. The Last Resort, Nine, 2017

The Last Resort felt like a significant low in reality television, with incredibly vulnerable casts and revelations that were too personal and sordid for even the most gluttonous audiences. We met five couples attempting to salvage their long-term relationships: there was Carl, who never felt guilty for cheating on his wife Lucy; Dan and Lisa, who got together while Dan was still married; and Sharday, who lied about the father of her child while on a break from partner Josh, who wanted a paternity test. It was canceled after one season.

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8. WAG Nation, Arena, 2012

Australian television producers in 2012 were trying everything to make a personality-based reality series ala The Hills and Keeping Up With The Kardashians, following the end of the talent show boom (mainly Australian Idol). One of the worst attempts was WAG Nation, which followed five wives and girlfriends of some of Australia’s most famous sporting stars for 10 very long episodes.

7. The Steph Show, Ten, 2006

The career of actress and singer Stephanie McIntosh was booming in the mid-2000s. The 21-year-old was in the middle of her initial four-year run on Neighbours, dating AFL player Nick Riewoldt, and releasing a pop album.

The Steph Show documented the album’s making in a style apparently modeled after The Ashlee Simpson Show. It was also somewhat of a marketing experiment – ​​the first episode coincided with the release of the debut single Mistake followed by the full album (McIntosh’s only to date) upon the show’s finale.

6. Aussie Ladette to Lady, Nine, 2009

A voiceover introduction of Aussie Ladette To Lady – based on a UK series – declares: “In Australia, there’s a new kind of woman emerging – loud, vulgar, drunken and dangerous.” The show’s premise was to reform eight of these “ladettes” by sending them to a British finishing school.

Aussie Ladette To Lady was a success for Nine, with reports the show’s first season alone made up to $3.6m in advertising revenue. The contestants, meanwhile, were portrayed terribly – Nine confirmed it had paid for the women to get drunk on camera, with one contestant saying she had “never been that drunk in my life” – and were in contention for no tangible prize. It lasted two seasons.

5. Undercover Angels, Seven, 2002

Before The Block there was the first wave of “before and after” renovating and makeover shows: Changing Rooms, Backyard Blitz and, shortly after, Undercover Angels. The latter was all these shows rolled into one led by a 19-year-old Ian Thorpe who sent his “angels” (radio host Jackie O, former Bardot band member Katie Underwood and actress Simone Kessell) to perform good deeds in the community.

Undercover Angels recorded decent ratings over its 11 episodes, but critics dubbed it “the worst show in the history of the world” and noted Thorpe’s “exquisitely awful impression of a plank throughout”.

4. Australia’s Next Top Model, Fox8, 2005-2016

After the original US franchise was a huge success, Australia’s Next Top Model launched, keeping the original show’s signature deranged challenges – like a photoshoot immediately after an army boot camp (see above), or holding a runway show on a conveyer belt, or even in a bubble – and potentially damaging messages about women’s bodies. I think about this man’s “horrible, horrible legs” comment almost daily, or this photographer calling a 17-year-old contestant “ugly”. During its 10 seasons we watched one contestant attack another in an incident known as “stranglegate” (she was disqualified) and the biggest blunder in Australian reality television history, when the wrong winner was announced in the sixth season’s finale.

3. Yasmin’s Getting Married, Ten, 2006

A 29-year-old woman is presented with a cast of eligible suitors, one of whom she will choose to marry in nine weeks. It’s an entirely stock standard premise by today’s reality television standards, but Australian viewers were not ready for Yasmin’s Getting Married in 2006.

After poor ratings production ceased just four episodes into airing, leaving Dale without a groom. Channel Ten promised it would foot the bill should she eventually wed; In a 2020 profile, Dale revealed she was in a happy relationship but had never married.

2. Playing It Straight, Seven, 2004

Playing It Straight originally started in the US but was canceled after only three episodes. Australia was the first country to actually see a whole season through to the end, led by straight bachelorette (23-year-old Rebecca Olds) and 12 male suitors, half of whom were gay. If a gay contestant tricked Olds into choosing him at the end, he got $200,000. If she chose a straight man, the pair split the money.

The show once again failed to lure audiences and was moved to a later time slot, but Olds and straight guy Chad walked away with $100,000 each.

1. Australian Princess, Ten, 2005-2007

After Mary Donaldson met her future husband, Crown Prince Frederik of Denmark, in a Sydney pub, reality television creators were convinced it could happen to anyone. To prepare, they created a “princess boot camp” led by Paul Burrell, a former butler to Princess Diana, and called it Australian Princess. Contestants competed for prizes including a tiara and being escorted to a gala ball by a Polish prince. It lasted two whole seasons.

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Artists and performers with disabilities given mainstream platform in regional town

Vincent Worlters remembers the moment his dreams of being a professional musician were initially crushed.

“As a young man, I was being trained to be an opera singer, but life got in the way with the onset of my disability, which was quite profoundly disabling,” Mr Worlters said.

“And basically, it destroyed my opportunities to be a professional singer.”

Despite his diagnosis, Mr Worlters was determined music would remain a big part of his life.

“The only breath I got from my horrible illness was to grab my guitar and sing and then the symptoms would come to a stop.”

Man in a floral shirt and vest smiles at the camera with green and purple stage curtains in the background
Vincent Worlters did not realize his love of acting until he joined a disability theater group.(ABC Mid North Coast: Madeleine Cross)

A new inclusive arts program on the NSW mid-north coast has now given Mr Worlters a chance to live out his dreams on stage.

The Wauchope Regional Art Program, also known as WRAP, is designed to assist artists with disabilities to build their confidence and skills. It connects them with professional artists so they can participate in the mainstream industry.

Mr Worlters joined WRAP’s theater class, along with Steph Smith and Kirsty Georges.

“The acceptance is really quite beautiful,” he said.

“Groups like this give me an opportunity, whereas nothing else will.”

Two men sing together while sitting on a stage, two women dance in the background
The WRAP theater group rehearsed for weeks with mentor Ian Castle.(ABC Mid North Coast: Madeleine Cross)

The trio is mentored by singer and musician Ian Castle.

“It’s this collaborative effort building on the strengths they have as individuals and myself inspiring them to try other things,” Mr Castle said.

The theater group performed on stage at a mainstream arts festival in the region called ArtWalk in front of a crowd of spectators.

It was a dream come true for the close-knit team.

“When the audience gets behind you, your whole performance totally lifts to a whole new level,” Mr Worlters said.

“You can see it in their faces, or the cheers, and their claps. It’s really uplifting.”

Audience watches performers on stage as the sun sets behind them on a river
WRAP groups performed at Port Macquarie’s ArtWalk event, which attracts thousands of spectators.(ABC Mid North Coast: Madeleine Cross)

Kirsty Georges said her parents and family were “stoked” about the program and her performance.

“I feel it inside my chest. I feel happy,” she said.

And it is not just stage performers who have thrived in the inclusive program.

Artists celebrate inclusion

Creating visual art has always been a source of joy for Kerri Cains but, due to her intellectual disability, she often found it hard to be taken seriously.

“I’ve always had trouble with reading and writing and maths skills,” Ms Cains said.

“But it’s always been a passion of mine to do art.”

Lady in floral shirt stands in front of colorful art work.
Kerri Cains is over the moon to have her artwork on display at a local gallery.(ABC Mid North Coast: Madeleine Cross)

Ms Cains said she was over the moon to be involved in the Wauchope Regional Art Program and its workshops.

“It’s hard to find places sometimes that are so inclusive,” Ms Cains said.

“In this art class, in particular, we don’t feel like we’re just put on the side … it’s actual artists actually teaching you how to do it and they treat you like they would treat everybody else.”

Two women in floral shirts stand in an art gallery looking at pieces of art work on a table.
Graphic designer and mentor Michele Kaye worked with Kerri Cains to develop the WRAP logo.(ABC Mid North Coast: Madeleine Cross)

Thanks to WRAP, Ms Cains’ work has been displayed front and center at Wauchope Art Gallery as part of the ArtWalk event.

“I can show my family and my friends and everybody in town will see my artwork,” she said.

“It’s just good to see that disability and the arts are coming together in such an amazing way.”

Ms Cains was paired with and mentored by graphic designer Michele Kaye.

“It’s beautiful, its humbling, its real, it’s life. It’s what everyone should be seeing day by day,” Ms Kaye said.

Two women in floral shirts stand side by side and smile with artwork in the background
Michele Kaye says she loved every moment of mentoring Kerri Cains.(ABC Mid North Coast: Madeleine Cross)

Artists’ skills ‘skyrocket’

WRAP was established by the Wauchope Community Arts Council, through an NDIS Information, Linkages and Capacity Building Grant.

Project coordinator Vicky Mackey said WRAP was started due to a lack of similar services on the Mid North Coast.

“Even though we have a very busy arts community, they weren’t connecting with people with disabilities,” she said.

“Disabled artists were segregated.”

Woman in white and red costume performs on stage, under a blue light
WRAP theater group member Steph Smith performed a solo show on stage.(ABC Mid North Coast: Madeleine Cross)

Ms Mackey said it was fantastic the group had been given its first mainstream platform at ArtWalk.

“It’s the first time that a lot of them have got to perform in public,” she said.

“The growth in their confidence and just the way they hold themselves, the ability to communicate with strangers, it’s skyrocketed.”

Woman with blonde hair and green jacket smiles at the camera, with artwork behind her
WRAP project coordinator Vicky Mackey was inspired by her own daughter’s disability.(ABC Mid North Coast: Madeleine Cross)

Ms Mackey said she was inspired by her own daughter who has a disability.

“I always try to have the best for her, living the best life she can, and that’s what it’s all about — giving these guys an opportunity,” she said.

“In art, it’s not about being perfect or the best. It’s about the passion and the joy that the person can show in their artwork or their dance.

“It doesn’t have to be perfect and that’s great — life’s not perfect.”

Crowd of people watch performance with buildings and palm trees in the background
The WRAP performances attracted a large crowd at Port Macquarie’s ArtWalk event.(ABC Mid North Coast: Madeleine Cross)

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Entertainment

Judge dismisses lawsuit accusing Bob Dylan of sexually abusing a 12-year-old girl in the 1960s

A federal judge in New York City has thrown out a lawsuit that accused Bob Dylan of sexually abusing a 12-year-old girl in 1965.

The plaintiff voluntarily dropped the case on Thursday, according to court documents.

Manhattan Federal Judge Katherine Polk Failla officially dismissed the filing “with prejudice,” meaning the case cannot be refiled.

American folk-rock singer-songwriter Bob Dylan performing at BBC TV Centre, London, 1st June 1965. Dylan recorded two 35-minute TV programs for the BBC at the session. (Photo by Val Wilmer/Redferns) (Redferns)

Dylan’s lawyers on Wednesday claimed the plaintiff failed to present court-ordered documents, including text messages and emails.

Dylan’s lawyers said the plaintiff, now a woman aged in her 60s identified in the lawsuit by the initials “JC”, “destroyed evidence directly relevant to the central factual allegations in this litigation”.

Orin Snyder, lead counsel for Dylan, said “this case is over. It is outrageous that it was ever brought in the first place.”

He added that the case was a “lawyer-driven sham” and he is pleased about its dismissal.

The 2021 lawsuit accused Dylan of befriending the plaintiff, “to lower her inhibitions with the object of sexually abusing her, which he did, coupled with the provision of drugs, alcohol and threats of physical violence, leaving her emotionally scarred and psychologically damaged to this day.”

American folk/rock singer and songwriter Bob Dylan smiles during a meeting with the British press, April 28, 1965. (CNN)

The lawsuit alleged the abuse occurred at Dylan’s apartment at the Hotel Chelsea in New York City when the plaintiff was aged 12.

In a statement after the filing last year, a spokesperson for Dylan said “the 56-year-old claim is untrue and will be vigorously defended.”

CNN has reached out to the plaintiff’s lawyers for comment.

Dylan was born Robert Allen Zimmerman in Duluth, Minnesota, in 1940.

He has sold more than 125 million records during his career.

Some of his most famous songs include “The Times They Are a-Changin’,” “Like a Rolling Stone” and “Blowin’ in the Wind.”

In 2008, Dylan won a Pulitzer Prize special citation for “his profound impact on popular music and American culture, marked by lyrical compositions of extraordinary poetic power.”

In 2016, he was awarded the Nobel Prize in Literature for “having created new poetic expressions within the great American song tradition.”

July 30

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